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"Literature and society United States History 21st century."
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Criminal ingenuity : Moore, Cornell, Ashbery, and the struggle between the arts
Criminal Ingenuity offers both a history and a theory of the conflicted relation between poetry and painting in high and mid-century modernism, focusing on figures like T.S. Eliot, Clement Greenberg, Marianne Moore, John Ashbery and Joseph Cornell.
eBook
Chasing Lolita : how popular culture corrupted Nabokov's little girl all over again
In the summer of 1958, a 12-year-old girl took the world by stormLolita was published in the United Statesand since then, her name has been taken in vain to serve a wide range of dubious ventures, both artistic and commercial. Offering a full consideration of not only the Lolita effect\" but shifting attitudes toward the mix of sex, children, and popular entertainment from Victorian times to the present, this study explores the movies, theatrical shows, literary spin-offs, artifacts, fashion, art, photography, and tabloid excesses that have distorted Lolita's identity with an eye toward some real-life cases of young girls who became the innocent victims of someone else's obsessionunhappy sisters to one of the most affecting heroines in fiction. New insight is provided into the brief life of Lolita and into her longer afterlives as well.
eBook
A poetics of global solidarity : modern American poetry and social movements
\"A Poetics of Global Solidarity traces the transformations of the engaged tradition of modern and contemporary American poetry and its imagination of a collective subject position rooted in a vision of global solidarity. The presence or absence of social and political movements has crucially shaped the imagination of writers who see poetry as a form of cultural practice with the potential of sparking political activism. The trajectory of this book is provided by the various social and political movements in whose context politically committed poets and lyricists imagined global poetic subjectivities beyond the ideologies that maintain the exclusionary mechanisms of the modern world-system. A Poetics of Global Solidarity offers readings of the poetry of the Great Depression, the Harlem Renaissance, post-World War II political poetry, the Beats, and contemporary poetry by writers such as Amiri Baraka and Mark Nowak. Broadening the poetic archive, the book includes discussions of song lyrics ranging from those of IWW songwriter Joe Hill to contemporary Rap lyricists and hardcore punk bands, all of which have contributed to the creation of a poetics of global solidarity in the twentieth and twenty-first centuries\"-- Provided by publisher.
Book
American Migrant Fictions
American Migrant Fictions focuses on novels of five American migrant writers of the late twentieth and early twenty first centuries, who construct spatial paradigms within their narratives to explore linguistic diversity, identities and be-longings.
eBook
South Asian racialization and belonging after 9/11 : masks of threat
\"How do contemporary cultural and literary texts from the diaspora or from South Asia iterate patterns of racial surveillance and prejudice against South Asians in the United States after 9/11? This collection delves into the underpinnings of American imperialism and identity politics after 9/11\"--Provided by publisher.
Book
Postcolonial Witnessing
Postcolonial Witnessing argues that the suffering engendered by colonialism needs to be acknowledged more fully, on its own terms, in its own terms, and in relation to traumatic First World histories if trauma theory is to have any hope of redeeming its promise of cross-cultural ethical engagement.
eBook
Comics and conflict : patriotism and propaganda from WWII through Operation Iraqi Freedom
Illustration has been an integral part of human history. Particularly before the advent of media such as photography, film, television, and now the Internet, illustrations in all their variety had been the primary visual way to convey history. The comic book, which emerged in its modern form in the 1930s, was another form of visual entertainment that gave readers, especially children, a form of escape. As World War II began, however, comic books became a part of propaganda as well, providing information and education for both children and adults. This book looks at how specific comic books of the war genre have been used to display patriotism, adventure through war stories, and eventually to tell of the horrors of combat--from World War II through the current conflicts in Iraq and Afghanistan in the first decade of the twenty-first century. This book also examines how war- and patriotically-themed comics evolved from soldier-drawn reflections of society, eventually developing along with the broader comic book medium into a mirror of American society during times of conflict. These comic books generally reflected patriotic fervor, but sometimes they advanced a specific cause. As war comic books evolved along with American society, many also served as a form of protest against United States foreign and military policy. During the country's most recent wars, however, patriotism has made a comeback, at the same time that the grim realities of combat are depicted more realistically than ever before. The focus of the book is not only on the development of the comic book medium, but also as a bell-weather of society at the same time. How did they approach the news of the war? Were people in favor or against the fighting? Did the writers of comics promote a perception of combat or did they try to convey the horrors of war? All of these questions were
important to the research, and serve as a focal point for what has been researched only in limited form previously. The conclusions of the book show that comic books are more than mere forms of entertainment. Comic books were also a way of political protest against war, or what the writers felt were wider examples of governmental abuse. In the post 9/11 era, the comic books have returned to their propagandistic/patriotic roots.
eBook