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"Landscape architecture History."
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The Aurelian Wall and the Refashioning of Imperial Rome, AD 271–855
by
Dey, Hendrik W.
in
Architecture and society
,
Architecture and society -- Italy -- Rome -- History
,
City and town life
2011
This book explores the relationship between the city of Rome and the Aurelian Wall during the six centuries following its construction in the 270s AD, a period when the city changed and contracted almost beyond recognition, as it evolved from imperial capital into the spiritual center of Western Christendom. The Wall became the single most prominent feature in the urban landscape, a dominating presence which came bodily to incarnate the political, legal, administrative, and religious boundaries of urbs Roma, even as it reshaped both the physical contours of the city as a whole and the mental geographies of 'Rome' that prevailed at home and throughout the known world. With the passage of time, the circuit took on a life of its own as the embodiment of Rome's past greatness, a cultural and architectural legacy that dwarfed the quotidian realities of the post-imperial city as much as it shaped them.
Landscape architecture : an introduction
by
Holden, Robert
,
Liversedge, Jamie
in
Computer-aided design
,
Geographic information systems
,
Handbooks, manuals, etc
2014
Aimed at prospective and new students, this book gives a comprehensive introduction to the nature and practice of landscape architecture, the professional skills required and the latest developments. After discussing the history of the profession, the book explains the design process through principles such as hierarchy, human scale, unity, harmony, asymmetry, colour, form and texture. It looks at how design is represented through both drawing and modelling, and through digital techniques such as CAD and the use of GIS (Geographic Information Systems). This is followed by an examination of project management and landscape management techniques. Finally, the book explores educational and employment opportunities and the future of the profession in the context of climate change and sustainability. Illustrated with international examples of completed projects, Landscape Architecture provides an invaluable, one-stop resource for anyone considering studying or a career in this field.
John Yeon landscape : design, conservation, activism
John Yeon (1910-1994) devoted his life to designing and preserving the spectacular terrain of the Pacific Northwest. John Yeon Landscape explores his roles as planner, landscape architect, and conservation activist. The son of a lumber baron who raised the money for and oversaw the construction of one of America's first scenic highways, the Columbia River Gorge Highway, Yeon tackled conservation causes with the eye of a landscape designer. He single-handedly protected two of the most prominent features of the Oregon Coast: Neahkahnie Mountain and Chapman Point. Stemming from an intimate understanding of both landscape and the timber business, Yeon's writing and advocacy played an important role in the establishment of Olympic National Park. And in the Columbia River Gorge, he led a national committee dedicated to its conservation as well as buying 78 acres of land there, transforming it into the Shire. This private, picturesque landscape showcased the beauty of the gorge and even served as the birthplace of the Columbia River Gorge National Scenic Act. Exhibition: Portland Art Museum, Portland, USA (13.05. - 03.09.2017).
Ideas of Chinese Gardens
2015,2016
Europeans may be said to have first encountered the Chinese garden in Marco Polo's narrative of his travels through the Mongol Empire and his years at the court of Kublai Khan. His account of a man-made lake abundant with fish, a verdant green hill lush with trees, raised walkways, and a plethora of beasts and birds took root in the European imagination as the description of a kind of Eden. Beginning in the sixteenth century, permanent interaction between Europe and China took form, and Jesuit missionaries and travelers recorded in letters and memoirs their admiration of Chinese gardens for their seeming naturalness. In the eighteenth century, European taste for chinoiserie reached its height, and informed observers of the Far East discovered that sophisticated and codified design principles lay behind the apparent simplicity of the Chinese garden. The widespread appreciation of the eighteenth century gave way to rejection in the nineteenth, a result of tensions over practical concerns such as trade imbalances and symbolized by the destruction of the imperial park of Yuanming yuan by a joint Anglo-French military expedition.In Ideas of Chinese Gardens, Bianca Maria Rinaldi has gathered an unparalleled collection of westerners' accounts, many freshly translated and all expertly annotated, as well as images that would have accompanied the texts as they circulated in Europe. Representing a great diversity of materials and literary genres, Rinaldi's book includes more than thirty-five sources that span centuries, countries, languages, occupational biases, and political aims. By providing unmediated firsthand accounts of the testimony of these travelers and expatriates, Rinaldi illustrates how the Chinese garden was progressively lifted out of the realm of fantasy into something that could be compared with, and have an impact on, European traditions.
Sites Unseen
by
Harris, Dianne
,
Ruggles, D. Fairchild
in
ARCHITECTURE
,
Architecture and Architectural History
,
History
2007
Sites Unseenchallenges conventions for viewing and interpreting the landscape, using visual theory to move beyond traditional practices of describing and classifying objects to explore notions of audience and context. While other fields, such as art history and geography, have engaged poststructuralist theory to consider vision and representation, the application of such inquiry to the natural or built environment has lagged behind. This book, by treating landscape as a spatial, psychological, and sensory encounter, aims to bridge this gap, opening a new dialogue for discussing the landscape outside the boundaries of current art criticism and theory.As the contributors reveal, the landscape is a widely adaptable medium that can be employed literally or metaphorically to convey personal or institutional ideologies. Walls, gates, churchyards, and arches become framing devices for a staged aesthetic experience or to suit a sociopolitical agenda. The optic stimulation of signs, symbols, bodies, and objects combines with physical acts of climbing and walking and sensory acts of touching, smelling, and hearing to evoke an overall \"vision\" of landscape.Sites Unseenconsiders a variety of different perspectives, including ancient Roman visions of landscape, the framing techniques of a Moghul palace, and a contemporary case study of Christo'sThe Gates, as examples of human attempts to shape our sensory, cognitive, and emotional experiences in the landscape.
Across the open field : essays drawn from English landscapes
2000,1999
\"Twenty-eight years ago I went to England for a three-month visit and rest. What I found changed my life.\"So begins this memoir by one of America's best-known landscape architects, Laurie Olin. Raised in a frontier town in Alaska, trained in Seattle and New York, Olin found himself dissatisfied with his job as an urban architect and accepted an invitation to England to take a respite from work. What he found, in abundance, was the serendipity of a human environment built over time to respond to the land's own character and to the people who lived and worked there. For Olin, the English countryside was a palimpsest of the most eloquent and moving sort, yet whose manifestation was of ordinary buildings meant to shelter their inhabitants and further their work.With evocative language and exquisite line drawings, the author takes us back to his introduction to the scenes of English country towns, their ancient universities, meandering waterways, and dramatic cloudscapes racing in from the Atlantic. He limns the geologic histories found within the rock, the near-forgotten histories of place-names, and the recent histories of train lines and auto routes. Comparing the growth of building in the English countryside, Olin draws some sobering conclusions about our modern lifestyle and its increasing separation from the landscape.As much a plea for saving the modern American landscape as it is a passionate exploration of what makes the English landscape so characteristically English, Across the Open Field is \"an affectionate ramble through real places of lasting worth.\"