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"Literature -- 18th century -- History and criticism"
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Fact and fiction : literary and scientific cultures in Germany and Britain
Fact and fiction explores the intersection between literature and the sciences, focusing on German and British culture between the eighteenth century and today. Observing that it was in the eighteenth century that the divide between science and literature as disciplines first began to be defined, the contributors to this collection probe how authors from that time onwards have assessed and affected the relationship between literary and scientific cultures. Fact and fiction's twelve essays cover a wide range of scientific disciplines, from physics and chemistry to medicine and anthropology, and a variety of literary texts, such as Erasmus Darwin's poem The Botanic Garden, George Eliot's Daniel Deronda, and Goethe's Elective Affinities. The collection will appeal to scholars of literature and of the history of science, and to those interested in the connections between the two.
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Gothic Literature
New edition of bestselling introductory text outlining the history and ways of reading Gothic literatureThis revised edition includes:A new chapter on Contemporary Gothic which explores the Gothic of the early twenty first century and looks at new critical developmentsAn updated Bibliography of critical sources and a revised Chronology
The book opens with a Chronology and an Introduction to the principal texts and key critical terms, followed by five chapters: The Gothic Heyday 1760-1820; Gothic 1820-1865; Gothic Proximities 1865-1900; Twentieth Century; and Contemporary Gothic. The discussion examines how the Gothic has developed in different national contexts and in different forms, including novels, novellas, poems, films, radio and television. Each chapter concludes with a close reading of a specific text - Frankenstein, Jane Eyre, Dracula, The Silence of the Lambs and The Historian - to illustrate ways in which contextual discussion informs critical analysis. The book ends with a Conclusion outlining possible future developments within scholarship on the Gothic.
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Romantic Literature and Postcolonial Studies
Literature played a crucial role in constructing and contesting the modern culture of empire that was fully in place by the start of the Victorian period. Postcolonial criticism's concern with issues of geopolitics, race and gender, subalternity and exoticism shape discussions of works by major authors such as Blake, Coleridge, both Shelleys, Austen and Scott, as well as their less familiar contemporaries.
Key Features
Explains how key theoretical concerns of postcolonial studies - its analyses of imaginary geography, the construction of otherness or difference, and cultural hybridity - have dramatically changed our understanding of Romantic literatureProvides accessible yet sophisticated in-depth analyses of selected texts, in a range of genres, whose interpretation is illuminated by postcolonial criticismIncludes a bibliographical essay along with up-to-date bibliography of criticism, editions of primary works, and selected historical materials
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Reading it wrong : an alternative history of early eighteenth-century literature
\"How eighteenth-century literature depended on misinterpretation--and how this still shapes the way we read. Reading It Wrong is a new history of eighteenth-century English literature that explores what has been everywhere evident but rarely talked about: the misunderstanding, muddle and confusion of readers of the past when they first met the uniquely elusive writings of the period. Abigail Williams uses the marginal marks and jottings of these readers to show that flawed interpretation has its own history--and its own important role to play--in understanding how, why and what we read. Focusing on the first half of the eighteenth century, the golden age of satire, Reading It Wrong tells how a combination of changing readerships and fantastically tricky literature created the perfect grounds for puzzlement and partial comprehension. Through the lens of a history of imperfect reading, we see that many of the period's major works--by writers including Daniel Defoe, Eliza Haywood, Mary Wortley Montagu, Alexander Pope and Jonathan Swift--both generated and depended upon widespread misreading. Being foxed by a satire, coded fiction or allegory was, like Wordle or the cryptic crossword, a form of entertainment, and perhaps a group sport. Rather than worrying that we don't have all the answers, we should instead recognize the cultural importance of not knowing\"-- Provided by publisher.
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Modernity's Mist: British Romanticism and the Poetics of Anticipation
Modernity's Mist explores an understudied aspect of Romanticism: its future-oriented poetics. Whereas Romanticism is well known for its relation to the past, Emily Rohrbach situates Romantic epistemological uncertainties in relation to historiographical debates that opened up a radically unpredictable and fast- approaching future. As the rise of periodization made the project of defining the \"spirit of the age\" increasingly urgent, the changing sense of futurity rendered the historical dimensions of the present deeply elusive. While historicist critics often are interested in what Romantic writers and their readers would have known, Rohrbach draws attention to moments when these writers felt they could not know the historical dimensions of their own age. Illuminating the poetic strategies Keats, Austen, Byron, and Hazlitt used to convey that sense of mystery, Rohrbach describes a poetic grammar of future anteriority--of uncertainty concerning what will have been. Romantic writers, she shows, do not simply reflect the history of their time; their works make imaginable a new way of thinking the historical present when faced with the temporalities of modernity.
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The Military Enlightenment
The Military Enlightenmentbrings to light a radically new narrative both on the Enlightenment and the French armed forces from Louis XIV to Napoleon. Christy Pichichero makes a striking discovery: the Geneva Conventions, post-traumatic stress disorder, the military \"band of brothers,\" and soldierly heroism all found their antecedents in the eighteenth-century French armed forces. From Louis XIV through Napoleon, from Canada to the Caribbean and India, the military was one of the few institutions of the Old Regime to transform progressive theories into practice, actually operationalizing the Enlightenment.
Pichichero isolates and examines a crisis in consciousness that has characterized attitudes toward war from the eighteenth century until today. The demands of global political power warrant an ever more formidable and efficient fiscal-military state, and at the same time, awareness of the \"human factor\" generates the desire to minimize the devastation of war on cities and landscapes, and civilians, as well as the mind, body, and heart of the soldier. Readers of The Military Enlightenment will be startled to learn of the many ways in which French military officers, administrators, and medical personnel advanced ideas of human and political rights, military psychology, and social justice.
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The Literary Market
A central theme in the history of Old Regime authorship highlights the opportunities offered by a growing book trade to writers seeking to free themselves from patrons and live \"by the pen.\" Accounts of this passage from patronage to market have explored in far greater detail the opportunities themselves-the rising sums paid by publishers and the progression of laws protecting literary property-than how and why writers would have seized on them, no doubt because the choice to do so has seemed an obvious or natural one for writers assumed to prefer economic self-sufficiency over elite protection. InThe Literary Market, Geoffrey Turnovsky claims that there was nothing obvious or natural about the choice. Writers had been involved in commercial book publication since the earliest days of the printing press, yet had not necessarily linked these activities with their freedom to think and write. The association of autonomy and professionalism was forged, not given. Analyzing the literary market as a key articulation of the association, Turnovsky explores how in eighteenth-century polemics a rhetoric of commercial authorship came to signify independence for intellectuals. He finds the roots of the connection not in the claims of entrepreneurial writers to rights and income but in a world to which that of the modern author has been contrasted: the aristocratic culture of the seventeenth century. Aristocratic culture, he argues, generated a disparaging view of the professional author as one defined by activities tainting him or her as greedy and arrogant and therefore unworthy of protection and socially isolated.The Literary Marketexamines the story of the \"birth of the author\" in terms of the revalorization of this negative trope in Enlightenment-era debates about the radically changing role of writers in society.
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