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"Literature History and criticism"
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Making mind : moral sense and consciousness in philosophy, science, and literature
In this illuminating and wide-ranging study, Gregory F. Tague returns to a familiar chapter of English literary history in order to give it an evolutionary twist. His erudite account of morality in science, philosophy and the eighteenth-century novel hinges on the proposition that human beings are equipped with an inborn but culturally coded moral sense whose real-life manifestations have also had a bearing on the stories told by people since time immemorial. Typically providing a narrative of self in relation to others, the early English novel is a strikingly prescient medium for the imaginative reflection of how the social nature of Homo sapiens gives form to moral sentiments; prescient because it seems to anticipate what science has taught us about human nature in recent years. Tague argues this point persuasively by enriching his astute analysis of literature, especially Richardson's Clarissa, with an impressive array of extradisciplinary research. 'Making mind' is a significant addition to the growing field of evolutionary literary criticism, illustrating not only the by now remarkable scope of this line of inquiry but also the fundamental applicability of evolutionary psychology to the study of literature.
Post-Yugoslav Constellations
by
Vervaet, Stijn
,
Beronja, Vlad
in
Bosnian literature
,
Bosnian literature -- History and criticism
,
Collective memory
2016
This interdisciplinary series addresses the relation between media and cultural memory. Its publications study how media construct, store, and disseminate memory. The series' focus is on different media and technologies, such as text and image, the cinema and the new digital media, on transmediality, intermediality, and remediation, as well as on the social (and increasingly transnational and transcultural) contexts of mediated memory. The aim of the series is to provide a vibrant international platform for research and scholarly exchange in the field of media and memory studies. Manuscripts submitted to the series are peer reviewed by expert referees.
Why indigenous literatures matter
by
Justice, Daniel Heath
in
Aboriginal kinship
,
American literature -- Indian authors -- History and criticism
,
badger
2018
Part survey of the field of Indigenous literary studies, part cultural history, and part literary polemic, Why Indigenous Literatures Matter asserts the vital significance of literary expression to the political, creative, and intellectual efforts of Indigenous peoples today.
In considering the connections between literature and lived experience, this book contemplates four key questions at the heart of Indigenous kinship traditions: How do we learn to be human? How do we become good relatives? How do we become good ancestors? How do we learn to live together? Blending personal narrative and broader historical and cultural analysis with close readings of key creative and critical texts, Justice argues that Indigenous writers engage with these questions in part to challenge settler-colonial policies and practices that have targeted Indigenous connections to land, history, family, and self. More importantly, Indigenous writers imaginatively engage the many ways that communities and individuals have sought to nurture these relationships and project them into the future.
This provocative volume challenges readers to critically consider and rethink their assumptions about Indigenous literature, history, and politics while never forgetting the emotional connections of our shared humanity and the power of story to effect personal and social change. Written with a generalist reader firmly in mind, but addressing issues of interest to specialists in the field, this book welcomes new audiences to Indigenous literary studies while offering more seasoned readers a renewed appreciation for these transformative literary traditions.
Awarded the NAISA Award Best Subsequent Book, 2018, PROSE Award, 2019, and shortlisted for ACQL Gabrielle Roy Prize for Literary Criticism, 2018.
Multilingualism and mother tongue in medieval French, Occitan, and Catalan narratives
by
Léglu, Catherine E
in
Antoine de La Sale
,
Bernat Metge
,
Biography, Literature and Literary studies
2010
The Occitan literary tradition of the later Middle Ages is a marginal and hybrid phenomenon, caught between the preeminence of French courtly romance and the emergence of Catalan literary prose. In this book, Catherine Léglu brings together, for the first time in English, prose and verse texts that are composed in Occitan, French, and Catalan-sometimes in a mixture of two of these languages. This book challenges the centrality of \"canonical\" texts and draws attention to the marginal, the complex, and the hybrid. It explores the varied ways in which literary works in the vernacular composed between the twelfth and fifteenth centuries narrate multilingualism and its apparent opponent, the mother tongue. Léglu argues that the mother tongue remains a fantasy, condemned to alienation from linguistic practices that were, by definition, multilingual. As most of the texts studied in this book are works of courtly literature, these linguistic encounters are often narrated indirectly, through literary motifs of love, rape, incest, disguise, and travel.
Trials of Arab Modernity
2013,2020
Challenging prevalent conceptualizations of modernity--which treat it either as a Western ideology imposed by colonialism or as a universal narrative of progress and innovation--this study instead offers close readings of the simultaneous performances and contestations of modernity staged in works by authors such as Rifa'a al-Tahtawi, Ahmad Faris al-Shidyaq, Tayeb Salih, Hanan al-Shaykh, Hamdi Abu Golayyel, and Ahmad Alaidy. In dialogue with affect theory, deconstruction, and psychoanalysis, the book reveals these trials to be a violent and ongoing confrontation with and within modernity. In pointed and witty prose, El-Ariss bridges the gap between Nahda (the so-called Arab project of Enlightenment) and postcolonial and postmodern fiction.
The Routledge Companion to World Literature
2011,2012
In the age of globalization, the category of \"World Literature\" is increasingly important to academic teaching and research. The Routledge Companion to World Literature offers a comprehensive pathway into this burgeoning and popular field.
Separated into four key sections, the volume covers:
the history of World Literature through significant writers and theorists from Goethe to Said, Casanova and Moretti
the disciplinary relationship of World Literature to areas such as philology, translation, globalization and diaspora studies
theoretical issues in World Literature including gender, politics and ethics
a global perspective on the politics of World Literature.
The forty-eight outstanding contributors to this companion offer an ideal introduction to those approaching the field for the first time, or looking to further their knowledge of this extensive field.