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Lucan and the Sublime
This is the first comprehensive study of the sublime in Lucan. Drawing upon renewed literary-critical interest in the tradition of philosophical aesthetics, Henry Day argues that the category of the sublime offers a means of moving beyond readings of Lucan's Bellum Civile in terms of the poem's political commitment or, alternatively, nihilism. Demonstrating in dialogue with theorists from Burke and Kant to Freud, Lyotard and Ankersmit the continuing vitality of Longinus' foundational treatise On the Sublime, Day charts Lucan's complex and instructive exploration of the relationship between sublimity and ethical discourses of freedom and oppression. Through the Bellum Civile's cataclysmic vision of civil war and metapoetic accounts of its own genesis, through its heated linguistic texture and proclaimed effects upon future readers and, most powerfully of all, through its representation of its twin protagonists Caesar and Pompey, Lucan's great epic emerges as a central text in the history of the sublime.
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Anatomizing Civil War : studies in Lucan's epic technique
\" Imperial Latin epic has seen a renaissance of scholarly interest. This book illuminates the work of the poet Lucan, a contemporary of the emperor Nero. This maverick but socially prominent poet, whom Nero commanded to commit suicide at the age of 26, left an epic poem on the civil war between Caesar and Pompey that epitomizes the exuberance and stylistic experimentation of Neronian culture. This study focuses on Lucan's epic technique and traces his influence through the Middle Ages and the Renaissance. Martin Dinter's newest volume engages with Lucan's use of body imagery, sententiae, Fama (rumor), and open-endedness throughout his civil war epic. Although Lucan's Bellum Civile is frequently decried as a fragmented as well as fragmentary epic, this study demonstrates how Lucan uses devices other than teleology and cohesive narrative structure to bind together the many parts of his epic body. Anatomizing Civil War places at center stage characteristics of Lucan's work that have so far been interpreted as excessive, or as symptoms of an overly rhetorical culture indicating a lack of substance. By demonstrating that they all contribute to Lucan's poetic technique, Martin Dinter shows how they play a fundamental role in shaping and connecting the many episodes of the Bellum Civile that constitute Lucan's epic body. This important volume will be of interest to students of classics and comparative literature as well as literary scholars. All Greek and Latin passages have been translated\"-- Provided by publisher.
BOOK
Madness triumphant
Madness Triumphant: A Reading of Lucan’s Pharsalia offers the most detailed and comprehensive analysis of Lucan’s epic poem of the civil war between Caesar and Pompey to have appeared in English. In the manner of his previous books on Virgil and Ovid, Professor Fratantuono considers the Pharsalia as an epic investigation of the nature of fury and madness in Rome, this time during the increasing insanity of Nero’s reign. The volume proceeds chapter by chapter, book by book through Lucan’s poem, as it unfolds the thesis that the poet Lucan crafted an epic response to both Virgil and Ovid, the closing movement in a three act tragedy of madness. In response to the Aeneid, Lucan raises the idea that the final ethnographic settlement of Trojans and Italians may not have been for the best, while in response to the Metamorphoses, he explores the idea that the immortality achieved by the poet may not, after all, prove to be a blessing. An introduction and bibliography provide additional direction for the study of this greatest surviving work of literature from the so-called Silver Age of Neronian literature, while the individual chapters offer in-depth bibliographical citations and extensive annotation as a guide to further study of the poem. Lucan’s poem is revealed to be the consummate hymn to fury, as the poet offers a return to the opening of Homer’s Iliad and the wrath of Achilles, which is now viewed as part of an unending cycle of madness that will end only in the flames of a global conflagration that will consume all things. The pervasive intertext of Lucan’s epic poem with his predecessor Manilius’ Astronomica is also investigated, as the nature of Lucan’s response to both Stoic and Epicurean antecedents is explored. Manilius’ stars are virtually sprinkled through the Pharsalia, as the heavens offer a celestial canvas for the poet of fury to illustrate the beautiful lies that may ultimately be shown to conceal even more seductive truths.
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The Transmission of the Text of Lucan in the Ninth Century
No detailed description available for \"The Transmission of the Text of Lucan in the Ninth Century\".
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Lucan's \Bellum Civile\
Lucan's Bellum Civile is one of the most impressive and unusual works of Silver Age Latin literature, and has been the subject of much research in recent years. In this volume well-known experts on Lucan examine the poetological, narratological and stylistic techniques the author employed to write on the theme of civil war. The epic poem is at once both conforms to and exceeds the tradition of the genre, and confronts its readers with a new kind of aesthetic.
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Brill’s Companion to Lucan
The present collection samples the most current approaches to Lucan's poem, its themes, its dialogue with other texts, its reception in medieval and early modern literature, and its relevance to audiences of all times.
eBook
Now and Rome
Now and Rome is about the way that sovereign power regulates the movement of information and the movement of bodies through space and time. Through a series of readings of three key Latin literary texts alongside six contemporary cultural theorists, Ika Willisargues for an understanding of sovereignty as a system which enforces certain rules for legibility, transmission and circulation on both information and bodies, redefining the relationship between the 'virtual' and the 'material'. This book is both innovative and important in that it brings together several key strands in recent thinking about sovereignty, history, space, and telecommunications, especially in the way it brings together 'textual' theories (reception, deconstruction) with political and spatial thinking. It also serves as a much-needed crossing-point between Classical Studies and cultural theory.
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A Commentary on Lucan, \De bello civili\ IV
Book 4 of Lucan's epic contrasts Europe with Africa. At the battle of Lerida (Spain), a violent storm causes the local rivers to flood the plain between the two hills where the opposing armies are camped. Asso's commentary traces Lucan's reminiscences of early Greek tales of creation, when Chaos held the elements in indistinct confusion. This primordial broth sets the tone for the whole book. After the battle, the scene switches to the Adriatic shore of Illyricum (Albania), and finally to Africa, where the proto-mythical water of the beginning of the book cedes to the dryness of the desert. The narrative unfolds against the background of the War of the Elements. The Spanish deluge is replaced by the desiccated desolation of Africa. The commentary contrasts the representations of Rome with Africa and explores the significance of Africa as a space contaminated by evil, but which remains an integral part of Rome. Along with Lucan's other geographic and natural-scientific discussions, Africa's position as a part of the Roman world is painstakingly supported by astronomic and geographic erudition in Lucan's blending of scientific and mythological discourse. The poet is a visionary who supports his truth claims by means of scientific discourse.
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