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With more than half its population under twenty years old, Iran is one of the world's most youthful nations. The Iranian state characterizes its youth population in two ways: as a homogeneous mass, \"an army of twenty millions\" devoted to the Revolution, and as alienated, inauthentic, Westernized consumers who constitute a threat to the society. Much of the focus of the Islamic regime has been on ways to protect Iranian young people from moral hazards and to prevent them from providing a gateway for cultural invasion from the West. Iranian authorities express their anxieties through campaigns that target the young generation and its lifestyle and have led to the criminalization of many of the behaviors that make up youth culture.In this ethnography of contemporary youth culture in Iran's capital, Shahram Khosravi examines how young Tehranis struggle for identity in the battle over the right to self-expression. Khosravi looks closely at the strictures confronting Iranian youth and the ways transnational cultural influences penetrate and flourish. Focusing on gathering places such as shopping centers and coffee shops, Khosravi examines the practices of everyday life through which young Tehranis demonstrate defiance against the official culture and parental dominance. In addition to being sites of opposition, Khosravi argues, these alternative spaces serve as creative centers for expression and, above all, imagination. His analysis reveals the transformative power these spaces have and how they enable young Iranians to develop their own culture as well as individual and generational identities. The text is enriched by examples from literature and cinema and by livid reports from the author's fieldwork.

Reclaiming the Faravahar is an ethnographic study of the contemporary Zoroastrians in Tehran. It examines many public discursive and ritual performances to show how they utilize national, religious, and ethnic categories to frame the Zoroastrian identity within the longstanding conflict between Iranian Shi'a and Arab Sunnis, defining and defending Zoroastrians' identity and values in Shi'i dominated Iran.

This is the first ethnographic study of contemporary Zoroastrians in Tehran. Examining hundreds of ritual performances, Navid Fozi shows how Zoroastrians define their identity and values in an area long marked by conflict between the Shi‘a and Sunnis. He focuses on two main concerns for Zoroastrians: continuity with the past as evidenced by their claim to be the most authentic Iranians, as well as their attempts to stand apart from the dominant Shi‘a. Fozi also provides a look at the challenges Zoroastrians have faced over the centuries while exploring how today’s members are working to remain relevant in a tumultuous regional and global context

Azar Nafisi’s Reading Lolita in Tehran, Marjane Satrapi’s comics, and “Baghdad Blogger” Salam Pax’s Internet diary are just a few examples of the new face of autobiography in an age of migration, globalization, and terror. But while autobiography and other genres of life writing can help us attend to people whose experiences are frequently unseen and unheard, life narratives can also be easily co-opted into propaganda. In Soft Weapons, Gillian Whitlock explores the dynamism and ubiquity of contemporary life writing about the Middle East and shows how these works have been packaged, promoted, and enlisted in Western controversies. Considering recent autoethnographies of Afghan women, refugee testimony from Middle Eastern war zones, Jean Sasson’s bestsellers about the lives of Arab women, Norma Khouri’s fraudulent memoir Honor Lost, personal accounts by journalists reporting the war in Iraq, Satrapi’s Persepolis, Nafisi’s book, and Pax’s blog, Whitlock explores the contradictions and ambiguities in the rapid commodification of life memoirs. Drawing from the fields of literary and cultural studies, Soft Weapons will be essential reading for scholars of life writing and those interested in the exchange of literary culture between Islam and the West.