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Maureen Waters began writing about the Bronx in the spirit of dinnseachas, Irish place lore, as a means of recuperating from the accidental death of her son, whose story frames her own. Finding her way through the disorienting 1960s, after a girlhood tutored by nuns and inspired by the Holy Ghost, she set out on a kind of spiritual journey to recover what was valuable and life-sustaining in the Irish Catholic experience left behind. Writing her memoir meant coming to terms with the powerful matriarchal voices that inspired both affection and immobilizing guilt. Ultimately, Crossing Highbridge is a tribute to her father, for whom storytelling was an art of healing.

Many of the socially marginalized Irish immigrant women of this era made their living in domestic service. In contrast to immigrant men, who might have lived in a community with their fellow Irish, these women lived and worked in close contact with American families. Lynch-Brennan reveals the essential role this unique relationship played in shaping the place of the Irish in America today. Such women were instrumental in making the Irish presence more acceptable to earlier established American groups. At the same time, it was through the experience of domestic service that many Irish were acculturated, as these women absorbed the middle-class values of their patrons and passed them on to their own children. Drawing on personal correspondence and other primary sources, Lynch-Brennan gives voice to these young Irish women and celebrates their untold contribution to the ethnic history of the United States. In addition, recognizing the interest of scholars in contemporary domestic services, she devotes one chapter to comparing \"Bridget’s\" experience to that of other ethnic women over time in domestic service in America.

Notions of diaspora are central to contemporary debates about 'race', ethnicity, identity and nationalism. Yet the Irish diaspora, one of the oldest and largest, is often excluded on the grounds of 'whiteness'. Outsiders Inside explores the themes of displacement and the meanings of home for these women and their descendants. Juxtaposing the visibility of Irish women in the United States with their marginalization in Britain, Bronwen Walter challenges linear notions of migration and assimilation by demonstrating that two forms of identification can be held simultaneously. In an age when the Northern Ireland peace process is rapidly changing global perceptions of Irishness, Outsiders Inside moves the empirical study of the Irish diaspora out of the 'ghetto' of Irish Studies and into the mainstream, challenging theorists and policy-makers to pay attention to the issue of white diversity. Bronwen Walter is Senior Lecturer in Social Geography at Anglia Polytechnic University, Cambridge. She is a leading researcher of the Irish in Britain.

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This book recovers the curious history of the \"insensible\" in the Age of Sensibility. Tracking this figure through the English novel's uneven and messy past, Wendy Anne Lee draws on Enlightenment theories of the passions to place philosophy back into conversation with narrative. Contemporary critical theory often simplifies or disregards earlier accounts of emotions, while eighteenth-century studies has focused on cultural histories of sympathy. In launching a more philosophical inquiry about what emotions are, Failures of Feeling corrects for both of these oversights. Proposing a fresh take on emotions in the history of the novel, its chapters open up literary history's most provocative cases of unfeeling, from the iconic scrivener who would prefer not to and the reviled stock figure of the prude, to the heroic rape survivor, the burnt-out man-of-feeling, and the hard-hearted Jane Austen herself. These pivotal cases of insensibility illustrate a new theory of mind and of the novel predicated on an essential paradox: the very phenomenon that would appear to halt feeling and plot actually compels them. Contrary to the assumption that fictional investment relies on a richness of interior life, Lee shows instead that nothing incites the passions like dispassion.

Practicing the violin has paid off for violinist \"Eileen Ivers, the virtuosic New York violinist who stole the show as the chief instrumentalist in 'Riverdance'\" (UPI). Ivers reveals how she \"has been preparing all her life\" for her present success and her future plans to experiment with all kinds of music.

Eavan Boland has given women a new place in Irish poetry. Her book 'Object Lessons: The Life of the Woman and the Poet in Our Time' reveals the intimate struggles of a working poet in the presence of life's contradictions. Boland exposes the secrets, experiences and desires of Irish women which have always been kept from the public. This rare work expresses the problems and defiances of a poet as a woman seeking truth in her life and career.

As mass media burgeoned in the years between the first and second world wars, so did another phenomenon-celebrity. Beginning in Hollywood with the studio-orchestrated transformation of uncredited actors into brand-name stars, celebrity also spread to writers, whose personal appearances and private lives came to fascinate readers as much as their work.Women, Celebrity, and Literary Culture between the Warsprofiles seven American, Canadian, and British women writers-Dorothy Parker, Anita Loos, Mae West, L. M. Montgomery, Margaret Kennedy, Stella Gibbons, and E. M. Delafield-who achieved literary celebrity in the 1920s and 1930s and whose work remains popular even today. Faye Hammill investigates how the fame and commercial success of these writers-as well as their gender-affected the literary reception of their work. She explores how women writers sought to fashion their own celebrity images through various kinds of public performance and how the media appropriated these writers for particular cultural discourses. She also reassesses the relationship between celebrity culture and literary culture, demonstrating how the commercial success of these writers caused literary elites to denigrate their writing as \"middlebrow,\" despite the fact that their work often challenged middle-class ideals of marriage, home, and family and complicated class categories and lines of social discrimination. The first comparative study of North American and British literary celebrity,Women, Celebrity, and Literary Culture between the Warsoffers a nuanced appreciation of the middlebrow in relation to modernism and popular culture.

American Hybrid Poeticsexplores the ways in which hybrid poetics-a playful mixing of disparate formal and aesthetic strategies-have been the driving force in the work of a historically and culturally diverse group of women poets who are part of a robust tradition in contesting the dominant cultural order. Amy Moorman Robbins examines the ways in which five poets-Gertrude Stein, Laura Mullen, Alice Notley, Harryette Mullen, and Claudia Rankine-use hybridity as an implicitly political strategy to interrupt mainstream American language, literary genres, and visual culture, and expose the ways in which mass culture in the twentieth and twenty-first centuries has had a powerfully standardizing impact on the collective American imagination. By forcing encounters between incompatible traditions-consumer culture with the avant-garde, low culture forms with experimental poetics, prose poetry with linguistic subversiveness-these poets bring together radically competing ideologies and highlight their implications for lived experience. Robbins argues that it is precisely because these poets have mixed forms that their work has gone largely unnoticed by leading members and critics in experimental poetry circles.