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18,836 result(s) for "LOWELL"
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True Friendship
True Friendshiplooks closely at three outstanding poets of the past half-century-Geoffrey Hill, Anthony Hecht, and Robert Lowell-through the lens of their relation to their two predecessors in genius, T. S. Eliot and Ezra Pound. The critical attention then finds itself reciprocated, with Eliot and Pound being in their turn contemplated anew through the lenses of their successors. Hill, Hecht, and Lowell are among the most generously alert and discriminating readers, as is borne out not only by their critical prose but (best of all) by their acts of new creation, those poems of theirs that are thanks to Eliot and Pound. \"Opposition is true Friendship.\" So William Blake believed, or at any rate hoped. Hill, Hecht, and Lowell demonstrate many kinds of friendship with Eliot and Pound: adversarial, artistic, personal. In their creative assent and dissent, the imaginative literary allusions-like other, wider forms of influence-are shown to constitute the most magnanimous of welcomes and of tributes.
Robert Lowell in Love
Robert Lowell was known not only as a great poet but also as a writer whose devotion to his art came at a tremendous personal cost. In this book, his third on Robert Lowell, Jeffrey Meyers examines the poet's impassioned, troubled relationships with the key women in his life: his mother, Charlotte Winslow Lowell; his three wives -- Jean Stafford, Elizabeth Hardwick, and Caroline Blackwood; nine of his many lovers; his close women friends -- Mary McCarthy, Elizabeth Bishop, and Adrienne Rich; and his most talented students, Anne Sexton and Sylvia Plath. Lowell's charismatic personality, compelling poetry, and literary fame attracted lovers and friends who were both frightened and excited by his aura of brilliance and danger. He loved the idea of falling in love, and in his recurring manic episodes he needed women at the center of his emotional and artistic life. Each affair became an intense dramatic episode. Though he idealized his loves and encouraged their talents, his frenetic affairs and tortured marriages were always conducted on his own terms. Robert Lowell in Love tells the story of the poet in the grip of love and gives voice to the women who loved him, inspired his poetry, and suffered along with him.
From Coinage Metallurgy to Fiat Money: Robert Lowell's Poetic Evolution
Robert Lowell's evolving poetic style reflects his changing views about gold as well as about coins of other metals that for centuries have been metaphors for the representation of personal experience in poetry. As Lowell's style shifted toward a more relaxed and conventional use of language, he began to speak less approvingly of gold and more favorably of silver and bronze. Most dramatically, in the 1970s, when he moved to the UK, he adjusted his aspiration for perfect self-expression to the inflationary reality of the newly minted and denominated decimal pound sterling. He was on the verge of shifting toward a fiat poetics—performative and creative in nature. Ultimately, however, he retreated, opting instead for a middle position: a less dense, reflective, and descriptive style associated with baser coinage metals.
The daring ladies of Lowell
Moving to the mill city of Lowell in 1832 to escape farm life, young Alice is disillusioned by the local factory's harsh working conditions and struggles to advocate on their behalf while recklessly falling in love with the mill owner's son, a situation that is complicated by a murder and sensational trial.
“Cured, I Am Frizzled, Stale, and Small”: Jungian Individuation Realized in Robert Lowell’s Life Studies
Robert Lowell’s Life Studies won the National Book Award for Poetry in 1960 and is credited with initiating the confessional poetry movement, which included followers and students of Lowell such as Anne Sexton and Sylvia Plath. In Life Studies, Lowell channeled his 1950s experiences with bipolar disorder and mental health hospitalizations into poems such as “Man and Wife”, “Waking in the Blue”, and “Home After Three Months Away”. Lowell’s hard-won Life Studies triumph, though most recently analyzed through socioeconomic and “divine madness” lenses, can also be understood through Carl Jung’s individuation concept which posits that self-realization can be attained through the reconciliation of one’s own conscious and unconscious mental processes. This article argues that Lowell’s Life Studies poems, when examined through Jungian individuation, enabled Lowell to achieve self-realization, and paved the way for mentally ill individuals to learn how to achieve psychological wholeness through art.