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"Jews England Fiction."
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Shylock is my name : William Shakespeare's The merchant of Venice retold
In a magnificent modern re-imagining of one of Shakespeare's most provocative characters, Shylock Simon Strulovitch, riddled with grief after the death of his wife, struggles with his daughter Beatrice's betrayal of family and his daughter Jessica's rejection of her Jewish roots.
Book
Daniel Deronda
Two members of the British upper class are drawn together—and torn asunder—by their search for self in this \"startling and unexpected novel\" (A. S. Byatt).
As a true scion of the English gentry, Daniel Deronda has been raised with the expectation that he will take his rightful place in society—despite being possessed of a disquiet he cannot ignore. When he spies the beautiful Gwendolen Harleth, he senses a similarly dissatisfied soul in her. However, their shared discontent takes them in vastly different directions.
Upon discovering some unsettling possibilities about his own ancestry, Daniel is drawn into the world of Judaism and the discipline and spiritual growth it entails while Gwendolen fiercely desires to be freed from her oppressive marriage to noble Henleigh Mallinger Grandcourt and rectify mistakes from her past in order to live on her own terms. The two find their paths intertwined as they seek life outside of their station.
Set at the height of the British Empire, where racism, sexism, and the strict hierarchy of an absolutely uncompromising society held sway, Daniel Deronda is a jarring, emotional tale of a time and place often romanticized but rarely examined in all its facets, both glorious and grotesque.
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Change and Decline in London's Jewish East End: The Yiddish Sketches of Katie Brown
The British Yiddish writer Katie Brown wrote humorous stories and sketches for the London Yiddish newspapers Di post (The Post) in the 1930s and Di tsayt (The Times) in the 1940s. The stories, set in London's Jewish East End, concern the day-to-day effects of immigration, poverty, and Jewish culture in Britain. After the Second World War, in a bombed-out East End where Jewish migration to the suburbs was accelerating, Brown did not write entirely new sketches, but rather edited versions of her prewar stories. Looking at the earlier and later stories together, we get a sense of the changes happening to London's Jewish community: the decline of Jewish culture and religious practice, the changing relationship with the Eastern European homeland, and the decline of the Yiddish language. Through close reading and analysis, this article gives historical background to Brown and the social, cultural, and political context of her stories. It situates Brown as the only female journalist writing regularly for the press and identifies her unique perspective in making poignant interventions into Jewish debates of the day through stories of small incidents in family life. She raises questions around how to maintain a Jewish identity in England and visibility as a Jew in a Christian world, and traces change through two decades by describing the tension between the immigrant generation and their children. Using a range of neglected source material in Yiddish, this article throws new light on the Jewish East End in its twilight years.
Journal Article
Two bronze pennies
Leeds, Christmas Eve, 1890. A young man has been found stabbed to death in the city's poverty-stricken Jewish district, his body arranged in the shape of a cross, two bronze pennies covering his eyes. As fear rises in the Jewish community, DI Tom Harper is forced to use unorthodox methods to find the killer.
Book
Daniel Deronda
Two members of the British upper class are drawn together--and torn asunder--by their search for self in this \"startling and unexpected novel\" (A. S.Byatt). As a true scion of the English gentry, Daniel Deronda has been raised with the expectation that he will take his rightful place in society--despite being possessed of a disquiet he cannot.
eBook
Ivanhoe : a romance
The classic epic of chivalry and courtly love features the disinherited knight Ivanhoe, his fair lady Rowena, and such larger-than-life characters as Richard the Lion-Hearted and Robin Hood. This novel of the Crusades, chivalry, and courtly love not only recreates history, but made history as well.
Book
Blood Relations
In Blood Relations, Janet Adelman confronts her resistance to The Merchant of Venice as both a critic and a Jew. With her distinctive psychological acumen, she argues that Shakespeare’s play frames the uneasy relationship between Christian and Jew specifically in familial terms in order to recapitulate the vexed familial relationship between Christianity and Judaism. Adelman locates the promise—or threat—of Jewish conversion as a particular site of tension in the play. Drawing on a variety of cultural materials, she demonstrates that, despite the triumph of its Christians, The Merchant of Venice reflects Christian anxiety and guilt about its simultaneous dependence on and disavowal of Judaism. In this startling psycho-theological analysis, both the insistence that Shylock’s daughter Jessica remain racially bound to her father after her conversion and the depiction of Shylock as a bloody-minded monster are understood as antidotes to Christian uneasiness about a Judaism it can neither own nor disown. In taking seriously the religious discourse of The Merchant of Venice, Adelman offers in Blood Relations an indispensable book on the play and on the fascinating question of Jews and Judaism in Renaissance England and beyond.
eBook
Blood relations
In Blood Relations, Janet Adelman confronts her resistance to The Merchant of Venice as both a critic and a Jew. With her distinctive psychological acumen, she argues that Shakespeare’s play frames the uneasy relationship between Christian and Jew specifically in familial terms in order to recapitulate the vexed familial relationship between Christianity and Judaism. Adelman locates the promise—or threat—of Jewish conversion as a particular site of tension in the play. Drawing on a variety of cultural materials, she demonstrates that, despite the triumph of its Christians, The Merchant of Venice reflects Christian anxiety and guilt about its simultaneous dependence on and disavowal of Judaism. In this startling psycho-theological analysis, both the insistence that Shylock’s daughter Jessica remain racially bound to her father after her conversion and the depiction of Shylock as a bloody-minded monster are understood as antidotes to Christian uneasiness about a Judaism it can neither own nor disown. In taking seriously the religious discourse of The Merchant of Venice, Adelman offers in Blood Relations an indispensable book on the play and on the fascinating question of Jews and Judaism in Renaissance England and beyond.
eBook