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"Lace"
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The Lace Makers of Narsapur
A sensitive and groundbreaking study of women, this examination of globalization in India provides a fascinating case study of its effects on female workers in the state of Andhra Pradesh. Originally published in 1982, the book is an important insight into a group dispossessed before the recent economic boom in India. It details the way in which women have been used to produce luxury goods for the Western market while they are not counted as workers or producers in their fragmented workplaces. Instead, these women are defined as nonworking housewives and their work as leisure activity. With rates of pay far below acceptable levels, pauperization is accelerated and their position in Indian society rapidly deteriorates. An invaluable analysis with implications on the global stage, the case of the lace makers continues to instruct on the real impact of industrial development.
eBook
African Lace-Bark in the Caribbean
This study focuses on the making of African bark-cloth in the Caribbean and the use of plant fibers and pigments in the production and care of clothing for members of the colonized population. The material artifact of interest in this study is lace-bark, a form of bark-cloth, obtained from the bark of the lagetto tree found only in Jamaica, Cuba and Haiti. The fibres of the lagetto bark were removed by hand and dried, and the end result resembled fine lace or linen that was used by enslaved and freed women in Jamaica to make clothing as well as a substitute for manufactured lace. Although lace-bark is derived from the bark of a tree, it is different from other forms of bark-cloth. For instance, unlike most bark-cloth, the bark of the lagetto tree was not beaten into malleable cloth. The scientific name for the lace-bark tree is Lagetta lagetto; however, common names and spelling vary across regions. The author argues that a vibrant cottage industry based on African bark-cloth and lace-bark developed in Jamaica in response to economic conditions, and the insufficient clothing enslaved Africans received from their enslavers. Women dominated this industry and it fostered a creative space that allowed them to be expressive in their dress and simultaneously to escape, at least temporarily, the harsh realities of the plantation. The subjects of this study are women of African ancestry living in Jamaica from the seventeenth to the early twentieth century. By the late seventeenth century, a bark industry had developed in Jamaica that was responsible for producing exquisite bark material that was widely popular. The laghetto tree was known in Cuba as the Daguilla, and in Haiti as bois dentelle.
eBook
Threads of power : lace from the Textilmuseum St. Gallen
\"Threads of Power: Lace from the Textilmuseum St. Gallen' offers a look at one of the world's finest collections of historical lace. It traces the development of European lace from its emergence in the sixteenth century to the present, elucidating its important role in fashion. The book explores the longstanding connections between lace and status, addressing styles in lace worn at royal courts, including Habsburg Spain and Bourbon France, as well as lace worn by the elite ruling classes and Indigenous peoples in the Spanish Americas. Featuring new research, the publication covers a range of topics related to lace production, lace in fashion and portraiture, lace revivals, the mechanization of the lace industries in the nineteenth and twentieth centuries, and contemporary innovations in lace. With a focus on lace techniques, women lace makers, and lace as a signifier of wealth and power, this richly illustrated book includes wide-ranging contributions by curators and experts from major museums and academic institutions\"-- Provided by publisher.
Book
Reimagining lace in a digital space
This paper presents how a contemporary lace practice explored the medium of animation as a digital tool for craft research. Research is practice based and theoretically framed around notions of smooth and striated space as a means to articulate how a designer engages in textile thinking to reimagine new expressions for (p)lace in a digital age. The author sought to test out if animation could capture and disseminate an ephemeral lace process. This led to a curious convergence between two disciplines. What was initially to be a tool for efficiency and speed unexpectedly turned out to be a method for abstracting an allusive lace making process. Learning about the idiosyncrasies of another discipline opened new aesthetic opportunities for a contemporary lace practice and introduced novel methods to disseminate future material research.
Journal Article
Lace knitting : 40 openwork patterns, 30 lovely projects, countless ideas and inspiration
This beautiful lace knitting reference book has over 40 patterns and 30 projects to make. Lace knitting is striking and eye catching - and can appear a little complicated, if you haven't tried it before! Denise Samson's helpful and comprehensive book is perfect for crafters with some experience under their belts who want to take their knitting to the next level. Discover 40 openwork patterns, introduced to you step by step, with full-colour photographs, charts and instructions to guide you, from the deceptively simple to the beautifully intricate. Or try out your favourite lace stitches with one of 30 delightful, stylish designs - including cushions and throws, socks and hats, garments for children and adults, and even a handy bookmark! It' everything you need to master openwork, in one complete package.
Book
Knit in comfort : a novel
The women of Comfort, North Carolina, come together to knit and make lace--and find that the intricacies of both echo the complexities of their lives.
Book
Reimagining lace in a digital space
This paper presents how a contemporary lace practice explored the medium of animation as a digital tool for craft research. Research is practice based and theoretically framed around notions of smooth and striated space as a means to articulate how a designer engages in textile thinking to reimagine new expressions for (p)lace in a digital age. The author sought to test out if animation could capture and disseminate an ephemeral lace process. This led to a curious convergence between two disciplines. What was initially to be a tool for efficiency and speed unexpectedly turned out to be a method for abstracting an allusive lace making process. Learning about the idiosyncrasies of another discipline opened new aesthetic opportunities for a contemporary lace practice and introduced novel methods to disseminate future material research.
Journal Article