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"Journalism and literature United States."
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Politics and journalism in a post-truth world
\"Fake news. Alternative facts. Even before those terms were coined, we had already moved to a \"post-truth\" reality. Due to a number of driving forces, we have evolved into a society that values emotion and personal belief more than it does objective facts. More Americans are willing to believe false stories as long as they match up with their own personal and political beliefs. How will this affect our elections, journalistic standards, and news habits? Can we ever go back? The diverse viewpoints in this volume attempt to explain and predict the state of our union.\"--Provided by publisher.
Book
Between the Novel and the News
While American literary history has long acknowledged the profound influence of journalism on canonical male writers, Sari Edelstein argues that American women writers were also influenced by a dynamic relationship with the mainstream press. From the early republic through the turn of the twentieth century, she offers a comprehensive reassessment of writers such as Catharine Maria Sedgwick, Harriet Jacobs, and Charlotte Perkins Gilman. Drawing on slave narratives, sentimental novels, and realist fiction, Edelstein examines how advances in journalism-including the emergence of the penny press, the rise of the story-paper, and the birth of eyewitness reportage-shaped not only a female literary tradition but also gender conventions themselves.
Excluded from formal politics and lacking the vote, women writers were deft analysts of the prevalent tropes and aesthetic gestures of journalism, which they alternately relied upon and resisted in their efforts to influence public opinion and to intervene in political debates. Ultimately,Between the Novel and the Newsis a project of recovery that transforms our understanding of the genesis and the development of American women's writing.
eBook
How the News Feels
Literary journalism's origins can be traced to the nineteenth
century, when it developed alongside the era's sentimental
literature. Combining fact-based reporting with the sentimentality
of popular fiction, literary journalism encouraged readers to
empathize with subjects by presenting more nuanced and engaging
stories than typical news coverage. While women writers were
central to the formation and ongoing significance of the genre,
literary journalism scholarship has largely ignored their
contributions.
How the News Feels re-centers the work of a range of
writers who were active from the nineteenth century until today,
including Catharine Williams, Margaret Fuller, Nellie Bly, Winifred
Black, Zora Neale Hurston, Joan Didion, Adrian Nicole LeBlanc, and
Alexis Okeowo. Offering intimate access to their subjects'
thoughts, motivations, and yearnings, these journalists encouraged
readers to empathize with society's outcasts, from asylum inmates
and murder suspects to \"fallen women\" and the working poor. As this
carefully researched study shows, these writers succeeded in
defining and developing the genre of literary journalism, with
stories that inspire action, engender empathy, and narrow the gap
between writer, subject, and audience.
eBook
Playing Smart
Smart women, sophisticated ladies, savvy writers. . . Edna St. Vincent Millay, Dorothy Parker, Anita Loos, Lois Long, Jessie Fauset, Dawn Powell, Mary McCarthy, and others imagined New York as a place where they could claim professional status, define urban independence, and shrug off confining feminine roles. It might be said that during the 1920s and 1930s these literary artists painted the town red on the pages of magazines likeVanity Fairand theNew Yorker.Playing Smart, Catherine Keyser's homage to their literary genius, is a captivating celebration of their causes and careers.Through humor writing, this \"smart set\" expressed both sides of the story-promoting their urbanity and wit while using irony and caricature to challenge feminine stereotypes. Their fiction raised questions about what it meant to be a woman in the public eye, how gender roles would change because men and women were working together, and how the growth of the magazine industry would affect women's relationships to their bodies and minds. Keyser provides a refreshing and informative chronicle, saluting the value of being \"smart\" as incisive and innovative humor showed off the wit and talent of women writers and satirized the fantasy world created by magazines.
eBook
Front-Page Girls
The first study of the role of the newspaperwoman in American literary culture at the turn of the twentieth century, this book recaptures the imaginative exchange between real-life reporters like Nellie Bly and Ida B. Wells and fictional characters like Henrietta Stackpole, the lady-correspondent in Henry James's Portrait of a Lady . It chronicles the exploits of a neglected group of American women writers and uncovers an alternative reporter-novelist tradition that runs counter to the more familiar story of gritty realism generated in male-dominated newsrooms. Taking up actual newspaper accounts written by women, fictional portrayals of female journalists, and the work of reporters-turned-novelists such as Willa Cather and Djuna Barnes, Jean Marie Lutes finds in women's journalism a rich and complex source for modern American fiction. Female journalists, cast as both standard-bearers and scapegoats of an emergent mass culture, created fictions of themselves that far outlasted the fleeting news value of the stories they covered. Front-Page Girls revives the spectacular stories of now-forgotten newspaperwomen who were not afraid of becoming the news themselves—the defiant few who wrote for the city desks of mainstream newspapers and resisted the growing demand to fill women's columns with fashion news and household hints. It also examines, for the first time, how women's journalism shaped the path from news to novels for women writers.
eBook
Second read : writers look back at classic works of reportage
\"[...] Distinguished journalists revisiting key works of reportage. The authors address such ongoing concerns as the conflict between narrative flair and accurate reporting, the legacy of New Journalism, the need for reporters to question their political assumptions, the limitations of participatory journalism, and the temptation to substitute 'truthiness' for hard, challenging fact. Second read embodies the diversity and dynamism of contemporary nonfiction while offering fresh perspectives on works by Norman Mailer, Tom Wolfe, Rachel Carson, and Gabriel Garcâia Mâarquez, among others. It also highlights pivotal moments and movements in journalism as well as the innovations of award-winning writers\"--Back cover.
Book
Chronicling Trauma
To attract readers, journalists have long trafficked in the causes of trauma--crime, violence, warfare--as well as psychological profiling of deviance and aberrational personalities. Novelists, in turn, have explored these same subjects in developing their characters and by borrowing from their own traumatic life stories to shape the themes and psychological terrain of their fiction. In this book, Doug Underwood offers a conceptual and historical framework for comprehending the impact of trauma and violence in the careers and the writings of important journalist-literary figures in the United States and British Isles from the early 1700s to today._x000B__x000B_Grounded in the latest research in the fields of trauma studies, literary biography, and the history of journalism, this study draws upon the lively and sometimes breathtaking accounts of popular writers such as Charles Dickens, Ernest Hemingway, Dorothy Parker, Graham Greene, and Truman Capote, exploring the role that trauma has played in shaping their literary works. Underwood notes that the influence of traumatic experience upon journalistic literature is being reshaped by a number of factors, including news media trends, the advance of the Internet, the changing nature of the journalism profession, the proliferation of psychoactive drugs, and journalists' greater self-awareness of the impact of trauma in their work._x000B__x000B_The most extensive scholarly examination of the role that trauma has played in the shaping of our journalistic and literary heritage, Chronicling Trauma: Journalists and Writers on Violence and Loss discusses more than a hundred writers whose works have won them fame, even at the price of their health, their families, and their lives.
eBook