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A fantastic collection of legends about the Greek king of Ithaca, Odysseus, also known by his Latin name of Ulysses, written by English essayist Charles Lamb.

Looking back, the moral panic that precipitated the decimation of horror comics in the 1950s seems quaint, yet concerns about the psychological impact of violent media on consumers have never disappeared. In this article, I outline a particular type of psychological impact we ought to take seriously when evaluating the moral status of entertainment. I then consider (a) ways in which comics seem immune from claims that they create this kind of impact for their readers, as well as (b) ways in which we might think that comics generate special instances of moral danger for readers.

How science fiction films in the 1950s were marketed and helped create the broader genre itself. For Hollywood, the golden age of science fiction was also an age of anxiety. Amid rising competition, fluid audience habits, and increasing government regulation, studios of the 1950s struggled to make and sell the kinds of films that once were surefire winners. These conditions, the leading media scholar J. P. Telotte argues, catalyzed the incredible rise of science fiction. Though science fiction films had existed since the earliest days of cinema, the SF genre as a whole continued to resist easy definition through the 1950s. In grappling with this developing genre, the industry began to consider new marketing approaches that viewed films as fluid texts and audiences as ever-changing. Drawing on trade reports, film reviews, pressbooks, trailers, and other archival materials, Selling Science Fiction Cinema reconstructs studio efforts to market a promising new genre and, in the process, shows how salesmanship influenced what that genre would become. Telotte uses such films as The Thing from Another World , Forbidden Planet , and The Blob , as well as the influx of Japanese monster movies, to explore the shifting ways in which the industry reframed the SF genre to market to no-longer static audience expectations. Science fiction transformed the way Hollywood does business, just as Hollywood transformed the meaning of science fiction.

Mysteries, horror stories, and thrillers keep readers' hearts pounding and their bodies firmly planted on the edge of their seats. The authors who have provided some of the greatest literary adrenaline rushes in history are profiled in this book. These individuals challenge readers to solve crimes, delve into the supernatural, and face their deepest fears--all in the name of entertainment and edification. By examining the lives of many of the writers behind these popular works--including Raymond Chandler, Agatha Christie, John Grisham, Stephanie Meyer, and Bram Stoker--readers will also learn about the evolution of these genres, as well as the impetus behind the creation of many best-selling titles therein.

Roberts reminds us here that our imaginations aren't the only places where restless ghosts still roam.