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"Irish American literature"
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The Banshees
The Banshees traces the feminist contributions of a wide range of Irish American women writers, from Mother Jones, Kate Chopin, and Margaret Mitchell to contemporary authors such as Gillian Flynn, Jennifer Egan, and Doris Kearns Goodwin. To illustrate the growth and significance of their writing, the book is organized chronologically by decade. Each chapter details the progress and setbacks of Irish American women during that period by examining key themes in their novels and memoirs contextualized within a discussion of contemporary feminism, Catholicism, Irish American history, American politics, and society. The Banshees examines these writers’ roles in protecting women’s sovereignty, rights, and reputations. Thanks to their efforts, feminism is revealed as a fundamental element of Irish American literary history.
Writing the City
by
Harding, Desmond
in
Cities and towns in literature
,
City and town life in literature
,
Comparative literature
2003,2004,2002
Writing the City examines and challenges the traditional transatlantic axis of urban modernism, London-Paris-New York, an axis that has often elided the historical importance of other centers that have shaped metropolitan identities and discourses. According to Desmond Harding, James Joyce's internationalist vision of Dublin generates powerful epistemic and cultural tropes that reconceive the idea of the modern city as a moral phenomenon in transcultural and transhistorical terms. Taking up the works of both Joyce and John Dos Passos, Harding investigates the lasting contributions these author's made to transatlantic intellectual thought in their efforts to envisage the city.
Too Smart to Be Sentimental
In a series of critical and biographical essays, Too Smart
to Be Sentimental offers a feminist literary history of
twentieth-century Irish America. This collection introduces the
reader to the works of twelve contemporary Irish American women
writers, some of whom are well known, such as Joyce Carol Oates,
Alice McDermott, and Tess Gallagher, and some of whom are equally
deserving of recognition.
Each chapter focuses on a particular writer, describes and
discusses that writer's most important works, contextualizes the
discussion with relevant biographical material, and highlights why
the writer is representative of the Irish American literary
tradition. Too Smart to Be Sentimental -the first critical
study of contemporary Irish American women authors-will be
invaluable to students and scholars of Irish studies and Irish
American literature.
Goodbye Yeats and O'Neill : farce in contemporary Irish and Irish-American narratives
by
Hagan, Edward A. (Edward Alphonsus)
in
Farce
,
Farce-History and criticism
,
Humorous stories, Irish
2010
Goodbye Yeats and O'Neill is a reading of one or two books recently written by the following major authors: Roddy Doyle, Colm Tóibín, John McGahern, William Trevor, Seamus Deane, Nuala O'Faolain, Patrick McCabe, Colum McCann, Nick Laird, Gerry Adams, Claire Boylan, Frank McCourt, Tim O'Brien, Michael Patrick MacDonald, Alice McDermott, Edward J. Delaney, Beth Lordan, William Kennedy, Thomas Kelly, and Mary Gordon. The study argues that farce has been a major mode of recent Irish and Irish-American fiction and memoir--a primary indicator of the state of both Irish and Irish-American cultures in the early twenty-first century.
American literature and Irish culture, 1910-1955
by
Stubbs, Tara
in
17th Century
,
American literature
,
American literature -- 20th century -- History and criticism
2015,2013
This book discusses how and why American modernist writers turned to Ireland at various stages during their careers. By placing events such as the Celtic Revival and the Easter Rising at the centre of the discussion, it shows how Irishness became a cultural determinant in the work of American modernists.