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"Italy Civilization 16th century."
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Beasts and Beauties
Beasts and Beautiesexamines the relationship between domesticity and power by focusing on the contemporaneous development of the invention of the 'pet' and the delineation of the home as a uniquely private enclosure, where the pater familias ruled over his own secluded world of domesticated wife, children, servants, and animals.
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A Renaissance education
The skills, ideas, and behaviours imparted through schooling provide insight into the collective outlook of a society in any age. Deeply rooted in archival sources, Christopher Carlsmith's A Renaissance Education uses a case study approach to examine educational practices in the north-eastern Italian city of Bergamo from 1500 to 1650. Carlsmith illustrates how education in this and other Venetian cities was affected by Renaissance humanism, Tridentine Catholicism, and Venetian domination, and how cooperation among various institutions resulted in a surprising array of options for schooling in these provincial cities.
A Renaissance Education 's close analysis of civic, ecclesiastical, confraternal, and family records not only paints a vivid portrait of how schooling functioned in one city but also explores this small city's dynamic interconnections with other locales and with larger regional processes.
eBook
Everyday Renaissances : the quest for cultural legitimacy in Venice
\"The Renaissance mattered to everyday people. Cultural Legitimacy recovers the cultural and intellectual lives of 147 Venetians of the sixteenth and early seventeenth centuries from household inventories that recorded their book ownership, from the philosophical ruminations they inserted (illegally) into their final wills and testaments, and from the laconic memoranda of mental universes wedged into the narrow margins of account books. Part I presents a broad view of the Venetian Renaissance as it unfolded in the houses and shops of artisans, merchants and professionals. Part II maps the worlds of three eloquent physicians: Nicolò Massa (1485-1569); Francesco Longo (1506-1576), and Alberto Rini (d.1599). These university-trained doctors left longer documentary trails than innkeepers, wives of goldsmiths and perfumers, apothecaries, parish priests, and retail merchants. Yet physicians had more in common with other men and women in the middle ranks than we might assume. While both popular and professional histories can make it seem as if Renaissance culture touched only aristocrats and the geniuses on their payrolls, this study reveals literary values inspiring people who did any number of things to feed their families.\"--Provided by publisher.
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Renaissance Masculinities, Diplomacy, and Cultural Transfer
Federico and Ferrante Gonzaga came of age during a time of intense change in sixteenth-century Italy: the Italian Wars (1494-1559). The first and third-born sons of Isabella d'Este and Francesco Gonzaga spent their formative years at the courts of Francis I of France and Charles V of Spain, where, as effectively diplomatic hostages, they learned valuable lessons about the transnational social codes and rituals central to sixteenth-century political life. As adults, they applied these lessons in their political and martial collaborations with Charles V: supporting his dominions in Italy, facilitating his attempted colonisation of northern Africa, and praising his attacks on Muslim pirates in the Italian Mediterranean. This book uses epistolary, literary, and material sources to argue that the boyhood and adult experiences of Federico and Ferrante Gonzaga are illustrative of wider strategies adopted by elite Italians to respond to conflict and crisis in a global age.
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The lives of paintings : presence, agency and likeness in Venetian art of the sixteenth century
\"As this book shows, paintings in 16th-century Venice were often treated as living beings. On the basis of case studies, its author offers a detailed examination of the agency paintings and other two-dimensional images could exert. Grounded in the theoretical literature on the agency of material things, the book contributes to Venetian studies as well as engaging with wider debates on the attribution of life and presence to images and objects\"-- Provided by publisher.
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The Sword and the Pen
In The Sword and the Pen: Women, Politics, and Poetry in Sixteenth-Century Siena, Konrad Eisenbichler analyzes the work of Sienese women poets, in particular, Aurelia Petrucci, Laudomia Forteguerri, and Virginia Salvi, during the first half of the sixteenth century up to the fall of Siena in 1555. Eisenbichler sets forth a complex and original interpretation of the experiences of these three educated noblewomen and their contributions to contemporary culture in Siena by looking at the emergence of a new lyric tradition and the sonnets they exchanged among themselves and with their male contemporaries. Through the analysis of their poems and various book dedications to them, Eisenbichler reveals the intersection of poetry, politics, and sexuality, as well as the gendered dialogue that characterized Siena's literary environment during the late Renaissance. Eisenbichler also examines other little-known women poets and their relationship to the cultural environment of Siena, underlining the exceptional role of the city of Siena as the most important center of women's writing in the first half of the sixteenth century in Italy, and probably in all of Europe.
This innovative contribution to the field of late Renaissance and early modern Italian and women's studies rescues from near oblivion a group of literate women who were celebrated by contemporary scholars but who have been largely ignored today, both because of a dearth of biographical information about them and because of a narrow evaluation of their poetry. Eisenbichler's analysis and reproduction of many of their poems in Italian and modern English translation are an invaluable contribution not only to Italian cultural studies but also to women's studies.
eBook
Votive Panels and Popular Piety in Early Modern Italy
In the late fifteenth century, votive panel paintings, or tavolette votive, began to accumulate around reliquary shrines and miracle-working images throughout Italy. Although often dismissed as popular art of little aesthetic consequence, more than 1,500 panels from the fifteenth and sixteenth centuries are extant, a testimony to their ubiquity and importance in religious practice. Humble in both their materiality and style, they represent donors in prayer and supplicants petitioning a saint at a dramatic moment of crisis. In this book, Fredrika H. Jacobs traces the origins and development of the use of votive panels in this period. She examines the form, context and functional value of votive panels, and considers how they created meaning for the person who dedicated them as well as how they accrued meaning in relationship to other images and objects within a sacred space activated by practices of cultic culture.
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