Catalogue Search | MBRL
Search Results Heading
Explore the vast range of titles available.
MBRLSearchResults
-
DisciplineDiscipline
-
Is Peer ReviewedIs Peer Reviewed
-
Reading LevelReading Level
-
Content TypeContent Type
-
YearFrom:-To:
-
More FiltersMore FiltersItem TypeIs Full-Text AvailableSubjectPublisherSourceDonorLanguagePlace of PublicationContributorsLocation
Done
Filters
Reset
31,475
result(s) for
"Letterman, David"
Sort by:
We'll be here for the rest of our lives : a swingin' show-biz saga
In this candid memoir--in which he dishes on everyone from John Belushi and Jerry Lewis to Mel Gibson and Britney Spears--Paul Shaffer gives readers the full behind-the-scenes story of his life, from banging out pop tunes on the piano at the age of twelve to leading the band every night at the Sullivan Theater.
Sarah Silverman doesn't think apologizing is anti-comedy
2021
National arts reporter Geoff Edgers interviewed comedian Sarah Silverman on Instagram Live on March 5.
Streaming Video
Letterman : the last giant of late night
In a career spanning more than thirty years, Letterman redefined the modern talk show with an ironic comic style that transcended traditional television. Yet he is a remote, even reclusive, figure whose career is widely misunderstood. Zinoman goes behind the scenes of Letterman's television career to illuminate the origins of his revolutionary comedy, its overlooked influences, and how his work intersects with and reveals his famously eccentric personality.
The Rivals? A Treatise on Gene Siskel and Roger Ebert’s Howard Stern Appearances and an Extended Commentary on Opposable Thumbs
2024
In his book, Opposable Thumbs: How Siskel & Ebert Changed Movies Forever, Matt Singer provides readers with a thoughtful examination of the twenty-three-year collaboration of two of the most successful and widely known film critics ever to appear on television. As the author discusses, Gene Siskel and Roger Ebert worked at rival newspapers—the Chicago Tribune and the Chicago Sun-Times—and they were fiercely competitive, even “mortal enemies” (3). They fought with each other to write the best reviews and land the biggest interviews. In 1975, this sense of competition became even more pronounced when Roger Ebert won the Pulitzer Prize for Criticism. One year later, however, the two newspaper journalists set aside their differences to argue the merits of current films face-to-face on a small screen pilot on WTTW, Chicago’s public television station.
Journal Article