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21 result(s) for "Jerusalem (Israel) Buildings, structures, etc."
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Modern Typologies as Spaces of Inter-Religious Engagement in British-Mandate Jerusalem, 1917–1938
The architecture of Jerusalem has for centuries been defined by its being a space sacred to Judaism, Christianity, and Islam. The end of World War I marked the beginning of British Mandatory rule, which lasted until 1948. During this period, Jerusalem witnessed a proliferation of architectural projects that repositioned religion within modern typologies representing the city’s communities. This research investigates four such buildings: the British Rockefeller Museum, the Palestinian Palace Hotel, the American YMCA Building, which functioned as a community center and hostel, and the new Zionist Executive Building. The integration of religious elements into these edifices is examined using the concept of inter-religious engagement and by applying the theory of purification and hybridization. The research demonstrates that British and American Christians, Zionist Jews, and Muslim Palestinians, used different strategies to produce inter-religious engagement—either intentionally or because of British-dictated political constructs. British and American Christians embedded religious elements within modern typologies to reflect peaceful co-existence, while Zionist Jews and Muslim Palestinians used them to construct national identity. Although conceived as “purely” secular, these modern typologies were hybridized by the integration of religious spaces or emblems, revealing further dimensions to our understanding and assessment of 20th-century urban secular architecture and its intersection with religions.
Designing Holiness: Architectural Plans for the Design of the Western Wall Plaza After the Six-day War, 1967–1977
It was only after the Six-Day War of 1967 that the Western Wall took on a new political and practical status, when, for the first time in its history, the site and the surrounding plaza came under Jewish and Israeli authority and became accessible to anyone wishing to visit or worship there. The vast quantity of visitors expected at the Western Wall was one of the main factors that hastened the decision to destroy the Mughrebi Quarter, extending to the west of the Western Wall, and build a wide, open plaza. From the moment the open space near the Western Wall was formed, it was considered temporary. A public debate over its permanent design surfaced. We examine the detailed ideas and architectural plans created for the plaza’s design. In conducting this examination, we learn about the controversy that existed over the site’s character: would it become a purely religious site or would it assume national and cultural roles as well? We postulate that the various plans and ideas for the plaza’s design proposed during the first decade after the Six-Day War embodied the tension that was created in Israel during that time, as religious feeling faced off against national sentiment, and as those who saw the Western Wall solely as a place of prayer and reflection squared off against those who valued its historical and national significance.
‘Uniting the Nation's Various Limbs into a National Body’ the Jerusalem People's House
The article reveals the Jerusalem People's House as both a structure and an institution, from its conception to its construction, based on materials published here for the first time; and locates it within the desires and limitations of a community that saw itself as a nation-builder and the house as a national crucible. This is an extreme example of the affinity between a national body and an architectural one, an affinity that characterizes the building of many people's houses in Eretz Israel. The article claims that, in Jerusalem, this affinity motivated a drive towards an architectural masterpiece, while in the balance of creative fantasy versus function, the very same affinity ultimately dictated a simple, utilitarian architectural formula.
The Return to the Monument
This article examines the gradual conversion of the areas surrounding the Old City of Jerusalem and spaces overlooking the Temple Mount into national symbolic landscape. Within this space, ancient Jewish sites function as national monuments, tied together through landscaping. A continuum of space and time is gradually being created in the shadow of Muslim and Christian monuments, in stark contrast to the Palestinian neighborhoods. The visual and textual symbolism and imagery that accompany the space emphasize the memory of the absent Jewish Temple. Thus, the creation of national symbolic landscape is simultaneously the creation of a new ‘Holy Geography’ and the replacement of traditional forms of Jewish memory by tangible and visual memory. The absent Temple serves as a meta-image of this symbolic national landscape and as the missing national monument, thus reflecting and promoting the rise of a symbiosis between religious and national aspirations.