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Joseph Conrad and the Swan Song of Romance
In the first critical study wholly devoted to Joseph Conrad's use of techniques associated with the literary tradition of romance, Katherine Isobel Baxter argues that Conrad's engagement with the genre invigorated his work throughout his career. Exploring the ways in which Conrad borrows from, alludes to, and subverts the tropes of romance, Baxter suggests that Conrad's ambivalent relationship with popular forms like the adventure novel is revealed in the way he uses romance conventions to disrupt narrative expectations and make visible ethical problems with Europe's colonial project. Baxter examines not only familiar novels like Lord Jim but also less-studied works such as Romance and The Rover, using Robert Miles's model of the 'philosophical romance' to show that for Conrad, romance is also philosophically engaged with issues of ideology. Her study enables a new appreciation of the ways in which Conrad continued to experiment, even in his later fiction, and of the ethical import of that aesthetic experimentation.
Contents: Introduction; Part 1 'Heart of Darkness' and Lord Jim: 'Heart of darkness' and the modern quest; Lord Jim: other words, other worlds. Part 2 Romance, Nostromo, and Chance: Anti-philosophical Romance; Nostromo: not the man; Power, gender and laughter in Chance. Part 3 Victory, The Rescue, and The Rover: Victory: 'damned tricks' and girls; Theatre and incomprehension in The Rescue; The Rover: reconciliation of sorts; Bibliography; Index
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Corpus Stylistics in Heart of Darkness and its Italian Translations
This book explores the interaction between corpus stylistics and translation studies. It shows how corpus methods can be used to compare literary texts to their translations, through the analysis of Joseph Conrad’s Heart of Darkness and four of its Italian translations. The comparison focuses on stylistic features related to the major themes of Heart of Darkness. By combining quantitative and qualitative techniques, Mastropierro discusses how alterations to the original’s stylistic features can affect the interpretation of the themes in translation. The discussion illuminates the manipulative effects that translating can have on the reception of a text, showing how textual alterations can trigger different readings. This book advances the multidisciplinary dialogue between corpus linguistics and translation studies and is a valuable resource for students and researchers interested in the application of corpus approaches to stylistics and translation.
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The New Cambridge Companion to Joseph Conrad
Joseph Conrad's centrality to modern literature is well established. The New Cambridge Companion to Joseph Conrad provides essential guidance to varied developments in the field of Conrad studies since the publication of The Cambridge Companion to Joseph Conrad (1996). The volume's thirteen chapters offer diverse perspectives on emergent areas of interest, including canon formation, postcolonialism, gender, critical reception and adaptation. Likewise, chapters on Conrad's autobiographical writings, Heart of Darkness and 'The Secret Sharer', consider recent trends in both literary and cultural studies. A chronology and an updated guide to further reading serve to provide essential orientation to a large and complex field. This volume is the ideal starting point for students new to Conrad's work as well as for scholars wishing to keep abreast of current issues.
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Free will and determinism in Joseph Conrad's major novels
\"Although it has often been pointed out that the protagonists of Joseph Conrad's novels frequently fail in what they attempt to achieve, the forces that oppose them have rarely been examined systematically. Furthermore, no sustained attempts have been made to rigorously address the central philosophical issue the characters' predicament raises: that of the freedom-of-the-will. This interdisciplinary study seeks to remedy this neglect by taking recourse not only to the philosophical debate about free will and determinism but also to the relevant historical, economic, scientific, and literary discourses in the Victorian and Early-Modernist periods. Against this background a paradigmatic analysis of three of Conrad's most significant novels - Heart of Darkness, Nostromo, and The Secret Agent - investigates the writer's position in the free will and determinism debate by identifying certain recurring themes in which the freedom-of-the-will problem manifests itself. Light is thereby also thrown on a central Conradian paradox: how Conrad can insist on morality and moral responsibility, which presupposes the existence of free will, in a materialist-deterministic world, which denies it.\"--Jacket.
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Solitude Versus Solidarity in the Novels of Joseph Conrad
Ursula Lord explores the manifestations in narrative structure of epistemological relativism, textual reflexivity, and political inquiry, specifically Conrad's critique of colonialism and imperialism and his concern for the relationship between self and society. The tension between solitude and solidarity manifests itself as a soul divided against itself; an individual torn between engagement and detachment, idealism and cynicism; a dramatized narrator who himself embodies the contradictions between radical individualism and social cohesion; a society that professes the ideal of shared responsibility while isolating the individual guilty of betraying the illusion of cultural or professional solidarity. Conrad's complexity and ambiguity, his conflicting allegiances to the ideal of solidarity versus the terrible insight of unremitting solitude, his grappling with the dilemma of private versus shared meaning, are intrinsic to his political and philosophical thought. The metanarrative focus of Conrad's texts intensifies rather than diminishes their philosophical and political concerns. Formal experimentation and epistemological exploration inevitably entail ethical and social implications. Lord relates these issues with intellectual rigour to the dialectic of individual liberty and collective responsibility that lies at the core of the modern moral and political debate.
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Our Conrad : constituting American modernity
Our Conrad is about the American reception of Joseph Conrad and its crucial role in the formation of American modernism. Although Conrad did not visit the country until a year before his death, his fiction served as both foil and mirror to America's conception of itself and its place in the world.
Peter Mallios reveals the historical and political factors that made Conrad's work valuable to a range of prominent figures—including Fitzgerald, Faulkner, Richard Wright, Woodrow Wilson, and Theodore and Edith Roosevelt—and explores regional differences in Conrad's reception. He proves that foreign-authored writing can be as integral a part of United States culture as that of any native. Arguing that an individual writer's apparent (national, gendered, racial, political) identity is not always a good predictor of the diversity of voices and dialogues to which he gives rise, this exercise in transnational comparativism participates in post-Americanist efforts to render American Studies less insular and parochial.
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