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3,898 result(s) for "Irish identity"
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The Colors of Zion
This comparative study focuses on three groups often seen as antagonistic—Blacks, Jews, and Irish. Resolutely aware of past tensions, Bornstein argues that the pendulum has swung too far in that direction and that it is time to recover the history of lost connections and cooperation among the groups. The chronological range stretches from Frederick Douglass’s tour of Ireland during the Great Famine of the 1840s through the 1940s with the catastrophe of World War II. The study ends with the concept of the Righteous Gentile commemorated at the Israeli Holocaust Memorial, Yad Vashem--non-Jews who during the Holocaust risked their own lives to rescue Jews from the horror of the Holocaust. Bornstein expands the term here to include all those Irish, Jewish, or African American figures who fought against narrow identification only with their own group and instead championed a wider and more humane vision of a shared humanity that sees hybridity rather than purity and love rather than resentment. The identity politics and culture wars of recent decades often made recognizing those positive qualities problematic. But with the election of a mixed-race president who himself embodies mixture and mutual respect (and who famously described himself as a “mutt\"), the shallow and arbitrary nature of narrow identity politics become evident. This study recuperates strong voices from the past of all three groups in order to let them speak for themselves.
Everyday Life in the Early English Caribbean
Set along both the physical and social margins of the British Empire in the second half of the seventeenth century, Everyday Life in the Early English Caribbean explores the construction of difference through the everyday life of colonial subjects. Jenny Shaw examines how marginalized colonial subjects-Irish and Africans-contributed to these processes. By emphasizing their everyday experiences Shaw makes clear that each group persisted in its own cultural practices; Irish and Africans also worked within-and challenged-the limits of the colonial regime. Shaw's research demonstrates the extent to which hierarchies were in flux in the early modern Caribbean, allowing even an outcast servant to rise to the position of island planter, and underscores the fallacy that racial categories of black and white were the sole arbiters of difference in the early English Caribbean. The everyday lives of Irish and Africans are obscured by sources constructed by elites. Through her research, Jenny Shaw overcomes the constraints such sources impose by pushing methodological boundaries to fill in the gaps, silences, and absences that dominate the historical record. By examining legal statutes, census material, plantation records, travel narratives, depositions, interrogations, and official colonial correspondence, as much for what they omit as for what they include, Everyday Life in the Early English Caribbean uncovers perspectives that would otherwise remain obscured. This book encourages readers to rethink the boundaries of historical research and writing and to think more expansively about questions of race and difference in English slave societies.
‘We’re not ethnic, we’re Irish!’: Oral histories and the discursive construction of immigrant identity
This article examines how national and immigrant identities are discursively constructed through the use of oral histories, using a corpus of 15 oral-history interviews (25 hours of transcribed talk) collected from members of the Irish Association of Manitoba. Using a simplified discourse-historical approach, the analysis focuses on content, constructive strategies of assimilation and dissimilation, and the linguistic means by which those strategies are achieved, using Wodak et al.’s (1999) framework from an in-depth study of Austrian discourse and identity. While analysis of participants’ discourse about identity echoed much of the current theoretical knowledge available about identity — that it is a discursive construction revealed in narratives, that it is provisional and negotiated with others — the analysis also showed that for specific subgroups such as immigrants, identity construction is context-dependent, particularly for diasporic groups.
Irish writers in the Irish American press, 1882-1964
\"Literary anthologies feature many of Ireland's most well-known authors, Oscar Wilde, W. B. Yeats, J. M. Synge, George Bernard Shaw, Seán O'Casey, James Joyce, and Brendan Behan among them. While a number of notable scholars have contended that middle-class Irish Americans rejected or ignored this rebellious group of poets, playwrights, and novelists in favor of a conservative Catholic subculture brought over with the mass migration of the mid-nineteenth century, Stephen G. Butler demonstrates that the transatlantic relationship between these figures and a segment of Irish American journalists and citizens is more complicated--and sometimes more collaborative--than previously acknowledged. Irish Writers in the Irish American Press spans the period from Oscar Wilde's 1882 American lecture tour to the months following JFK's assassination and covers the century in which Irish American identity was shaped by immigration, religion, politics, and economic advancement. Through a close engagement with Irish American periodicals, Butler offers a more nuanced understanding of the connections between Irish literary studies and Irish American culture during this period\" -- Provided by publisher.
Too Smart to Be Sentimental
In a series of critical and biographical essays, Too Smart to Be Sentimental offers a feminist literary history of twentieth-century Irish America. This collection introduces the reader to the works of twelve contemporary Irish American women writers, some of whom are well known, such as Joyce Carol Oates, Alice McDermott, and Tess Gallagher, and some of whom are equally deserving of recognition. Each chapter focuses on a particular writer, describes and discusses that writer's most important works, contextualizes the discussion with relevant biographical material, and highlights why the writer is representative of the Irish American literary tradition. Too Smart to Be Sentimental -the first critical study of contemporary Irish American women authors-will be invaluable to students and scholars of Irish studies and Irish American literature.
Who's your Paddy? : racial expectations and the struggle for Irish American identity
\"After all the green beer has been poured and the ubiquitous shamrocks fade away, what does it mean to be Irish American besides St. Patrick's Day? Who's Your Paddy traces the evolution of \"Irish\" as a race-based identity in the U.S. from the 19th century to the present day. Exploring how the Irish have been and continue to be socialized around race, Jennifer Nugent Duffy argues that Irish identity must be understood within the context of generational tensions between different waves of Irish immigrants as well as the Irish community's interaction with other racial minorities. Using historic and ethnographic research, Duffy sifts through the many racial, class, and gendered dimensions of Irish-American identity by examining three distinct Irish cohorts in Greater New York: assimilated descendants of nineteenth-century immigrants; \"white flighters\" who immigrated to postwar America and fled places like the Bronx for white suburbs like Yonkers in the 1960s and 1970s; and the newer, largely undocumented migrants who began to arrive in the 1990s. What results is a portrait of Irishness as a dynamic, complex force in the history of American racial consciousness, pertinent not only to contemporary immigration debates but also to the larger questions of what it means to belong, what it means to be American. Jennifer Nugent Duffy is Associate Professor of History at Western Connecticut State University in Danbury, Connecticut. \"-- Provided by publisher.
The Irish in the Atlantic World
The Irish in the Atlantic World presents a transnational and comparative view of the Irish historical and cultural experiences as phenomena transcending traditional chronological, topical, and ethnic paradigms. Edited by David T. Gleeson, this collection of essays offers a robust new vision of the global nature of the Irish diaspora within the Atlantic context from the eighteenth century to the present and makes original inroads for new research in Irish studies. These essays from an international cast of scholars vary in their subject matter from investigations into links between Irish popular music and the United States—including the popularity of American blues music in Belfast during the 1960s and the influences of Celtic balladry on contemporary singer Van Morrison—to a discussion of the migration of Protestant Orangemen to America and the transplanting of their distinctive non-Catholic organizations. Other chapters explore the influence of American politics on the formation of the Irish Free State in 1922, manifestations of nineteenth-century temperance and abolition movements in Irish communities, links between slavery and Irish nationalism in the formation of Irish identity in the American South, the impact of yellow fever on Irish and black labor competition on Charleston's waterfront, the fate of the Irish community at Saint Croix in the Danish West Indies, and other topics. These multidisciplinary essays offer fruitful explanations of how ideas and experiences from around the Atlantic influenced the politics, economics, and culture of Ireland, the Irish people, and the societies where Irish people settled. Taken collectively, these pieces map the web of connectivity between Irish communities at home and abroad as sites of ongoing negotiation in the development of a transatlantic Irish identity.