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Affective Meditation and the Invention of Medieval Compassion
Affective meditation on the Passionwas one of the most popular literary genres of the high and later Middle Ages. Proliferating in a rich variety of forms, these lyrical, impassioned, script-like texts in Latin and the vernacular had a deceptively simple goal: to teach their readers how to feel. They were thus instrumental in shaping and sustaining the wide-scale shift in medieval Christian sensibility from fear of God to compassion for the suffering Christ.Affective Meditation and the Invention of Medieval Compassionadvances a new narrative for this broad cultural change and the meditative writings that both generated and reflected it. Sarah McNamer locates women as agents in the creation of the earliest and most influential texts in the genre, from John of Fécamp'sLibellusto theMeditationes vitae Christi, thus challenging current paradigms that cast the compassionate affective mode as Anselmian or Franciscan in origin. The early development of the genre in women's practices had a powerful and lasting legacy. With special attention to Middle English texts, including Nicholas Love'sMirrorand a wide range of Passion lyrics and laments,Affective Meditation and the Invention of Medieval Compassionilluminates how these scripts for the performance of prayer served to construct compassion itself as an intimate and feminine emotion. To feel compassion for Christ, in the private drama of the heart that these texts stage, was to feel like a woman. This was an assumption about emotion that proved historically consequential, McNamer demonstrates, as she traces some of its legal, ethical, and social functions in late medieval England.
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The Anglo-Latin Gesta romanorum : from Oxford, Bodleian Library, Douce MS 310
This volume presents, for the first time, an edition and facing English translation of all of the stories that belong to the Anglo-Latin corpus of the immensely popular and influential collection of moralized stories from the Middle Ages, known as Gesta Romanorum ('The Deeds of the Romans'). The Anglo-Latin branch of the Gesta is of particular interest and importance as it is the source of the Middle English versions of the stories as well as the earliest English printed version, and includes stories that are either not found in continental Gesta collections or that differ significantly from the continental versions. Oxford, Bodleian Library, Douce 310 has been chosen as the base manuscript for the edition and has been collated with seven other Anglo-Latin manuscripts in order to illustrate the nature and degree of textual variation that is a feature of the Anglo-Latin Gesta tradition, and to facilitate comparison between the Anglo-Latin versions of the stories and the Middle English and Early Modern English versions. An edited text and translation of the stories that do not form part of the collection in Douce 310, some of which are found in only one or two manuscripts, have also been provided. In addition, the volume includes notes that identify the sources, analogues, and folktale motifs of the stories and that explain key literary, cultural, and linguistic features, and an introduction that provides an overview of the history and significance of the Gesta and a detailed account of the Anglo-Latin tradition.
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Source of Wisdom
As one of the most prolific and influential scholars in the field, Thomas D. Hill has made an indelible mark on the study of Old English literature. In celebration of his distinguished career, the editors of Source of Wisdom have assembled a wide-ranging collection of nineteen original essays on Old English poetry and prose as well as early medieval Latin, touching upon many of Hill’s specific research interests.
Among the topics examined in this volume are the Christian-Latin sources of Old English texts, including religious and ‘sapiential’ poetry, and prose translations of Latin writings. Old English poems such as Beowulf , The Dream of the Rood , and The Wife’s Lament are treated, throughout, to thematic, textual, stylistic, lexical, and source analysis. Prose writers of the period such as King Alfred and Wærferth, as well as medieval Latin writers such as Bede and Pseudo-Methodius are also discussed. As an added feature, the volume includes a bibliography of publications by Thomas D. Hill.
Source of Wisdom is, ultimately, a contribution to the understanding of medieval English literature and the textual traditions that contributed to its development.
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Eros and Noesis
This is the first study to apply some of the results of modern cognitive science to all the major genres of the courtly love literature of medieval France (twelfth and thirteenth centuries) in Occitan, Old French, and Latin.
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Friars' tales : thirteenth-century exempla from the British Isles
Medieval exempla are key sources for religious and social history. This translation contains prime material for undergraduate teaching.
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Finding the right words : Isidore's Synonyma in Anglo-Saxon England
Isidore of Seville (circa 570-636) was the author of the Etymologiae, . the most celebrated and widely circulated encyclopaedia of the western Middle Ages. In addition, Isidore's Synonyma were very successful and became one of the classics of medieval spirituality. Indeed, it was the Synonyma that were to define the so-called 'Isidorian style,' a rhymed, rhythmic prose that proved influential throughout the Middle Ages.
Finding the Right Words is the first book-length study to deal with the transmission and reception of works by Isidore of Seville in Anglo-Saxon England, with a particular focus on the Synonyma. Beginning with a general survey of Isidore's life and activity as a bishop in early seventh-century Visigothic Spain, Claudia Di Sciacca offers a comprehensive introduction to the Synonyma , drawing special attention to their distinctive style. She goes on to discuss the transmission of the text to early medieval England and its 'vernacularisation,' that is, its translations and adaptations in Old English prose and verse. The case for the particular receptiveness of the Synonyma in Anglo-Saxon England is strongly supported by both a close reading of primary sources and an extensive selection of secondary literature. This rigorous, well-documented volume demonstrates the significance of the Synonyma to our understanding of the literary pretensions and pedagogical practices of Anglo-Saxon England, and offers new insights into the interaction of Latin and vernacular within its literary culture.
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