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In the 1980s, Egypt witnessed a growing revival of religiosity among large sectors of the population, including artists. Many pious stars retired from art, \"repented\" from \"sinful\" activities, and dedicated themselves to worship, preaching, and charity. Their public conversions were influential in spreading piety to the Egyptian upper class during the 1990s, which in turn enabled the development of pious markets for leisure and art, thus facilitating the return of artists as veiled actresses or religiously committed performers. Revisiting the story she began in\"A Trade like Any Other\": Female Singers and Dancers in Egypt, Karin van Nieuwkerk draws on extensive fieldwork among performers to offer a unique history of the religious revival in Egypt through the lens of the performing arts. She highlights the narratives of celebrities who retired in the 1980s and early 1990s, including their spiritual journeys and their influence on the \"pietization\" of their fans, among whom are the wealthy, relatively secular, strata of Egyptian society. Van Nieuwkerk then turns to the emergence of a polemic public sphere in which secularists and Islamists debated Islam, art, and gender in the 1990s. Finally, she analyzes the Islamist project of \"art with a mission\" and the development of Islamic aesthetics, questioning whether the outcome has been to Islamize popular art or rather to popularize Islam. The result is an intimate thirty-year history of two spheres that have tremendous importance for Egypt-art production and piety.

There is a struggle for the hearts and minds of Muslims unfolding across the Islamic world. The conflict pits Muslims who support pluralism and democracy against others who insist such institutions are antithetical to Islam. With some 1.3 billion people worldwide professing Islam, the outcome of this contest is sure to be one of the defining political events of the twenty-first century. Bringing together twelve engaging essays by leading specialists focusing on individual countries, this pioneering book examines the social origins of civil-democratic Islam, its long-term prospects, its implications for the West, and its lessons for our understanding of religion and politics in modern times. Although depicted by its opponents as the product of political ideas \"made in the West\" civil-democratic Islam represents an indigenous politics that seeks to build a distinctive Islamic modernity. In countries like Turkey, Iran, Malaysia, and Indonesia, it has become a major political force. Elsewhere its influence is apparent in efforts to devise Islamic grounds for women's rights, religious tolerance, and democratic citizenship. Everywhere it has generated fierce resistance from religious conservatives. Examining this high-stakes clash,Remaking Muslim Politicsbreaks new ground in the comparative study of Islam and democracy. The contributors are Bahman Baktiari, Thomas Barfield, John R. Bowen, Dale F. Eickelman, Robert W. Hefner, Peter Mandaville, Augustus Richard Norton, Gwenn Okruhlik, Michael G. Peletz, Diane Singerman, Jenny B. White, and Muhammad Qasim Zaman.

In a Western world suddenly acutely interested in Islam, one question has been repeatedly heard above the din: where are the Muslim reformers? As the number of Muslims living in the West grows, the question of what it means to be a Western Muslim becomes increasingly important to the futures of both Islam and the West. While the media are focused on radical Islam, this book claims that a silent revolution is sweeping Islamic communities in the West, as Muslims actively seek ways to live in harmony with their faith within a Western context. French, English, German, and American Muslims—women as well as men—are reshaping their religion into one that is faithful to the principles of Islam, dressed in European and American cultures, and definitively rooted in Western societies. The book's goal is to create an independent Western Islam, anchored not in the traditions of Islamic countries but in the cultural reality of the West. It begins by offering a fresh reading of Islamic sources, interpreting them for a Western context and demonstrating how a new understanding of universal Islamic principles can open the door to integration into Western societies. The author contends that Muslims can—indeed must—be faithful to their principles while participating fully in the civic life of Western secular societies. This book offers a vision of a new Muslim Identity that rejects the idea that Islam must be defined in opposition to the West.

After World War II, leading western powers focused their attention on fighting the \"\"Red Menace,\"\" Communism.Today, as terrorist activity is increasingly linked to militant Islamism, some politicians and scholars fear a \"\"Green Menace,\"\" a Pan-Islamic totalitarian movement fueled by monolithic religious ideology.

Islam's Predicament with Modernity presents an in-depth cultural and political analysis of the issue of political Islam as a potential source of tensions and conflict, and how this might be peacefully resolved. Looking at the issue of modernity from an Islamic point of view, the author examines the role of culture and religion in Muslim society under conditions of globalisation, and analyses issues such as law, knowledge and human rights. He engages a number of significant studies on political Islam and draws on detailed case studies, rejecting the approaches of both Orientalists and apologists and calling instead for a genuine Islamic pluralism that accepts the equality of others. Situating modernity as a Western product at the crux of his argument, he argues that a separation of religion and politics is required, which presents a challenge to the Islamic worldview. This critical analysis of value conflicts, tensions and change in the Islamic world will be of interest to scholars and advanced students of international relations, social theory, political science, religion, Islamic studies and Middle Eastern studies. 'Bassam Tibi has written the rarest of books: a book of learning and a daring one as well. One of the most formidable books to appear on modern Islam in a very long time. Arguable the leading singular authority on European Islam, Professor Tibi has looked, unsentimentally, at the modern dilemma of Islam and come forth with a book of startling originality. This is scholarship of the highest level: Professor Tibi neither apologizes for Islam's troubles nor hacks away at the Islamist utopia. In this \"cool\" and authoritative book, we have an unflinching depiction of Islam's modern predicament. An exemplary work.' - Fouad Ajami, Director of Middle East Studies, the Johns Hopkins University \"[A] wide-ranging and thought-provoking book.\" - Richard Bonney, University of Leicester; The Muslim World Book Review, Volume 31, Number 1, 2010 Bassam Tibi is Professor of International Relations at the University of Goettingen and A.D. White Professor-at-Large at Cornell University Introduction: Cultural Tensions, Modernity, Globalization, and Conflict 1. The Predicament: The Exposure to Cultural Modernity, and the Need for an Accommodation. Religious Reform and Cultural Change in Islamic Civilization 2. Issue Areas of the Predicament I: Modernity and Knowledge. Torn Between Reason and Islamization 3. Issue Areas of the Predicament II: Cultural Modernity and Law. The Contemporary Reinvention of Shari’a for the Shari’atization of Islam 4. Issue Areas of the Predicament III: Islam, the Principle of Subjectivity and Individual Human Rights 5. Islam’s Predicament as a Source of Conflict. Cultural-Religious Tensions and Identity Politics 6. Cultural Change and Religious Reform I: The Challenge of Secularization in the Shadow of De-Secularization 7. Cultural Change and Religious Reform II: Pluralism of Religions vs. Islamic Supremacism 8. Authenticity and Cultural Legacy. The Revival of the Heritage of Islamic Rationalism: Falsafa/Rational Philosophy vs. Fiqh-Orthodoxy 9. Case Studies I. The Failed Cultural Transformation in Egypt: A Model for the World of Islam? 10. Case Studies II. The Gulf Beyond the Age of Oil: The Envisioned Cultural Project for the Future 11. Conclusions and Future Prospects. Cultural Modernity and the Islamic Dream of Semi-Modernity. Conclusions