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Sculpture has been a central aspect of almost every art culture, contemporary or historical. This volume comprises ten essays at the cutting edge of thinking about sculpture in philosophical terms, representing approaches to sculpture from the perspectives of both Anglo-American and European philosophy. Some of the essays are historically situated, while others are more straightforwardly conceptual. All of the essays, however, pay strict attention to actual sculptural examples in their discussions. This reflects the overall aim of the volume to not merely “apply” philosophy to sculpture, but rather to test the philosophical approaches taken in tandem with deep analyses of sculptural examples. There is an array of philosophical problems unique to sculpture, namely certain aspects of its three-dimensionality, physicality, temporality, and morality. The authors in this volume respond to a number of challenging philosophical questions related to these characteristics. Furthermore, while the focus of most of the essays is on Western sculptural traditions, there are contributions that feature discussion of sculptural examples from non-Western sources. Philosophy of Sculpture is the first full-length book treatment of the philosophical significance of sculpture in English. It is a valuable resource for advanced students and scholars across aesthetics, art history, history, performance studies, and visual studies.

  Garda Colin Davidson told James Dwyer, defending, that [Jonathan Gilmore] was the most co-operative person he had ever dealt with. Gilmore accepted he had effectively \"built the case against himself\", ending his 21-year career as a civil servant.

  A special preview party for the DVD is tonight at 7 p.m. at Dirty Dick's Crabhouse in Panama City Beach. Admission is free, but donations and proceeds from DVD sales will go to the American Red Cross for hurricane relief efforts.

Singing chimney sweep Jonathan Gilmore has launched a new set of stamps celebrating arts, industry and business. To mark the 250 anniversary of the Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA), Royal Mail has issued six new stamps.

The films selected for the festival are meant to appeal to a broad range of interests: There's \"Love Jones,\" a romantic comedy about a black poet from Chicago; \"The Princess and the Frog,\" Disney's retelling of the Frog Prince fairytale set in jazz-age New Orleans with a black heroine and \"Remember the Titans,\" a critically acclaimed drama about a high school football team the first year after desegregation. The festival is also bookended with works by filmmakers with connections to Hackensack High School. Chriss Williams, a William Paterson University film writing professor who penned the two opening night productions -- a short film titled \"The Dynamite Gang\" and a feature film titled \"Bellclair Times\" -- is a 1985 graduate. Jordan Coleman, who wrote and directed Saturday's marquee film, \"Payin' the Price,\" is a 16-year-old junior. Wednesday: 12:30 p.m., \"The Princess and the Frog\" and \"Say it Loud,\" tickets $3; 2:45 p.m., \"Remember the Titans,\" tickets $3; 6 p.m., \"The Untold Story of Emmett Louis Till,\" tickets $3; 8 p.m. \"Thundersoul,\" tickets $5

\"If all you know is `Yankee Doodle Dandy,' then come sing `Yankee Doodle Dandy,' \" Gilmore said by way of introduction. \"But flip it.\" Mix it up. Embellish and improvise. \"Everything,\" chimed in Lee Francis, another teacher-student. \"Music. art, dance, poetry. Movement.\" \"It doesn't have to rhyme,\" [Karen Gilmore] said. \"Anybody can write about anything.\"

Mere hours after Douglas Martin was released from prison, police said, he saw a news report of a serial bank robber and thought, that looks easy enough. Earlier this week, police said, accused serial bank robber Jonathan Gilmore walked into the SunTrust bank in downtown Orlando and robbed a teller. Police think he drove to Port St. Lucie and robbed a bank there just over two hours later.

Wedged between the two sessions is the 10th annual Roots Music and Arts Festival, which this year will include renowned Appalachian musician Jean Ritchie, whom [Walt Michael] described as \"the mother of American folk music,\" and legendary guitarist Doc Watson, \"the pre- eminent artist, musician, singer to come out of the Southern Mountains.\" \"As modern people, we have sort of stopped doing things, and we're just sort of receivers now,\" Michael said. \"People have been making music and doing art and interacting. ... Common Ground is an attempt to reaffirm that as part of the average human experience.\" \"There is so much freedom there to mess up, and you don't feel like it's going to ... be an issue,\" [Jonathan Gilmore] said. \"You learn so much.\"

Once a Marine, always a Marine, said Sgt. Jonathan Gilmore, of the U.S. Marine Corps Recruiting Command. Gilmore took on three tattoos after joining the Corps because he felt it was Marine tradition. The letters USMC cover the side of his arm and a tribal band surrounds it. The tattoo hidden under the sleeve of a T-shirt still would be allowed under the new tattoo policy. Most South Carolina Marines won't have to worry about where to put a tattoo. State laws require that anyone younger than 21 have parental consent before receiving a tattoo. That's something service members don't want to hear, considering their parents typically live elsewhere, said Miles Smith, who owns Medieval Tattoo Studio outside Moncks Corner.

Wedged between the two sessions is the 10th annual Roots Music and Arts Festival, which this year will include renowned Appalachian musician Jean Ritchie, whom [Walt Michael] described as \"the mother of American folk music,\" and legendary guitarist Doc Watson, \"the pre- eminent artist, musician, singer to come out of the Southern Mountains.\" \"As modern people, we have sort of stopped doing things, and we're just sort of receivers now,\" Michael said. \"People have been making music and doing art and interacting. ... Common Ground is an attempt to reaffirm that as part of the average human experience.\" \"There is so much freedom there to mess up, and you don't feel like it's going to ... be an issue,\" [Jonathan Gilmore] said. \"You learn so much.\"