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324 result(s) for "Irigaray"
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Divine flesh, embodied word
What has Luce Irigaray's statement that women need a God to do with her thoughts on the relation between body and mind, or the sensible and the intelligible? Using the theological notion 'incarnation' as a hermeneutical key, Anne-Claire Mulder brings together and illuminates the interrelations between these different themes in Luce Irigaray's work. Seesawing between Luce Irigaray's critique of philosophical discourse and her constructive philosophy, Mulder elucidates Irigaray's thoughts on the relations between 'becoming woman' and 'becoming divine'. She shows that Luce Irigaray's restaging of the relation between the sensible and the intelligible, between flesh and Word, is key to her reinterpretation of the relation between wo/man and God. In and through her interpretation of Luce Irigaray's thoughts on the flesh she argues that the relation between flesh and Word must be seen as a dialectical one, instead of as a dualistic relation. This means that 'incarnation' is no longer seen as a one-way process of Word becoming flesh, but as a continuing process of flesh becoming word and word becoming flesh. For all images and thoughts - including those of 'God' - are produced by the flesh, divine in its creativity inexhaustibility, in response to the touch of the other. And these images, thoughts, words in turn become embodied, by touching and moving the flesh of the subject.
Forever fluid
Forever Fluid is the first English commentary on Luce Irigaray's important text, Elemental Passions. It provides a lively alternative to the binary logic that runs through western culture, showing how sexual difference enables appreciation of difference of all kinds
The Interval:Relation and Becoming in Irigaray, Aristotle, and Bergson
The Interval offers the first sustained analysis of the concept grounding Irigaray's thought: the constitutive yet incalculable interval of sexual difference. In an extension of Irigaray's project, Hill takes up her formulation of the interval as a way of rereading Aristotle's concept of topos and Bergson's concept of duration.Hill diagnoses a sexed hierarchy at the heart of Aristotle's and Bergson's presentations. Yet beyond that phallocentrism, she points out how Aristotle's theory of topos as a sensible relation between two bodies that differ in being and Bergson's intuition of duration as an incalculable threshold of becoming are indispensable to the feminist effort to think about sexual difference.Reading Irigaray with Aristotle and Bergson, Hill argues that the interval cannot be grasped as a space between two identities; it must be characterized as the sensible threshold of becoming, constitutive of the very identity of beings. The interval is the place of the possibility of sexed subjectivity and intersubjectivity; the interval is also a threshold of the becoming of sexed forces.
The fate of place
In this imaginative and comprehensive study, Edward Casey, one of the most incisive interpreters of the Continental philosophical tradition, offers a philosophical history of the evolving conceptualizations of place and space in Western thought. Not merely a presentation of the ideas of other philosophers, The Fate of Place is acutely sensitive to silences, absences, and missed opportunities in the complex history of philosophical approaches to space and place. A central theme is the increasing neglect of place in favor of space from the seventh century A.D. onward, amounting to the virtual exclusion of place by the end of the eighteenth century. Casey begins with mythological and religious creation stories and the theories of Plato and Aristotle and then explores the heritage of Neoplatonic, medieval, and Renaissance speculations about space. He presents an impressive history of the birth of modern spatial conceptions in the writings of Newton, Descartes, Leibniz, and Kant and delineates the evolution of twentieth-century phenomenological approaches in the work of Husserl, Merleau-Ponty, Bachelard, and Heidegger. In the book's final section, Casey explores the postmodern theories of Foucault, Derrida, Tschumi, Deleuze and Guattari, and Irigaray.
Irigaray's Feminine Language in Joyce Johnson's Minor Characters: A Beat Memoir
This is a critical reading of Joyce Johnson's memoir Minor Characters to investigate the ways women's language is generated using philosopher Luce Irigaray's feminist framework of language. This study is library-based research done by a close reading of the memoir. Joyce Johnson was part of the second generation of women Beat writers, and she had a love affair with the main male Beat figure, Jack Kerouac. In Minor Characters, she illustrates the history of the Beat Generation. Irigaray, a Belgian feminist theorist, discusses the concept of feminine language, gender roles, and women's position in society. Findings illustrate that Joyce Johnson generates feminine language through choice of subject matter deemed unacceptable for the time period, word play, feminine vocabulary, unusual syntax, and by using the female body as a source of meaning-making. Moreover, in some parts of the memoir, women's silence also implies a subversive feminist response to language.