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Sexuality, Maternity, and (Re)productive Futures explores how contemporary Japanese female speculative fiction writers have challenged historical inequalities of sex, gender difference, and family roles by imagining alternative worlds where sexes are fluid and childbearing crosses the boundaries of male/female, biological/bioengineered, and human/nonhuman.

This study investigates our multiple selves as manifested in how we use language. Applying philosophical contrastive pragmatics to original and translation of Japanese and English works, the concept of empty yet populated self in Japanese is explored.

01 02 Postcolonialism and Science Fiction explores intersections and interactions between the genre of science fiction and the theory and practice of postcolonialism, concentrating primarily on contemporary science fiction from the 1950s to the present day. The book argues that several of the foundational myths of science fiction – the 'other', or the stranger, and the strange and foreign land – are shared at the heart of colonialism, and that postcolonial science fiction has developed unique and creative ways of overcoming and dispelling these myths. Using close readings and thematic studies, ranging from lively discussions of Japanese and Canadian science fiction to a thorough and incisive deconstruction of race and (post)colonialism in the online game World of Warcraft , Postcolonialism and Science Fiction is the first comprehensive study of the complex and developing relationship between the two areas. It will be of interest to fans, researchers, students and anyone else interested in science fiction, postcolonial studies, or both. 19 02 First full-length study to explore the relationship between postcolonialism and science fiction Lots of academic (and popular) interest in titles on science fiction Discusses wide range of sci-fi texts, including very recent titles Speaks to current and exciting debates within both science fiction and postcolonial studies Breadth of focus, both in terms of texts covered and geographical context 13 02 JESSICA LANGER received her PhD from Royal Holloway, University of London in 2009. She has published widely on postcolonial theory and practice and science fiction literature, film, video games and other media; her work ranges across a variety of geographical contexts including Canada, Japan and India. She currently lives and works in Toronto, Canada. 31 02 Grounded in the latest scholarship and cultural production, this book explores intersections and interactions between the science fiction and the theory and practice of postcolonialism 02 02 Using close readings and thematic studies of contemporary science fiction and postcolonial theory, ranging from discussions of Japanese and Canadian science fiction to a deconstruction of race and (post)colonialism in World of Warcraft, This book is the first comprehensive study of the complex and developing relationship between the two areas. 04 02 Acknowledgements Introduction: Elephant-Shaped Holes A Question of History: Geographical/Historical Context Diaspora and Locality Race, Culture, Identity and Alien/Nation Hybridity, Nativism and Transgression Indigenous knowledge and Western science Conclusion: Filling Holes, Breaking Boundaries Bibliography Index 08 02 'Jessica Langer's crisp study performs timely and acute analyses of issues of racial identity, problems of diaspora and locality, the clash of indigenous and Western forms of knowledge, and the play of historical continuity and discontinuity at the conjuncture of science fiction, colonialism, and postcolonial studies. It should become a central reference in this growing field.' – Professor John Rieder, Department of English, UH M?noa, USA

What happens when a critique of modernity—a \"revolt against the traditions of the Western world\"—is situated within a non-European context, where the concept of the modern has been inevitably tied to the image of the West? Seiji M. Lippit offers the first comprehensive study in English of Japanese modernist fiction of the 1920s and 1930s. Through close readings of four leading figures of this movement— Akutagawa, Yokomitsu, Kawabata, and Hayashi—Lippit aims to establish a theoretical and historical framework for the analysis of Japanese modernism. The 1920s and 1930s witnessed a general sense of crisis surrounding the institution of literature, marked by both the radical politicization of literary practice and the explosion of new forms of cultural production represented by mass culture. Against this backdrop, this study traces the heterogeneous literary topographies of modernist writings. Through an engagement with questions of representation, subjectivity, and ideology, it situates the disintegration of literary form in these texts within the writers' exploration of the fluid borderlines of Japanese modernity.

Reading Colonial Korea through Fiction is a compilation of thirteen original essays which was first serialized in a quarterly issued by the National Institute of Korean Language, Saekukŏsaenghwal (Living our National Language Anew) in a column entitled, “Our Fiction, Our Language” between 2004 to 2007. Although the original intent of the Institute was to elucidate on important features particular to “national fiction” and the superiority of “national language,” instead Kim Chul’s astute essays offers a completely different reading of how national literature and language was constructed. Through a series of culturally nuanced readings, Kim links the formation and origins of Korean language and fiction to modernity and traces its origins to the Japanese colonial period while demonstrating in a very lucid way how colonialism constitutes modernity and how all modernity is perforce colonial, given the imperial crucibles from which modernist claims emerged. For Kim, denying this reality can only lead to violent distortions as he eschews appeals to a preexisting framework, preferring instead to ground his theoretical insights in subtle, innovative readings of texts themselves.