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Style refers to ways of speaking - how speakers use the resource of language variation to make meaning in social encounters. This 2007 book develops a coherent theoretical approach to style in sociolinguistics, illustrated with copious examples. It explains how speakers project different social identities and create different social relationships through their style choices, and how speech-style and social context inter-relate. Style therefore refers to the wide range of strategic actions and performances that speakers engage in, to construct themselves and their social lives. Coupland draws on and integrates a wide variety of contemporary sociolinguistic research as well as his own extensive research in this field. The emphasis is on how social meanings are made locally, in specific relationships, genres, groups and cultures, and on studying language variation as part of the analysis of spoken discourse.

This interdisciplinary study presents the cutting-edge state of theoretical and applied research in phraseology. The author elaborates key terminology and theoretical concepts of phraseology, while challenging some prevailing assumptions. Exploration of phraseological meaning across sentence boundaries is supported by ample textual illustrations of stylistic use ranging from Old English to Modern English. The book contains innovative research in the discourse-level features of phraseological units from a cognitive perspective, along with creative use of phraseological metaphor, metonymy and allusion, including multimodal discourse. The author argues for the need to raise stylistic awareness among teachers and learners, translators, lexicographers and advertisers. This is the revised and extensively expanded new edition of 'Phraseological Units in Discourse: Towards Applied Stylistics' (2001). It received honourable mention at the ESSE Book Award 2012.

This study uses modern linguistic theory to analyze a frequently recurring syntactic phenomenon in the Hebrew Bible that has thus far resisted explanation: כי אם. The combination of the two particles כי and אם produces a construction that is notoriously difficult to describe, analyze syntactically, and translate. Dictionaries of Biblical Hebrew offer a dizzying variety of translations for this construction, including “that if,” “except,” “unless,” “but,” “but only,” and “surely,” among other possibilities. In this book, Grace J. Park provides a new approach that strives for greater precision and consistency in translation. Park argues that כי אם is used in three patterns: the “full focus” pattern, the “reduced focus” pattern, and the less common “non-focus” pattern. Her syntactic analysis of all 156 occurrences of the כי אם construction in the Bible lends greater clarity to the contested passages. Drawing on recent linguistic research into the typology of clausal nominalization as well as previous work on contrastive focus, this innovative project provides important new insight into the syntax of Biblical Hebrew. It will be especially valuable for scholars seeking to translate כי אם more consistently and accurately.

Volume 1: Periods, Corpora, and Reading Traditions; Volume 2: Selected Texts Biblical Hebrew is studied worldwide by university students, seminarians, and the educated public. It is also studied, almost universally, through a single prism—that of the Tiberian Masoretic tradition, which is the best attested and most widely available tradition of Biblical Hebrew. Thanks in large part to its endorsement by Maimonides, it also became the most prestigious vocalization tradition in the Middle Ages. For most, Biblical Hebrew is synonymous with Tiberian Biblical Hebrew. There are, however, other vocalization traditions. The Babylonian tradition was widespread among Jews around the close of the first millennium CE; the tenth-century Karaite scholar al-Qirqisani reports that the Babylonian pronunciation was in use in Babylonia, Iran, the Arabian peninsula, and Yemen. And despite the fact that Yemenite Jews continued using Babylonian manuscripts without interruption from generation to generation, European scholars learned of them only toward the middle of the nineteenth century. Decades later, manuscripts pointed with the Palestinian vocalization system were rediscovered in the Cairo Genizah. Thereafter came the discovery of manuscripts written according to the Tiberian-Palestinian system and, perhaps most importantly, the texts found in caves alongside the Dead Sea. What is still lacking, however, is a comprehensive and systematic overview of the different periods, sources, and traditions of Biblical Hebrew. This handbook provides students and the public with easily accessible, reliable, and current information in English concerning the multi-faceted nature of Biblical Hebrew. Noted scholars in each of the various fields contributed their expertise. The result is the present two-volume work. The first contains an in-depth introduction to each tradition; and the second presents sample accompanying texts that exemplify the descriptions of the parallel introductory chapters.

This volume collects and reprints many of Delbert R. Hillers's most important published essays and articles, his long out-of-print Treaty-Curses and the Old Testament Prophets, and three previously unpublished essays, including the aforementioned \"'Poets Before Homer': Archaeology and the Western Literary Tradition\". Hillers gave the latter as the 1992 William Foxwell Albright Lecture at The Johns Hopkins University and in it uses Ernst Robert Curtius's European Literature and the Latin Middle Ages, with its \"topological\" method, as a model for exploring the connections of the most ancient Near Eastern literatures (including the Bible) to later Western literature. Though one of his latest pieces of writing, \"Poets Before Homer\" represents, as Hillers himself recognized, a fairly clear statement of what he had been doing in much of his earlier scholarship and the volume collects the best of this earlier scholarship. Most of these essays work themselves out from a particular passage, theme, topos, image, or grammatical issue, and gain their interpretive vantage point by reading said passage, etc. comparatively, whether in light of relevant ancient Near Eastern and/or more recent European literary parallels or with reference to some more theoretical interest, such as modern linguistic theory. Hillers's habit of mind ran toward the particular, toward the individual detail. His genius—if this word may be used—was in his capacity to seize upon one aspect of some larger entity, problem, or topic, to work it through, thoroughly and, as often as not, decisively, all the while resisting the temptation to take up the larger, perhaps un(re)solvable complex of which the detail or problem was but a part. The worked example is the Hillersian trademark—\"exemplum followed by moralisatio\"—and Poets Before Homer collects all of his best.

An essential resource for sound exegesis of biblical poetry While previous books on parallelism have focused almost exclusively on semantic classification, in his new book David Toshio Tsumura focuses on the grammatical and phonetic aspects as well.

In this book, Elizabeth Robar demonstrates how biblical Hebrew verbal patterns can reveal paragraph structure and themes.

In Early Biblical Hebrew, Late Biblical Hebrew, and Linguistic Variability, Dong-Hyuk Kim offers a sociolinguistic evaluation of the issue of the linguistic dating of biblical texts.

Style and Reader Response: Minds, media, methods profiles the diversity of theoretical and methodological approaches in reception-oriented research in stylistics. Collectively, the chapters investigate how real readers, players, audiences, and viewers respond to, experience, and interpret texts. Contributions to the book investigate discourse types such as contemporary literature, poetry, political speeches, digital fiction, art exhibitions, and online news discourse. The volume also exemplifies the variety of empirical approaches in reception research, with contributors drawing on a range of methods including discussion groups, interviews, questionnaires, and think-aloud protocols with data analysed from both online and offline sources. Style and Reader Response makes an important contribution to an emerging paradigm within stylistics in which verifiable insights from readers are used to generate new models and new understandings of texts across media, with each essay demonstrating the centrality of empirical research for theoretical, methodological, and/or analytical advancements within and beyond stylistics.

In analyzing the nonfiction works of writers such as John Wilson, J. S. Mill, De Quincy, Ruskin, Arnold, Pater, and Wilde, Jason Camlot provides an important context for the nineteenth-century critic's changing ideas about style, rhetoric, and technologies of communication. In particular, Camlot contributes to our understanding of how new print media affected the Romantic and Victorian critic's sense of self, as he elaborates the ways nineteenth-century critics used their own essays on rhetoric and stylistics to speculate about the changing conditions for the production and reception of ideas and the formulation of authorial character. Camlot argues that the early 1830s mark the moment when a previously coherent tradition of pragmatic rhetoric was fragmented and redistributed into the diverse, localized sites of an emerging periodicals market. Publishing venues for writers multiplied at midcentury, establishing a new stylistic norm for criticism-one that affirmed style as the manifestation of English discipline and objectivity. The figure of the professional critic soon subsumed the authority of the polyglot intellectual, and the later decades of the nineteenth century brought about a debate on aesthetics and criticism that set ideals of Saxon-rooted 'virile' style against more culturally inclusive theories of expression. Contents: Introduction: sincere mannerisms; The character of the periodical press; The origins of modern earnest; The downfall of authority and The New Magazine; Thomas de Quincey's periodical rhetoric; The political economy of style: John Ruskin and critical truth; The Victorian critic as naturalizing agent; The style is the man: style theory in the 1890s; Conclusion; Bibliography; Index.