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In the last ten years efforts at modelling practical problems in foundation analysis using a strength-of-materials approach have developed the concept of the conical bar or beam as a tool. Such cone models can be used to model a foundation in a dynamic soil-structure interaction analysis with a variation of the properties with depth. This book develops this new approach from scratch in a readable and accessible manner. A systematic evaluation for a wide range of actual sites demonstrates sufficient engineering accuracy.

The first title in the new Intellect series 'Critical Photography', features photographs shot between 2004 and 2008 in fourteen different cities around the world. The images are linked by their shared attempts to define a two-dimensional approach to a three-dimensional built reality, and to address spatial representation and urbanity through art.

An Icon of Modernism

Once the design has been completed, the architects prepare the tender documents for the contractors, and provide support during the tender procedure. For the purpose of commissioning various building works it is necessary to set up building contracts which contain standard content as well as very individual provisions. The building contract and its extensive drawings and specifications are the basis for the building work; they must be understood by the supervising architect and implemented to create the building. The complexity and diversity of building contracts is increased by the fact that there is hardly a building contract that does not have to be modified after it has been signed. Basics Building Contract offers the typical structures and explanations, as well as the tools for creating project-specific contracts and understanding the inherent complexity.

Theatre in Passing explores spaces of performance in contemporary Moscow. Inspired by French philosopher Michel de Certeau's model of a 'second, poetic geography' in which the walker - the everyday practitioner - invents the space observed by the voyeur, this book takes the reader on a tour of spaces of performance in contemporary Moscow. Through text and photography, the city's 'theatrical geography' is uncovered, from the Bolshoi Theater in Theater Square to hidden gems like the recently restored Kuskovo estate. With additional sections on street theatre and other public gatherings, Theatre in Passing is a must-read book for anyone curious about the theatrical architecture and geography of Russia's capital.

The Caribbean's middleness within anthropological literature has been recognized and progressively untangled by scholars like Sidney Mintz and David Scott. The dialectics that figure the Caribbean as a perennially contingent space, always embodying too little and too much of the values that bound discourses of colonial modernity, frame the arguments in both Victorian Jamaica and Empire of Neglect. Both books respond to the problem of an ill-fitting Caribbean, especially after the formal abolition of slavery gave way to apprenticeships and inaugurated an uneven process of gaining political freedoms. Victoria's six-decade reign over the British Empire witnessed the expansion of liberal capitalism, reformulations of state and planter relationships, and movements for political rights under empire. Insurgencies and rebellions dotted the landscape of empire, from India (1857–59) and Jamaica (1865) to the Zulu territories (1879) and Alexandria in Egypt (1879–82). Empire responded to subjects who exposed its shaky footings through greater repression, social reform, and ballasting the civilizing mission from above. From below, colonized subjects inhabited empire in resistant, calculative, and often contradictory modes that revealed the undoing of imperial ambitions in practice. The Caribbean's marginalization in post-emancipation political economy, as the British Empire occupied more territory in Africa and Asia, produced many such complex habitations of empire that superficially may appear, pace Mintz, to be culturally midway between there and here.

Lehan reviews \"Acta Est\" by Lise Sarfati and introduced by Olga Medvedkova.