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result(s) for
"Kitāb al-aghānī (Abū al-Faraj al-Iṣbahānī)"
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Medieval Arab music and musicians : three translated texts
by
Reynolds, Dwight Fletcher, 1956- author
,
Abū al-Faraj al-Iṣbahānī, 897 or 898-967. Kitāb al-aghānī
,
Ibn Ḥayyān, Abū Marwān Ḥayyān ibn Khalaf, 987 or 988-1076. Muqtabas fī tārīkh al-Andalus. 2
in
Nadīm al-Mawṣilī, Ibrāhīm ibn Māhān, 742 or 743-803 or 804.
,
Ziryāb, ʻAlī ibn Nāfiʻ, active 9th century.
,
Abū al-Faraj al-Iṣbahānī, 897 or 898-967.
\"Medieval Arab Music and Musicians offers complete, annotated English translations of three of the most important medieval Arabic texts on music and musicians: the biography of the musician Ibrāhīm al-Mawṣilī from al-Iṣbahānī's Kitāb al-Aghānī (10th c), the biography of the musician Ziryāb from Ibn Ḥayyān's Kitāb al-Muqtabis (11th c), and the earliest treatise on the muwashshaḥ Andalusi song genre, Dār al-Ṭirāz, by the Egyptian scholar Ibn Sanā' al-Mulk (13th c). Al-Mawṣilī, the most famous musician of his era, was also the teacher of the legendary Ziryāb, who traveled from Baghdad to al-Andalus and is often said to have laid the foundations of Andalusi music. The third text is crucial to any understanding of the medieval muwashshaḥ and its possible relations to the Troubadours, the Cantigas de Santa María, and the Andalusi musical traditions of the modern Middle East\"-- Provided by publisher.
An Arabic Musical and Socio-Cultural Glossary of Kitāb al-Aghānī
by
al-Iṣfahānī, Abū al-Faraj
,
Sawa, George Dimitri
in
Abū al-Faraj al-Iṣbahānī,-897 or 898-967.-Kitāb al-aghānī
,
Abū al-Faraj al-Iṣbahānī, 897 or 898-967. Kitāb al-aghānī
,
Music
2015
George Dimitri Sawa's Arabic Musical and Socio-Cultural Glossary of Kitāb al-Aghānī is the first comprehensive lexicographical study of Umayyad and early Abbāsid-era music theory and practices, and of the behavior of court musicians as depicted in the Aghānī.
Making the Great Book of Songs
by
Kilpatrick, Hilary
in
Abū l-Faraj al-Iṣbahānī, 897 or 8-967. Kitāb al-aghānī
,
Islamic Empire -- Intellectual life
2003,2002
This is the first systematic literary study of one of the masterpieces of classical Arabic literature, the fourth/tenth century Kitâb al-aghânî (The Book of Songs) by Abû I-Faraj al-Isbahânî. Until now the twenty-four volume Book of Songs has been regarded as a rather chaotic but priceless mine of information about classical Arabic music, literature and culture. This book approaches it as a work of literature in its own right, with its own internal logic and coherence. The study also consistently integrates the musical component into the analysis and proposes a reading of the work in which individual anecdotes and poems are related to the wider context, enhancing their meaning.