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result(s) for
"London (England) Fiction."
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Sweeney Todd : the demon barber of Fleet Street
2007
Ladies and Gentlemen...I have to state that Mrs Lovett' s pies are made OF human flesh ! ' This shocking announcement provides the stunning d'. enouement TO a narrative first published OVER a period OF four months IN the winter OF 1846 - 7. The revelation marked ONLY the beginning,. however, OF the notorious career OF Sweeney Todd,. soon known TO legend AS the ' Demon Barber ' OF London ' s Fleet Street.The story OF Todd ' s entrepreneurial partnership WITH neighbouring pie - maker. Margery Lovett - at ONCE inconceivably unpalatable AND undeniably compelling - has subsequently provided the substance FOR. a seemingly endless series OF successful dramatic adaptations, popular songs AND ballads, novellas, radio plays, graphic novels, ballets, films, AND. musicals.Both gleeful AND ghoulish, the original tale OF Sweeney Todd, first published under the title The String OF Pearls,. IS an early classic OF British horror writing.It combines the story OF Todd 's grisly method of robbing and dispatching his victims with a romantic sub-plot involving deception, disguise, and detective work, set against the backdrop of London'. s dark AND unsavoury streets.This edition provides an authoritative text OF the first version OF the story ever TO be published,. AS well AS a lively introduction TO its history AND reputation.
The Secret Agent
by
Conrad, Joseph
,
Hurt, Matthew
,
O, Theatre
in
Anarchists-Drama
,
Bombings-Fiction
,
Conspiracies-Fiction
2013
Secret terror cells, political conspiracy, police bungling, state-sponsored bomb plots… This is London, 1896. Inspired by Joseph Conrad's classic novel, The Secret Agent is theatre O's heartbreaking and hilarious chronicle of passion, betrayal and terrorism. Set at a time of social upheaval and growing disparity between rich and poor, at the heart of this tale is a woman fighting to protect her young brother from exploitationand violence. In their trademark highly imaginative style, described by The New York Times as, \"vivid, enlightening, inventive and compelling\", music halland early cinema collide in theatre O's return to the stage after five years away.
A house for Alice
Alice wants to go home to die but isn't certain when this will be. Her three daughters are divided on whether she stays or goes, and tasked with realising her dream of a house in Nigeria, conflict stirs and old wounds rise to the surface. Meanwhile, their father wanders the flames of purgatory, unable to pass into the light. Will Alice get back home and complete the circle of her life, or will London be her final refuge? Melissa, to her mother's regret, is long separated from Michael who's moved on to new love. Yet he still wonders if he'll ever know anyone the way he knew Melissa, and she in turn is nostalgic for their once safe haven. Held together by their two children, it seems their own circle is not quite broken. Set against the shadows of Grenfell and a country in crisis, these people are faced with fundamental questions about who they are, what they want and where, and with whom, they want to be.
Imagining London
by
Ball, John Clement
in
20th century
,
Authors, Commonwealth-Homes and haunts-England-London
,
Authors, English-Homes and haunts-England-London
2004,2000,2006
London was once the hub of an empire on which 'the sun never set.' After the second world war, as Britain withdrew from most of its colonies, the city that once possessed the world began to contain a diasporic world that was increasingly taking possession of it. Drawing on postcolonial theories - as well as interdisciplinary perspectives from cultural geography, urban theory, history, and sociology -Imagining Londonexamines representations of the English metropolis in Canadian, West Indian, South Asian, and second-generation 'black British' novels written in the last half of the twentieth century. It analyzes the diverse ways in which London is experienced and portrayed as a transnational space by Commonwealth expatriates and migrants.
As the former 'heart of empire' and a contemporary 'world city,' London metonymically represents the British Empire in two distinct ways. In the early years of decolonization, it is a primarily white city that symbolizes imperial power and history. Over time, as migrants from former colonies have 'reinvaded the centre' and changed its demographic and cultural constitution, it has come to represent empire geographically and spatially as a global microcosm. John Clement Ball examines the work of more than twenty writers, including established authors such as Robertson Davies, Mordecai Richler, Jean Rhys, Sam Selvon, V.S. Naipaul, Anita Desai, and Salman Rushdie, and newer voices such as Catherine Bush, David Dabydeen, Amitav Ghosh, Hanif Kureishi, and Zadie Smith.