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"Ireland -- In literature"
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Seamus Heaney
This study will enable readers to gain clearer understanding of the life and major works of Seamus Heaney. It considers literary influences on Heaney, ranging from English poets such as Wordsworth, Hughes, and Auden to Irish poets such as Kavanagh and Yeats to world poets such as Virgil and Dante.
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Race in Modern Irish Literature and Culture
This book sets out to expose through a combination of literary, cultural and historical analysis the fictive nature of Irish monoculturalism and to probe figurations of racial identity, racial difference, and foreignness in Irish culture.
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Women's Life Writing and Early Modern Ireland
Women's Life Writing and Early Modern Irelandprovides an original perspective on both new and familiar texts in this first critical collection to focus on seventeenth-century women's life writing in a specifically Irish context. By shifting the focus away from England-even though many of these writers would have identified themselves as English-and making Ireland and Irishness the focus of their essays, the contributors resituate women's narratives in a powerful and revealing landscape. This volume addresses a range of genres, from letters to book marginalia, and a number of different women, from now-canonical life writers such as Mary Rich and Ann Fanshawe to far less familiar figures such as Eliza Blennerhassett and the correspondents and supplicants of William King, archbishop of Dublin. The writings of the Boyle sisters and the Duchess of Ormonde-women from the two most important families in seventeenth-century Ireland-also receive a thorough analysis. These innovative and nuanced scholarly considerations of the powerful influence of Ireland on these writers' construction of self, provide fresh, illuminating insights into both their writing and their broader cultural context.
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Irish Essays
\"Denis Donoghue has been a key figure in Irish studies and an important public intellectual in Ireland, the UK and US throughout his career. These essays represent the best of his writing and operate in conversation with one another. He probes the questions of Irish national and cultural identity that underlie the finest achievements of Irish writing in all genres. Together, the essays form an unusually lively and far-reaching study of three crucial Irish writers - Swift, Yeats and Joyce - together with other voices including Mangan, Beckett, Trevor, McGahern and Doyle. Donoghue's forceful arguments, deep engagement with the critical tradition, buoyant prose and extensive learning are all exemplified in this collection. This book is essential reading for all those interested in Irish literature and culture and its far-reaching effects on the world\"-- Provided by publisher.
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The Thriller and Northern Ireland since 1969
For the past 30 years, the so-called 'Troubles' thriller has been the dominant fictional mode for representing Northern Ireland, leading to the charge that the crudity of this popular genre appropriately reflects the social degradation of the North. Aaron Kelly challenges both these judgments, showing that the historical questions raised by setting a thriller in Northern Ireland disrupt the conventions of the crime novel and allow for a new understanding of both the genre and the country. Two essays on crime fiction by Walter Benjamin and Berthold Brecht appear here for the first time in English translation. By demonstrating the relevance of these theorists as well as other key European thinkers such as Antonio Gramsci, Louis Althusser, and Slavoj Zizek to his interdisciplinary study of Irish culture and the crime novel, Kelly refutes the idea that Northern Ireland is a stagnate anomaly that has been bypassed by European history and remained impervious to cultural transformation. On the contrary, Kelly's examination of authors such as Jack Higgins, Tom Clancy, Gerald Seymour, Colin Bateman, and Eoin McNamee shows that profound historical change and complexity have characterized both Northern Ireland and the thriller form.
Contents: Introduction: 'You didn't need a reason to kill people, not here': narrative, the north, and historical agency; 'The green unpleasant land': the political unconscious of the British 'Troubles' thriller; 'And what do you call it?': the thriller and the problematics of home in Northern Irish writing; 'New languages would have to be invented': representations of Belfast and urban space; 'A man could get lost': constructions of gender; 'It's not for the likes of us to philosophize': the pleasure and politics of thrills, or, towards a political aesthetics; Appendices; Bibliography; Index.
Aaron Kelly is a Lecturer in Modern and Contemporary Literature in English at the University of Edinburgh, UK.
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The literature of Ireland : culture and criticism
\"One of Ireland's foremost literary and cultural historians, Terence Brown's command of the intellectual and cultural currents running through the Irish literary canon is second to none, and he has been enormously influential in shaping the field of Irish studies. These essays reflect the key themes of Brown's distinguished career, most crucially his critical engagement with the post-colonial model of Irish cultural and literary history currently dominant in Irish Studies. With essays on major figures such as Yeats, MacNeice, Joyce and Beckett, as well as contemporary authors including Seamus Heaney, Derek Mahon, Michael Longley, Paul Muldoon and Brian Friel, this volume is a major contribution to scholarship, directing scholars and students to new approaches to twentieth-century Irish cultural and literary history\"-- Provided by publisher.
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A companion to irish literature, 2 volume set
\"Feminist Literary Theory is an indispensable guide, companion and handbook for students and teachers of women's literature. No other anthology offers so many bite-sized tasters of work on gendered authorship, literary production, critical reception, sexuality and genre - from romantic fiction to travel writing. Mary Eagleton's clear and informative introductions contextualize the debates represented by each extract, suggest connections between them and point to further reading. This Third Edition maintains and develops the irreplaceable breadth of the previous editions with several new pieces on such areas as autobiography, science fiction and border talk. The extra section, 'Writing Glocal', investigates dynamically evolving dialogues between feminism and postcolonialism, diaspora narratives and transculturalism. Whether you read from start to finish or choose to sample selectively, this rich collection will expand your knowledge and understanding of feminist thought, both as an historical discipline and as an excitingly relevant and progressive set of ideas.\" -Jane Dowson, De Montfort University.
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