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"James Weldon Johnson"
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سيرة رجل ملون
تدور أحداث هذا الكتاب \"سيرة رجل ملون\" عن أن كانت السنوات القليلة التي أمضيتها في حياتينا الزوجية في غاية السعادة ربما كانت هي اشد سعادة مني ولقد منحتني الكثير من الحب ولكن حزنا جديدا لازمني وحزن لا يمكنني شرحه ولكنه لا يتركني على الإطلاق ولقد عشت في خوف دائم من أنها ربما تكتشف عيبا تنسبه من غير وعي منها ولا إدراك إلى عرقي لا إلى كونه خطأ بشريا عاديا ولقد كانت خسارتي لها شيئا لا يعوض على الإطلاق.
Book
James Weldon Johnson's Modern Soundscapes
James Weldon Johnson's Modern Soundscapesprovides an evocative and meticulously researched study of one of the best known and yet least understood authors of the New Negro Renaissance era. Johnson, familiar to many as an early civil rights leader active in the National Association for the Advancement of Colored People and an intentionally controversial writer on the subject of the significance of race in America, was one of the most prolific, wide-ranging, and yet elusive authors of twentieth-century African American literature.
Johnson realized early in his writing career that he could draw attention to the struggles of African Americans by using unconventional literary methods such as the incorporation of sound into his texts. In this groundbreaking work, literary critic Noelle Morrissette examines how his literary representation of the extremes of sonic experience-functioning as either cultural violence or creative force-draws attention to the mutual contingencies and the interdependence of American and African American cultures. Moreover, Morrissette argues, Johnson represented these \"American sounds\" as a source of multiplicity and diversity, often developing a framework for the interracial transfer of sound. The lyricist and civil rights leader used sound as a formal aesthetic practice in and between his works, presenting it as an unbounded cultural practice that is as much an interracial as it is a racially distinct cultural history.
Drawing on archival materials such as early manuscript notes and drafts of Johnson's unpublished and published work, Morrissette explores the author's complex aesthetic of sound, based on black expressive culture and cosmopolitan interracial experiences. This aesthetic evolved over the course of his writing life, beginning with his early Broadway musical comedy smash hits and the composition ofAutobiography of an Ex-Colored Man(1912), and developing through his \"real\" autobiography,Along This Way(1933). The result is an innovative new interpretation of the works of one of the early twentieth century's most important and controversial writers and civil rights leaders.
eBook
Lift Every Voice and let freedom ring
[...]they had been singing it for most of their lives: as students in predominantly segregated schools and as adults at civil rights meetings and in black civic clubs. [...]when King said, \"So we have come here today to dramatize an appalling condition\" and with \"faith we will be able to hew out of the mountain of despair a stone of hope,\" they might have recalled Johnson's \"song full of the faith that the dark past has taught\": that \"Stony the road we trod / Bitter the chastening rod, / Felt in days when hope unborn had died.\" [...]all Americans are judged fairly, reside in safe housing, get a good education, do meaningful work for adequate pay, have sufficient healthcare, and die a timely death unhurried by racial bigotry, segregation, and discrimination, concerned people must continue to sing Johnson's song and pursue King's dream.
Journal Article
Sing a song : how \Lift Every Voice and Sing\ inspired generations
Illustrations and easy-to-read text follow a family through five generations as each is inspired by the song written in 1900 to honor Abraham Lincoln. Includes author's note on the history of the song and its meaning in her family.
BOOK
Writing against reform : aesthetic realism in the Progressive Era
Throughout the Progressive Era, reform literature became a central feature of the American literary landscape.Works like Upton Sinclair's The Jungle , Charlotte Perkins Gilman's \"The Yellow Wall-Paper,\" and Jacob Riis's How the Other Half Lives topped bestseller lists and jolted middle-class readers into action.
eBook
Let us march on! : James Weldon Johnson and the silent protest parade
A moving and inspiring nonfiction picture book about James Weldon Johnson and the first mass all-Black march for civil rights in the United States when 10,000 Black protestors, including children, marched down New York's Fifth Avenue.
BOOK
Narrative Order, Racial Hierarchy, and \White\ Discourse in James Weldon Johnson's \The Autobiography of an Ex-Colored Man\ and \Along This Way\
[...] the hegemonic perspective that prevents the Ex-Colored Man from engaging with his own racial indeterminacy seems to have also prevented the critics from recognizing that the character's identity as black passing for white is ideologically constructed. [...] those critics implicitly or explicitly interpret the protagonist's white viewpoint as a deviation from the black identity he should embrace, calling it the consequence of white supremacy's \"encirclement of the black man's self (MacKethan 146), his \"displacement from the [African American] genius loci' (Stepto 114), and so on.
Journal Article
“A Splendid Missionary for the Race”: James Weldon Johnson, Creative Writing, And Race Work At Fisk University, 1931–1938
James Weldon Johnson wore many hats throughout his public life. His work as an academic, however, is rarely discussed in scholarship. In 1931, he left the NAACP to accept the Adam K. Spence Chair in Creative Literature at Fisk University, a historically Black college, where he held the position until his death seven years later. His conceptualization of Fisk’s creative writing program as a space for Black world-creation and radical resistance contrasts sharply with today’s popular perceptions of creative writing as a “white” space within the contemporary academy. This paper frames Johnson’s time at Fisk as an important and often-overlooked aspect of his civil rights work, and recovers the history of HBCUs as pioneers in the advancement of creative writing as an academic discipline and an instrument for social transformation.
Journal Article
Writing Against Reform: Aesthetic Realism in the Progressive Era
During a period of American history when numerous authors used their writing as a form of political action, the subjects of this book advocated for a literature of \"ideas rather than arguments\" (64). [...]to scholarship that figures the novel's heroine, Edna Pontellier, as a woman whose radical claim to self-possession put her at odds with the Victorian ideology of sanctified motherhood, Zibrak's analysis addresses problems more intrinsic to the character herself, namely, her misguided ideas about art. In 1916, Wharton published 7he Book of the Homeless, a collection of essays, poetry, and art, to raise money to aid French civilian refugees.
Journal Article