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"Journalism Canada History 20th century."
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The Sweet Sixteen
2012
In 1904, sixteen women travelled together by train to cover the St Louis World's Fair. The Sweet Sixteen traces the fateful ten-day trip that resulted in the formation of a professional club for the advancement of Canadian newspaper women. Drawing upon letters, journals, interviews, and most significantly, newspaper stories written by the women themselves, Linda Kay narrates the journey to St Louis with evocative detail. Delving into the group dynamics and individual experiences of these women, Kay explores the cultural divide between the Anglophone and Francophone members of the group and provides compelling biographical sketches of each woman's life and work. The Sweet Sixteen documents the struggles of a group of tenacious and talented women who, in 1904, did not have the right to vote, were not regarded as persons under the law, and were credentialed as journalists at a time when marriage and motherhood were considered a woman's one true calling. Their legacy -the Canadian Women's Press Club - is a testament to their daring.
The Literary Legacy of the Macmillan Company of Canada
2012,2011
The Literary Legacy of the Macmillan Company of Canadaalso illuminates the key individuals – including Hugh Eayrs, John Gray, and Hugh Kane – whose personalities were as fascinating as those of the authors they published, and whose achievements helped to advance modern literature in Canada.
The Information Front
2011
The first book on the public relations efforts of the Canadian Army during the Second World War.
A Cold War Tourist and His Camera
2011
Martha Langford and John Langford examine their father's apparently innocuous photographic experience, revealing the complexity of both the images and their creator. An intelligent and personal look at the ways that the historical and the private are represented and remembered, A Cold War Tourist and His Camera stages the family slide show as you've never seen it before.
The Rise and Fall of Adrien Arcand: Antisemitism in 20th Century Quebec
2019
Leader of the National Social Christian Party from 1934 to 1938, and of the National Unity Party of Canada from 1938 to 1967, Adrien Arcand is reputed to be the most virulent antisemitic propagandist in Canadian history. In publications he disseminated between 1929 and 1939 (Le Goglu, Le Miroir, Le Chameau, Le Patriote, Le Fasciste canadien, and Le Combat national), Arcand drew on The Protocols of the Elders of Zion for his vilification of the Jewish people. Arrested in 1940 and imprisoned for the duration of the Second World War, he regained his freedom in 1945 and was able to resume his campaign of hateful propaganda against Jews with the full knowledge of the Canadian authorities. From which sources did Arcand draw his antisemitism, and how did he become the champion of antisemitism in Canada? This article attempts to explain this dark and enigmatic character.
Journal Article
Magazines, Travel, and Middlebrow Culture
by
Hammill, Faye
,
Smith, Michelle
in
Canada-Social life and customs-20th century
,
Canadian
,
Canadian periodicals
2017,2015
A century ago, the golden age of magazine publishing coincided with the beginning of a golden age of travel. Images of speed and flight dominated the pages of the new mass-market periodicals. Magazines, Travel, and Middlebrow Culture centres on Canada, where commercial magazines began to flourish in the 1920s alongside an expanding network of luxury railway hotels and transatlantic liner routes. The leading monthlies – among them Mayfair, Chatelaine, and La Revue Moderne – presented travel as both a mode of self-improvement and a way of negotiating national identity. This book announces a new cross-cultural approach to periodical studies, reading both French- and English-language magazines in relation to an emerging transatlantic middlebrow culture. Mainstream magazines, Hammill and Smith argue, forged a connection between upward mobility and geographical mobility. Fantasies of travel were circulated through fiction, articles, and advertisements, and used to sell fashions, foods, and domestic products as well as holidays. For readers who could not afford a trip to Paris, Bermuda, or Lake Louise, these illustrated magazines offered proxy access to the glamour and prestige increasingly associated with travel.
Projecting Canada: government policy and documentary film at the National Film Board of Canada
by
Druick, Zoe
2007
Based on newly uncovered archival information and a close reading of numerous NFB films, Projecting Canada explores the NFB's involvement with British Empire communication theory and American social science. Using a critical cultural policy studies framework, Druick develops the concept of \"government realism\" to describe films featuring ordinary people as representative of segments of the population. She demonstrates the close connection between NFB production policies and shifting techniques developed in relation to the evolution of social science from the 1940s to the present and argues that government policy has been the overriding factor in determining the ideology of NFB films. Projecting Canada offers a compelling new perspective on both the development of the documentary form and the role of cultural policy in creating essential spaces for aesthetic production.
Travels and Tales of Miriam Green Ellis
2013
Looking at early twentieth-century westerners through the writings of an acerbic female agricultural journalist.
Global Media Perspectives on the Crisis in Panama
2011,2016,2013
Operation Just Cause, the United States' incursion into Panama, was the culmination of a gradually escalating confrontation between the United States and the Noriega dominated government of Panama that extended from June, 1987 until early January, 1990. Applying diverse methodological approaches, this volume examines the various ways representative examples of the global media covered the developing crisis and the eventual US incursion into Panama. The volume: - sets the stage for this analysis by delineating the chronological development of the escalating confrontation, as well as by examining the confrontation from the perspective of the US government - analyzes the crisis from the perspective of the US, Soviet, Canadian, French, Portuguese, Arab, and the People's Republic of China media - exposes the challenges for public affairs officers operating within the context of the global media response to international crises, and provides an assessment of the implications of the crisis for inter-American and international relations. This analysis and evaluation of a variety of global media perspectives on the escalating US-Panamanian confrontation will serve to better illuminate and further enrich our understanding of a major international event - indeed, one of the final events of the Cold War era.
Howard M. Hensel, Air War College, USA and Nelson Michaud, École nationale d'administration publique, Canada