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"Khatibi, Abdelkebir, 1938- Criticism and interpretation."
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Narratives of Catastrophe
Narratives of Catastrophe tells the story of the relationship between catastrophe, in the senses of \"down turn\" and \"break,\" and narration as \"recounting\" in the senses suggested by the French term récit in selected texts by three leading writers from Africa. Qader's book begins by exploring the political implications of narrating catastrophic historical events. Through careful readings of singular literary texts on the genocide in Rwanda and on Tazmamart, a secret prison in Morocco under the reign of Hassan II, Qader shows how historical catastrophes enter language and how this language is marked by the catastrophe it recounts. Not satisfied with the extra-literary characterizations of catastrophe in terms of numbers, laws, and naming, she investigates the catastrophic in catastrophe, arguing that catastrophe is always an effect of language andthought,. The récit becomes a privileged site because the difficulties of thinking and speaking about catastrophe unfold through the very movements of storytelling.This book intervenes in important ways in the current scholarship in the field of African literatures. It shows the contributions of African literatures in elucidating theoretical problems for literary studies in general, such as storytelling's relationship to temporality, subjectivity, and thought. Moreover, it addresses the issue of storytelling, which is of central concern in the context of African literatures but still remains limited mostly to the distinction between the oral and the written. The notion of récit breaks with this duality by foregrounding the inaugural temporality of telling and of writing as repetition.The final chapters examine catastrophic turns within the philosophical traditions of the West and in Islamic thought, highlighting their interconnections and differences.
eBook
Autobiography and independence: selfhood and creativity in North African postcolonial writing in French
Kelly explores the relationship between the writer's self and literary expression through a study of the work of four North African writers and their complex relationship to language, demonstrating the importance of their work as a way of restoring cultural memory denied by colonialism and nationalism.
eBook
Narratives of Catastrophe
Narratives of Catastrophe tells the story of the relationship between catastrophe, in the senses of \"down turn\" and \"break,\" and narration as \"recounting\" in the senses suggested by the French term récit in selected texts by three leading writers from Africa. Qader's book begins by exploring the political implications of narrating catastrophic historical events. Through careful readings of singular literary texts on the genocide in Rwanda and on Tazmamart, a secret prison in Morocco under the reign of Hassan II, Qader shows how historical catastrophes enter language and how this language is marked by the catastrophe it recounts. Not satisfied with the extra-literary characterizations of catastrophe in terms of numbers, laws, and naming, she investigates the catastrophic in catastrophe, arguing that catastrophe is always an effect of language andthought,. The récit becomes a privileged site because the difficulties of thinking and speaking about catastrophe unfold through the very movements of storytelling. This book intervenes in important ways in the current scholarship in the field of African literatures. It shows the contributions of African literatures in elucidating theoretical problems for literary studies in general, such as storytelling's relationship to temporality, subjectivity, and thought. Moreover, it addresses the issue of storytelling, which is of central concern in the context of African literatures but still remains limited mostly to the distinction between the oral and the written. The notion of récit breaks with this duality by foregrounding the inaugural temporality of telling and of writing as repetition. The final chapters examine catastrophic turns within the philosophical traditions of the West and in Islamic thought, highlighting their interconnections and differences.
eBook
Autobiography and Independence
This book offers an in-depth study of the autobiographical writings of four twentieth-century writers from North Africa, Assia Djebar, Mouloud Feraoun, Abdelkébir Khatibi and Albert Memmi, as they explore issues of language, identity and the individual’s relationship to history. The book places these writers in a clearly defined theoretical context, introducing and contextualising each of the four through the application of postcolonial studies and literary theory on autobiography linked to close textual reading of their works. Avoiding both psychoanalytical theory and approaches concerned primarily with the writer’s ‘testimony value’, Kelly concentrates instead on the poetic and literary qualities of each author’s work, dwelling on the politics and poetics of identity, as well as the ethics and aesthetics of this literature. She includes clear discussions of key terms such as ‘postcolonial’, ‘Francophone’, and ‘autobiography’, which current academic discourse has rendered very complex and even opaque. The book includes a fascinating photograph of two stone tablets inscribed with Punic and Numidian scripts, now held in the British Museum, which Assia Djebar writes about at length in one of the texts studied in the book.
eBook