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Regional aesthetics : mapping UK media cultures
\"Although there is an increased awareness of the relevance of space and geography across humanities disciplines (the so-called 'spatial turn'), its applicability to UK media history has hitherto been largely overlooked, partly due to the prevailing interest in the discursive formation of national or globalised identity through media. This anthology sets out to redress this, through specially written chapters which explore regional media cultures, the communication of place, the influence of location, and the idea of geographically located identity. Regional Aesthetics has a historical (as well as geographical) and a cross-media focus, examining the aesthetic and political dimensions of regional representations in film (feature films, amateur film and educational film); novels; television (drama, comedy, documentary and educational programming); music; radio; and digital media. In mapping UK media cultures across the C20th and beyond, this books functions as an 'academic GPS', designed to introduce and encourage the study of regionally located media in the curriculum\"-- Provided by publisher.
Book
Screen education
Film and media studies now attract large numbers of students in schools, colleges and universities. However the setting up of these courses came after many decades of pioneering work at the educational margins in the post-war period. Bolas' account focuses particularly on the voluntary efforts of activists in the Society for Education in Film and Television and on that Society's interchanging relationship with the British Film Institute's Education Department, set up in the 1930s. It draws on recent interviews with many of the individuals who contributed to the raising of the status of film, TV and media study. Through detailed examination of the scattered but surviving documentary record, the author seeks to challenge versions of the received history.
eBook
Media, Technology, and Literature in the Nineteenth Century
Operating at the intersection where new technology meets literature, this collection discovers the relationship among image, sound, and touch in the long nineteenth century. The chapters speak to the special mixed-media properties of literature, while exploring the important interconnections of science, technology, and art at the historical moment when media was being theorized, debated, and scrutinized. Each chapter focuses on a specific visual, acoustic, or haptic dimension of media, while also calling attention to the relationships among the three. Famous works such as Wordsworth's \"I wandered lonely as a cloud\" and Shelley's Frankenstein are discussed alongside a range of lesser-known literary, scientific, and pornographic writings. Topics include the development of a print culture for the visually impaired; the relationship between photography and narrative; the kaleidoscope and modern urban experience; Christmas gift books; poetry, painting and music as remediated forms; the interface among the piano, telegraph, and typewriter; Ernst Heinrich Weber's model of rationalized tactility; and how the shift from visual to auditory telegraphic instruments amplified anxieties about the place of women in nineteenth-century information networks. Full of surprising insights and connections, the collection offers new impetus for stimulating historical conversations and debates about nineteenth-century media, while also contributing fresh perspectives on new media and (re)mediation today.
eBook
Media Regulation, Public Interest and the Law
Regulation of the media has traditionally been premised upon claims of ‘the public interest’, yet the term itself remains contested and generally ill defined. In the context of technological development and convergence, as well as corporate conglomeration, traditional ‘public service’ values in British broadcasting are challenged by market values. With such ongoing trends continuing apace, regulators must increasingly justify their interventions. The communication industries’ commercialisation and privatisation pose a fundamental threat to democratic values. Media Regulation, Public Interest and the Law argues that regulators will only successfully protect such values if claims associated with ‘citizenship’ are recognised as the rationale and objective for the regulatory endeavour. While such themes are central to the book, this second edition has been substantially revised and updated, to take account of matters such as European Directives, the UK’s Communications Act 2003, the process of reviewing the BBC’s Charter, and relevant aspects of the reform of general competition law. Key Features
*Identifies and examines the rationales underlying media regulation and the current challenges to them.
*Considers fully the actual and potential utility of legal mechanisms and principles in the design and activities of regulatory institutions.
*Fully updated to take account of the European Union’s 2002 New Regulatory Framework and the UK’s Communications Act 2003.
*Accessible to a wide readership in media studies, journalism, broadcasting and law.
Praise for the First Edition; \"A detailed and critical assessment of the problems and confusions of recent media regulation in the UK including digital television franchising and the Broadcasting Complaints Commission… it is well organised, and should be a useful resource for more advanced students and academics…for updating the public regulation case with vigour and clarity this book is to be welcomed.\"
eBook
British Propaganda and News Media in the Cold War
This is a study of the British state’s generation, suppression and manipulation of news to further foreign policy goals during the early Cold War.
eBook
Film, drama and the break up of britain
When the sun set on the British Empire, the resultant fragmentation of British identity emerged most tellingly in artistic works: cinematic works such as Howards End depicted a richly historical land steeped in tradition and tragedy, while the more modern Lock, Stock and Two Smoking Barrels revealed a brutal yet sharply humorous portrayal of contemporary English life. That relationship between nationalism, national identity, and postcolonialism remains central to many British dramatists' works, and in Film, Drama and the Break Up of Britain, Steve Blandford explores how the \"break up\" of Britain has influenced contemporary British drama.
Breaking down the scholarly barriers between theater and film studies, Blandford examines British directors' interpretations of their nation's postcolonial age, tracing the various ways that auteurs have created dramatic narratives that explore the idea of being \"British\" and all its inherent complexity. From community-based theaters in Scotland and Wales to the blockbuster The Full Monty, Blandford probes the cultural impact of Britain's struggle to form a new identity, making his book an essential read for all those interested in postcolonial studies and the history of British film.
\"The perfect primer for anyone looking to obtain an overview of what has been happening within British culture over the past decade. [Blandford] has an accessible style, his analysis is sharp, his arguments clear and persuasive, and by virtue of the breadth of his focus, this study is certain to remain a valuable resource as notions of cultural identity across the British Isles continue to provoke debate.\"—Owen Evans, Media Wales Journal
\"The author examines how recent theatre and cinema have reflected and critiqued emerging ways of imagining Britishness. Blandford is a lucid writer whose chapter on Irish film is a deft round-up of existing critical opinions on the topic.\"—Ruth Barton, Film Ireland
eBook
Power Play
Praise for the first edition:'An excellent book that tries to come to grips with the ever-increasing role of sport in the media as a particular phenomenon of 20th-century popular culture.'European Journal of Communication (2000)'Excellent, well written and informative… of interest and use to a wider constituency.'Times Higher Education Supplement (May 2000)The fully revised and updated version of this classic text examines the link between three key obsessions of the 21st century: the media, sport and popular culture.Gathering new material from around the 2007 Rugby World Cup, the Beijing Olympics and the rise of new sports stars such as boxing's Amir Khan and cycling's Victoria Pendleton, the authors explore a wide range of sports, as well as issues including nationalism, gender, race, political economy and the changing patterns of media sport consumption.For those interested in media and sport the second edition combines new and original material with an overview of the developing field of media sport, and examines the way in which the media has increasingly come to dominate how sport is played, organized and thought about in society. It traces the historical evolution of the relationship between sport and the media and examines the complex business relationships that have grown up around television, sponsors and sport.Covers the following topics: the history of media in sport; television, sport and sponsorship; why sport matters to television; sports stars; sports journalism; fans and the audience; sport in the digital media economy.
eBook
Young British Muslims
Based on 216 in-depth interviews of Muslims in Britain, the book examines how British Muslim youths and young adults, 15-30 years old, define their identities, their values and their culture and whether these conflict either with those of their parents or with the dominant non-Muslim British culture.
eBook
The language of fictional television : drama and identity
With cases studies used throughout to help illustrate the more general points, this is an analysis of the most important characteristics of television dialogue, with a focus on fictional television. The book illustrates how we can fruitfully and systematically analyse the language of television.
eBook