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"Literature"
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Fall from grace
by
Lo Bosco, Maryellen, author
in
Sin in literature Juvenile literature.
,
Redemption in literature Juvenile literature.
,
Literature, Modern Themes, motives Juvenile literature.
2016
This title examines the role and theme of the fall from grace archetype in The Crucible, Crime and Punishment, Frankenstein, Things Fall Apart, and Macbeth. It features four analysis papers that consider the fall from grace theme, each using different critical lenses, writing techniques, or aspects of the theme. Critical thinking questions, sidebars highlighting and explaining each thesis and argument, and other possible approaches for analysis help students understand the mechanics of essay writing. Features include a glossary, references, websites, source notes, and an index. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO. -- Source other than Library of Congress.
The Language of the Gods in the World of Men
2006
In this work of impressive scholarship, Sheldon Pollock explores the remarkable rise and fall of Sanskrit, India's ancient language, as a vehicle of poetry and polity. He traces the two great moments of its transformation: the first around the beginning of the Common Era, when Sanskrit, long a sacred language, was reinvented as a code for literary and political expression, the start of an amazing career that saw Sanskrit literary culture spread from Afghanistan to Java. The second moment occurred around the beginning of the second millennium, when local speech forms challenged and eventually replaced Sanskrit in both the literary and political arenas. Drawing striking parallels, chronologically as well as structurally, with the rise of Latin literature and the Roman empire, and with the new vernacular literatures and nation-states of late-medieval Europe, The Language of the Gods in the World of Men asks whether these very different histories challenge current theories of culture and power and suggest new possibilities for practice.
Bored Bella learns about fiction and nonfiction
by
Donovan, Sandra, 1967-
,
Hernandez, Leeza, ill
in
Literary form Juvenile literature.
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Literature Juvenile literature.
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Literary form.
2010
Teaches young readers the differences between works of fiction and nonfiction.
Postcolonial Witnessing
2012
Postcolonial Witnessing argues that the suffering engendered by colonialism needs to be acknowledged more fully, on its own terms, in its own terms, and in relation to traumatic First World histories if trauma theory is to have any hope of redeeming its promise of cross-cultural ethical engagement.
The Norton introduction to literature
The most trusted guide for helping students read critically and write carefully. The Norton Introduction to Literature presents an engaging, balanced selection of literature to suit any course. Offering a thorough treatment of historical and critical context, the most comprehensive media package available, and a rich suite of tools to encourage close reading and thoughtful writing, the Twelfth Edition is unparalleled in its guidance of understanding, analyzing, and writing about literature.
Why indigenous literatures matter
by
Justice, Daniel Heath
in
Aboriginal kinship
,
American literature -- Indian authors -- History and criticism
,
badger
2018
Part survey of the field of Indigenous literary studies, part cultural history, and part literary polemic, Why Indigenous Literatures Matter asserts the vital significance of literary expression to the political, creative, and intellectual efforts of Indigenous peoples today. In considering the connections between literature and lived experience, this book contemplates four key questions at the heart of Indigenous kinship traditions: How do we learn to be human? How do we become good relatives? How do we become good ancestors? How do we learn to live together? Blending personal narrative and broader historical and cultural analysis with close readings of key creative and critical texts, Justice argues that Indigenous writers engage with these questions in part to challenge settler-colonial policies and practices that have targeted Indigenous connections to land, history, family, and self. More importantly, Indigenous writers imaginatively engage the many ways that communities and individuals have sought to nurture these relationships and project them into the future. This provocative volume challenges readers to critically consider and rethink their assumptions about Indigenous literature, history, and politics while never forgetting the emotional connections of our shared humanity and the power of story to effect personal and social change. Written with a generalist reader firmly in mind, but addressing issues of interest to specialists in the field, this book welcomes new audiences to Indigenous literary studies while offering more seasoned readers a renewed appreciation for these transformative literary traditions. Awarded the NAISA Award Best Subsequent Book, 2018, PROSE Award, 2019, and shortlisted for ACQL Gabrielle Roy Prize for Literary Criticism, 2018.
Postcolonial writers in the global literary marketplace
by
Brouillette, Sarah
in
Authorship
,
Authorship -- Economic aspects -- History -- 20th century
,
Book industries and trade
2007
Combining analysis with detailed accounts of authors' careers and the global trade in literature, this book assesses how postcolonial writers respond to their own reception and niche positioning, parading their exotic otherness to metropolitan audiences, within a global marketplace.
Literary Cultures in History
2003
A grand synthesis of unprecedented scope,Literary Cultures in Historyis the first comprehensive history of the rich literary traditions of South Asia. Together these traditions are unmatched in their combination of antiquity, continuity, and multicultural complexity, and are a unique resource for understanding the development of language and imagination over time. In this unparalleled volume, an international team of renowned scholars considers fifteen South Asian literary traditions-including Hindi, Indian-English, Persian, Sanskrit, Tibetan, and Urdu-in their full historical and cultural variety. The volume is united by a twofold theoretical aim: to understand South Asia by looking at it through the lens of its literary cultures and to rethink the practice of literary history by incorporating non-Western categories and processes. The questions these seventeen essays ask are accordingly broad, ranging from the character of cosmopolitan and vernacular traditions to the impact of colonialism and independence, indigenous literary and aesthetic theory, and modes of performance. A sophisticated assimilation of perspectives from experts in anthropology, political science, history, literary studies, and religion, the book makes a landmark contribution to historical cultural studies and to literary theory in addition to the new perspectives it offers on what literature has meant in South Asia. (Available in South Asia from Oxford University Press--India)