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Book Chapter
A box of bones
Twelve-year-old Kallie despises nonsense. She believes there's a rational explanation for everything, despite the good-natured prodding of her Grandpa Jess, who takes her to frivolous wastes of time like their town's local Festival of Fools. There, Kallie meets a faceless man (must be some kind of mask) who gives her a strange wooden puzzle box (must be some kind of gimmick). Intrigued despite herself, Kallie sets to work on unlocking its secrets and--lets something out.
Book
The Fiction View of Models Reloaded
In this paper we explore the constraints that our preferred account of scientific representation places on the ontology of scientific models. Pace the Direct Representation view associated with Arnon Levy and Adam Toon, we argue that scientific models should be thought of as imagined systems, and clarify the relationship between imagination and representation.¹
Journal Article
A Game of Perspectives: On the Role of Imagination in Thought Experiments
Thought experiments are fictional narratives that widen our cognitive horizons both in the sciences and in philosophy. In the present paper we argue that they can perform this function by bringing one’s perspective into view. Despite being traditionally conceived as devices that transmit true propositions to their readers, thought experiments are also particularly apt to express a specific theoretical perspective through the use of imagination. We suggest that this is a significant epistemic feature that is often overlooked in the debate. After presenting our analysis of thought experiments (Section 2) and of the role that imagination plays in them (Section 3), we revisit Galileo Galilei’s use of imaginary cases in light of our account (Section 4). We show that the main aims of Galileo’s thought experiments are to highlight how different perspectives endorsed by fictional characters affect imagination and to invite readers to actively engage in perspectives that are different from their own. This results in a clash of perspectives which plays a crucial epistemic role (Section 5). Readers of thought experiments do not passively absorb information, but critically assess the other’s perspective. In the final part of the paper, we individuate different ways in which readers can react to thought experiments.
Journal Article
Truth in interactive fiction
This paper provides an account of truth in interactive fiction. Interactive fiction allows the audience to make choices, resulting in many different possible fictions within each interactive fiction, unlike in literary fiction where there is just one. Adequately capturing this feature of interactive fiction requires us to address familiar issues regarding impossible fiction and the nature of time in fiction. Truth in interactive fiction thus requires a complex account to capture its multitude of fictions. It is argued that a full account of truth in interactive fiction requires distinguishing two works for each interactive fiction, which contain distinct fictional truths. The actual work encompasses what is in fact represented as fictional (hence mistakes can be fictionally true in this work), whilst in the implied work, truth in fiction is governed by authorial intention, hence mistakes are not fictionally true. This dual account best captures our aesthetic evaluation of interactive fictions, for which we often need to distinguish how the work actually is from how it was intended to be.
Journal Article
Imagination extended and embedded
This paper presents an artifactual approach to models that also addresses their fictional features. It discusses first the imaginary accounts of models and fiction that set model descriptions apart from imagined-objects, concentrating on the latter (e.g., Frigg in Synthese 172(2):251–268, 2010; Frigg and Nguyen in The Monist 99(3):225–242, 2016; Godfrey-Smith in Biol Philos 21(5):725–740, 2006; Philos Stud 143(1):101–116, 2009). While the imaginary approaches accommodate surrogative reasoning as an important characteristic of scientific modeling, they simultaneously raise difficult questions concerning how the imagined entities are related to actual representational tools, and coordinated among different scientists, and with real-world phenomena. The artifactual account focuses, in contrast, on the culturally established external representational tools that enable, embody, and extend scientific imagination and reasoning. While there are commonalities between models and fictions, it is argued that the focus should be on the fictional uses of models rather than considering models as fictions.
Journal Article
Matraversian skepticism and models of memory
This paper introduces Matraversian skepticism from aesthetics (i.e., there is no
cognitively
interesting difference between our engagement with fiction versus our engagement with non-fiction) to debates in psychology and cognitive science on memory processing. I argue that the concept of ‘fiction’ has no place in our cognitive models of memory, neither in a specific category of memory, nor as a fact/fiction dimension. I propose a two-stage model of memory processing and explore the skeptical challenge that it poses to existing accounts of the role of the concept of ‘fiction’ in models of memory. An important element of this challenge is the realization that remembering agents typically recognize a range of different kinds of non-fictional, non-believed memories, e.g., memories originating in lies, trickery, dreams, hallucinations, illusions, etc.
Journal Article
Neoliberalism and Cyberpunk Science Fiction
Caroline Alphin presents an original exploration of biopolitics by examining it through the lens of cyberpunk science fiction.
Comprised of five chapters, Neoliberalism and Cyberpunk Science Fiction is guided by four central themes: biopolitics, intensification, resilience, and accelerationism. The first chapters examine the political possibilities of cyberpunk as a genre of science fiction and introduce one kind of neoliberal subject, the self-monitoring cyborg. These are individuals who join fitness/health tracking devices and applications to their body to “self-cultivate.” Here, Alphin presents concrete examples of how fitness trackers are a strategy of neoliberal governmentality under the guise of self-cultivation. Moving away from Foucault’s biopolitics to themes of intensity and resilience, Alphin draws largely from William Gibson’s Neuromancer, Neal Stephenson’s Snow Crash, Richard K. Morgan’s Altered Carbon, along with the film Blade Runner to problematize notions of neoliberal resilience. Alphin returns to biopolitics, intensity, and resilience, connecting these themes to accelerationism as she engages with biohacker discourses. Here she argues that a biohacker is, in part, an intensification of the self-monitoring cyborg and accelerationism is in the end another form of resilience.
Neoliberalism and Cyberpunk Science Fiction is an invaluable resource for those interested in security studies, political sociology, biopolitics, critical IR theory, political theory, cultural studies, and literary theory.
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