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101 result(s) for "Keats, John, 1795-1821 Criticism and interpretation."
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Poetics of Luxury in the Nineteenth Century
Beginning with John Keats and tracing a line of influence through Alfred Lord Tennyson and Gerard Manley Hopkins, Tontiplaphol draws on established narratives of the nineteenth century's social and literary developments to describe the relationship between poetics and luxury in an age when imperial trade and domestic consumerism reached a fevered pitch. Her book is at once a study of influence, a socio-historical critique and a form-focused assessment of three century-defining voices.
John Keats and the Ideas of the Enlightenment
This innovative study provides a major reassessment of Keats's intellectual life by considering his often overlooked engagement with a formidable body of eighteenth-century thought.
Keats and Negative Capability
“Negative capability”, the term John Keats used only once in a letter to his brothers, is a well-known but surprisingly unexplored concept in literary criticism and aesthetics. This book is the first book-length study of this central concept in seventy years. As well as clarifying the meaning of the term and giving an anatomy of its key components, the book gives a full account of the history of this idea. It traces the narrative of how the phrase first became known and gradually gained currency, and explores its primary sources in earlier writers, principally Shakespeare and William Hazlitt, and its chief Modernist successors, W. B. Yeats and T. S. Eliot. Meanwhile, the term is also applied to Keats’s own poetry, which manifests the evolution of the idea in Keats’s poetic practice. Many of the comparative readings of the relevant texts, including King Lear, illuminate the interconnections between these major writers. The book is an original and significant piece of scholarship on this celebrated concept.
Text World Theory and Keats’ Poetry
Text World Theory and Keats' Poetry applies advances in cognitive poetics and text world theory to four poems by the nineteenth century poet John Keats. It takes the existing text world theory as a starting point and draws on stylistics, literary theory, cognitive linguistics, cognitive psychology and dream theories to explore reading poems in the light of their emphasis on states of desire, dreaming and nightmares. It accounts for the representation of these states and the ways in which they are likely to be processed, monitored and understood. Text World Theory and Keats' Poetry advances both the current field of cognitive stylistics but also analyses Keats in a way that offers new insights into his poetry. It is of interest to stylisticians and those in literary studies.
The Aesthetic Development
‘Few people would be better qualified than Meg Harris Williams to write this innovative and eagerly anticipated post-Kleinian book. Deeply versed in the opus of Bion and Meltzer, Harris Williams enhances the concept of “catastrophic change”. The analyst who “eschews memory and desire” observes the subtle interplay of transference and countertransference (Meltzer’s “counter dreaming”) as it works through aesthetic conflicts. The ensuing reciprocity of the patient’s and analyst’s unconscious is revealed as the aesthetical and ethical basis of psychoanalysis. In that sense the psychoanalytical process parallels that of poetic and artistic inspiration. They are all generated by creative internal objects. Harris Williams’ intellectual tour de force demonstrates convincingly the human capacity for symbolic thinking that underlies literary, artistic and psychoanalytic creativity. Her encyclopaedic understanding of literature, art and psychoanalysis contributes to this book’s virtuosity.’