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Ladies and Gentlemen...I have to state that Mrs Lovett' s pies are made OF human flesh ! ' This shocking announcement provides the stunning d'. enouement TO a narrative first published OVER a period OF four months IN the winter OF 1846 - 7. The revelation marked ONLY the beginning,. however, OF the notorious career OF Sweeney Todd,. soon known TO legend AS the ' Demon Barber ' OF London ' s Fleet Street.The story OF Todd ' s entrepreneurial partnership WITH neighbouring pie - maker. Margery Lovett - at ONCE inconceivably unpalatable AND undeniably compelling - has subsequently provided the substance FOR. a seemingly endless series OF successful dramatic adaptations, popular songs AND ballads, novellas, radio plays, graphic novels, ballets, films, AND. musicals.Both gleeful AND ghoulish, the original tale OF Sweeney Todd, first published under the title The String OF Pearls,. IS an early classic OF British horror writing.It combines the story OF Todd 's grisly method of robbing and dispatching his victims with a romantic sub-plot involving deception, disguise, and detective work, set against the backdrop of London'. s dark AND unsavoury streets.This edition provides an authoritative text OF the first version OF the story ever TO be published,. AS well AS a lively introduction TO its history AND reputation.

Secret terror cells, political conspiracy, police bungling, state-sponsored bomb plots… This is London, 1896. Inspired by Joseph Conrad's classic novel, The Secret Agent is theatre O's heartbreaking and hilarious chronicle of passion, betrayal and terrorism. Set at a time of social upheaval and growing disparity between rich and poor, at the heart of this tale is a woman fighting to protect her young brother from exploitationand violence. In their trademark highly imaginative style, described by The New York Times as, \"vivid, enlightening, inventive and compelling\", music halland early cinema collide in theatre O's return to the stage after five years away.

London was once the hub of an empire on which 'the sun never set.' After the second world war, as Britain withdrew from most of its colonies, the city that once possessed the world began to contain a diasporic world that was increasingly taking possession of it. Drawing on postcolonial theories - as well as interdisciplinary perspectives from cultural geography, urban theory, history, and sociology -Imagining Londonexamines representations of the English metropolis in Canadian, West Indian, South Asian, and second-generation 'black British' novels written in the last half of the twentieth century. It analyzes the diverse ways in which London is experienced and portrayed as a transnational space by Commonwealth expatriates and migrants. As the former 'heart of empire' and a contemporary 'world city,' London metonymically represents the British Empire in two distinct ways. In the early years of decolonization, it is a primarily white city that symbolizes imperial power and history. Over time, as migrants from former colonies have 'reinvaded the centre' and changed its demographic and cultural constitution, it has come to represent empire geographically and spatially as a global microcosm. John Clement Ball examines the work of more than twenty writers, including established authors such as Robertson Davies, Mordecai Richler, Jean Rhys, Sam Selvon, V.S. Naipaul, Anita Desai, and Salman Rushdie, and newer voices such as Catherine Bush, David Dabydeen, Amitav Ghosh, Hanif Kureishi, and Zadie Smith.

Phineas Finn, a red-blooded young Irishman possesing charm and good looks is elected to Parliament by his local borough, and in London he wins the love of the influential Lady Laura Kennedy. With her help, his Parliamentary career advances, but this is secondary to the social and sexual intrigues that beset Phineas. He encounters the lovely Violet Effingham, the mysterious Madame Max Goesler - one of Trollope's finest characters - the madcap Lord Chiltern, and is forced to fight a duel.

This is the third of Trollope's Pallister novels and one of his most compelling works. The plot centres on the fabulous necklace owned by the Eustace family, which the beautiful but ruthless opportunist Lizzie, claims as her own after she marries Sir Florian Eustace for his money and becomes his widow after only a few months. Lizzie plots to keep the necklace, while at the same time she spreads her net over several prospective new suitors, in order to entrap another husband to keep her in the manner to which she has so rapidly become accustomed. This novel is both a gripping detective story and a fascinating study of moral duplicity.

In this collection - lectures, speeches, and talks given over twenty years - Joe Steve tackles some of the topics that are closest to his heart in the Gaeltacht and throughout Ireland. Included in these speeches we learn more about Joe Steve's childhood growing up in Connemara, his views on the status of the Gaeltacht in modern Ireland, community development and his views on writing.

In the early nineteenth century, London publishers dominated the transatlantic book trade. No one felt this more keenly than authors from Ireland, Scotland, and the United States who struggled to establish their own national literary traditions while publishing in the English metropolis. Authors such as Maria Edgeworth, Sydney Owenson, Walter Scott, Washington Irving, and James Fenimore Cooper devised a range of strategies to transcend the national rivalries of the literary field. By writing prefaces and footnotes addressed to a foreign audience, revising texts specifically for London markets, and celebrating national particularity, provincial authors appealed to English readers with idealistic stories of cross-cultural communion. From within the messy and uneven marketplace for books, Joseph Rezek argues, provincial authors sought to exalt and purify literary exchange. In so doing, they helped shape the Romantic-era belief that literature inhabits an autonomous sphere in society. London and the Making of Provincial Literaturetells an ambitious story about the mutual entanglement of the history of books and the history of aesthetics in the first three decades of the nineteenth century. Situated between local literary scenes and a distant cultural capital, enterprising provincial authors and publishers worked to maximize success in London and to burnish their reputations and build their industry at home. Examining the production of books and the circulation of material texts between London and the provincial centers of Dublin, Edinburgh, and Philadelphia, Rezek claims that the publishing vortex of London inspired a dynamic array of economic and aesthetic practices that shaped an era in literary history.