Explore the vast range of titles available.

Exploring how Ulysses imitates the human mind at work, connecting close readings to psychological theories of Joyces time In this book, John Gordon uses historically oriented close readings to demonstrate that Ulysses is a book that mimics the workings of the human mind. Gordon highlights James Joyces exceptional ability to capture and represent lived experiences, showing how Joyces writings display the ways specific minds interact with their environments. Ulysses is portrayed here as having its own evolving consciousness. Sensational Joyce is the first book on Joyces psychology to engage deeply with theorists beyond Freud, Jung, or Lacan. Gordon explains how Joyce used other psychological theories, like William Jamess ideas on stimulus and response, Gestalt psychology, John Watsons behaviorism, and trauma research. The book also includes discussions of phenomena considered experimental at the time, such as telepathy, telekinesis, precognition, and spiritualism. Gordon examines the characters of sensitive intellectual Stephen Dedalus and advertising professional Leopold Bloom, following the books centers of consciousness into the visionary, hallucinatory, and prophetic final chapters. Gordon highlights how Joyces unique writing style transforms sensations and stimuli into thoughts and responses. As Ulysses progresses, the sensationalmeaning sensory databecomes sensationalistic. In tracing the contemporary theories of psychology evidenced in the novel, Sensational Joyce presents many new and original interpretations that can be applied to other works by Joyce, especially Finnegans Wake.

Kate McLoughlin's Authoring War is an ambitious and pioneering study of war writing across all literary genres from earliest times to the present day. Examining a range of cultures, she brings wide reading and close rhetorical analysis to illuminate how writers have met the challenge of representing violence, chaos and loss. War gives rise to problems of epistemology, scale, space, time, language and logic. She emphasises the importance of form to an understanding of war literature and establishes connections across periods and cultures from Homer to the 'War on Terror'. Exciting new critical groupings arise in consequence, as Byron's Don Juan is read alongside Heller's Catch-22 and English Civil War poetry alongside Second World War letters. Innovative in its approach and inventive in its encyclopedic range, Authoring War will be indispensable to any discussion of war representation.

During a tumultuous period when financial speculation began rapidly to outpace industrial production and consumption, Victorian financial journalists commonly explained the instability of finance by criticizing its inherent artifice drawing persistent attention to what they called \"fictitious capital.\" In a shift that naturalized this artifice, this critique of fictitious capital virtually disappeared by the 1860s, being replaced by notions of fickle investor psychology and mental equilibrium encapsulated in the fascinating metaphor of \"psychic economy.\" In close rhetorical readings of financial journalism, political economy, and the works of Dickens, Eliot, and Trollope, Kornbluh examines the psychological framing of economics, one of the nineteenth century's most enduring legacies, reminding us that the current dominant paradigm for understanding financial crisis has a history of its own. She shows how novels illuminate this displacement and ironize ideological metaphors linking psychology and economics, thus demonstrating literature's unique facility for evaluating ideas in process. Inheritors of this novelistic project, Marx and Freud each advance a critique of psychic economy that refuses to naturalize capitalism.

A ground-breaking study of nineteenth-century British colonial poetry. Imagined Homelands chronicles the emerging cultures of nineteenth-century British settler colonialism, focusing on poetry as a genre especially equipped to reflect colonial experience. Jason Rudy argues that the poetry of Victorian-era Australia, New Zealand, South Africa, and Canada—often disparaged as derivative and uncouth—should instead be seen as vitally engaged in the social and political work of settlement. The book illuminates cultural pressures that accompanied the unprecedented growth of British emigration across the nineteenth century. It also explores the role of poetry as a mediator between familiar British ideals and new colonial paradigms within emerging literary markets from Sydney and Melbourne to Cape Town and Halifax. Rudy focuses on the work of poets both canonical—including Tennyson, Browning, Longfellow, and Hemans—and relatively obscure, from Adam Lindsay Gordon, Susanna Moodie, and Thomas Pringle to Henry Kendall and Alexander McLachlan. He examines in particular the nostalgic relations between home and abroad, core and periphery, whereby British emigrants used both original compositions and canonical British works to imagine connections between their colonial experiences and the lives they left behind in Europe. Drawing on archival work from four continents, Imagined Homelands insists on a wider geographic frame for nineteenth-century British literature. From lyrics printed in newspapers aboard emigrant ships heading to Australia and South Africa, to ballads circulating in New Zealand and Canadian colonial journals, poetry was a vibrant component of emigrant life. In tracing the histories of these poems and the poets who wrote them, this book provides an alternate account of nineteenth-century British poetry and, more broadly, of settler colonial culture.

This book addresses James Joyce's borderlessness and the ways his work crosses or unsettles boundaries of all kinds. The essays in this volume position borderlessness as a major key to understanding Joycean poiesis, opening new doors and new engagements with his work. Contributors begin by exploring the circulation of Joyce's writing in Latin America via a transcontinental network of writers and translators, including José Lezama Lima, José Salas Subirat, Leopoldo Marechal, Edmundo Desnoës, Guillermo Cabrera Infante, and Augusto Monterroso. Essays then consider Joyce through the lens of the sciences, presenting theoretical interventions on posthumanist parasitology in Ulysses ; on Giordano Bruno's coincidence of opposites in Finnegans Wake ; and on algorithmic agency in the Wake . Cutting-edge cognitive narratology is applied to the \"Penelope\" episode. Next, the volume features innovative essays on Joyce in relation to early animated film and comics, engaging with animated film in the \"Circe\" episode, Joyce's points of contact with George Herriman's cartoon strip Krazy Kat , and structural affinities between open-world gaming and Finnegans Wake . The final essays focus on abiding human concerns, offering new research on Joyce's creative use of \"spicy books\"; a Lacanian consideration of \"The Dead\" alongside Katherine Mansfield's \"The Stranger\" and Haruki Murakami's \"Kino\"; and a meditation on Joyce's uncertainties about the boundary between life and death. For Joyce, borders are problems-but ones that provided precious fodder for his art. And as this volume demonstrates, they encourage brilliant reflections on his work, from new scholars to leading luminaries in the field. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles

Exploring the role of boundaries and limits in the writing of James Joyce Beating the Bounds examines the role of boundaries and limits in James Joyce's later works, primarily Finnegans Wake but also Ulysses and other texts. Building on the ideas of philosophers Friedrich Nietzsche, Giordano Bruno, and scholar Fritz Senn, Roy Benjamin explains and reconciles Joyce's contrary tendencies to establish and transgress limits. Benjamin begins by contrasting Joyce's exploration of the artificial impositions of ritual and political power with the writer's attention to natural boundaries of rivers and mountains. The next section considers sexual, spiritual, and interpersonal boundaries in the Wake . Benjamin then discusses how Joyce simultaneously affirms and undermines the limits of philosophy, geometry, and aesthetics. The final section covers Joyce's representation of the boundaries imposed in cosmogonic myths, the collision between the bounded medieval world and the boundless world of modern science, and the drive to escape from the boundaries of place. In this detailed and original analysis, Benjamin demonstrates that in Joyce's writing, the tendency to disintegrate into chaos is countered by an urge to impose order. Benjamin's close readings put an abundance of subjects in conversation through the concept of limits, showing the Wake 's relevance to many different fields of thought. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles

This book argues that the writing of a few of the Scottish novelists, has been formed by a powerful national tradition, whose distinctive thematic concerns have changed the shape of the novel in English.

The enclosure of the commons, space once available for communal use, was not a singular event but an act of \"slow violence\" that transformed lands, labor, and basic concepts of public life leading into the nineteenth century. The Afterlife of Enclosure examines three canonical British writers—Charles Dickens, George Eliot, and Thomas Hardy—as narrators of this history, the long duration and diffuse effects of which required new literary forms to capture the lived experience of enclosure and its aftermath. This study boldly reconceives the realist novel, not as an outdated artifact, but as witness to the material and environmental dispossession of enclosure—and bearer of utopian energies. These writers reinvented a commons committed to the collective nature of the social world. Illuminating the common at the heart of the novel—from common characters to commonplace events—Carolyn Lesjak reveals an experimental figuration of the lost commons, once a defining feature of the British landscape and political imaginary. In the face of privatization, climate change, new enclosures, and the other forms of slow violence unfolding globally today, this book looks back to a literature of historical trauma and locates within it a radical path forward.

Lenora Warren tells a new story about the troubled history of abolition and slave violence by examining representations of shipboard mutiny and insurrection in late eighteenth- and early nineteenth-century Anglo-American and American literature. Fire on the Water centers on five black sailors, whose experiences of slavery and insurrection either inspired or found resonance within fiction: Olaudah Equiano, Denmark Vesey, Joseph Cinqué, Madison Washington, and Washington Goode. These stories of sailors, both real and fictional, reveal how the history of mutiny and insurrection is both shaped by, and resistant to, the prevailing abolitionist rhetoric surrounding the efficacy of armed rebellion as a response to slavery. Pairing well-known texts with lesser-known figures (Billy Budd and Washington Goode) and well-known figures with lesser-known texts (Denmark Vesey and the work of John Howison), this book reveals the richness of literary engagement with the politics of slave violence. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.