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Lancelot 'Capability' Brown's designs are organic, weaving gestures of colour and perspective into the features that the country already afforded. So natural are his designs, and so perfectly do they complement the houses within them, that for many a Capability Brown landscape is the epitome of the English estate. His gardens and parklands as much as the houses themselves would become icons of British country life. Published to coincide with the tercentenary of his birth, this book illuminates fifteen of Brown's most celebrated landscapes. Including rarely seen archival drawings that shed light on Brown's process, this book serves as a guide to Britain's most beloved landscapes and an exploration of the masterful mind behind their creation.

'This book by John Phibbs adds to the corpus of authoritative texts published by Historic England. [...] The book is supported by an extensive 45-page glossary - useful for explaining the main text or as a stand-alone quick reference. [...] Whilst the book is about one of our most influential landscape designers, it is also relevant to those who appreciate and care for historic buildings.' Michael F. Garber, Fenland & Wash regional group.

Before the Second World War landscape architect Christopher Tunnard was the first author on Modernism in Landscape in the English language, but later became alarmed by the destructive forces of Post-war reconstruction. Between the 1950s and the 1970s he was in the forefront of the movement to save the city, becoming an acclaimed author sympathetic to preservation. Ironically it was the Modernist ethos that he had so fervently advocated before the war that was the justification for the dismemberment of great cities by officials, engineers and planners. This was not the first time that Tunnard had to re-evaluate his principles, as he had done so in the 1930s in rejecting Arts-and-Crafts in favour of Modernism. This book tracks his changing ideology, by reference to his writings, his colleagues and his work. Christopher Tunnard is one of the most influential figures in Landscape Architecture and his journey is one that still resonates in the discipline today. His leading role in first embracing the tenets of Modernism and then moving away from to embrace a more conservationist approach can be seen in the success and impact on the profession of those with whom he worked and taught. The Landscape Profession in Britain and the USA. Part 1: Biography Britain. America. Part 2: Landscape and Urbanism A Technique for the 20 th Century. Landscape Design. Civic Art and Design. From Wisley to World with a View: the Metamorphosis of a Landscape Architect. David Jacques is a landscape historian and conservationist, having been the first Inspector of Historic Parks and Gardens at English Heritage and involved in many conservation projects. He was a Visiting Professor to De Montfort University and Programme Director for the graduate courses in Landscape Conservation and Change at the Architectural Association in London. He is a widely published author on garden history. Jan Woudstra is Reader in Landscape History and Theory at the Department of Landscape, University of Sheffield and a leading expert in Modernism in landscape. He has written numerous publications on Modernist landscape architecture and garden history, with a wealth of experience in landscape consultancy, research and teaching on the Landscape Conservation and Change course at the Architectural Association in London.

Before the Second World War, Christopher Tunnard was a landscape architect who championed the cause of Modernism. After the war however, he became alarmed by the destructive forces of post-war reconstruction and, between the 1950s and the 1970s, became a a vociferous advocate for civic preservation. and conservation.

Capability Brown cannot be identified as the originator of modern landscaping, yet he created a business that achieved an unrivaled impact, outshining those before, during, and after his lifetime. Whether Brown was a great artist, opinions may differ. However, there is evidence that Brown was an outstandingly successful businessman. From humble origins, Brown ultimately created a business that seized the lion’s share of the landscaping market of Britain’s elite in the second half of the eighteenth century, counting half of the House of Lords as his clients. A study of Brown’s surviving account book, bank ledgers, and personal correspondence provides new insight into the rapid development, vast scale, and nature of his business. This research shows that commissions were not just gained due to his skills in landscaping, but through his exceptional business acumen, his method of operations, organizational structure, focus, work ethic, and ability to develop contacts and win trust with both the aristocracy and ultimately the King of England. What emerges is a picture of Brown as an entrepreneur of considerable skill, enabling him to uniquely build a national landscaping business.

Medieval ‘new towns’ seem to echo Roman towns in having a grid of streets associated with a fortress, and have often been credited with a standard plan applied by the hand of authority. Here the authors analyse the new towns founded by Edward I in Wales and find some highly significant variations. Rediscovering the original layouts by high precision survey and GIS mapping, they show that some towns, founded at the same time and on similar topography, had quite different layouts, while others, founded at long intervals, had plans that were almost identical. Documentation hints at the explanation: it was the architects, masons and ditch-diggers, not the king and aristocracy, who established and developed these blueprints of urban life.