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\"Often considered peculiarly American, lynching in fact takes place around the world. In the first book of a two-volume study, Michael J. Pfeifer collects essays that look at lynching and related forms of collective violence in Africa, Asia, and the Middle East. Understanding lynching as a transnational phenomenon rooted in political and cultural flux, the writers probe important issues from Indonesia--where a long history of public violence now twines with the Internet--to South Africa, with its history of vigilante necklacing. Other scholars examine lynching in medieval Nepal, the epidemic of summary executions in late Qing-era China, state-sponsored collective violence during the Nanking Massacre, and the ways public anger and lynching in India relate to identity, autonomy, and territory. Contributors: Laurens Bakker, Shaiel Ben-Ephraim, Nandana Dutta, Weiting Guo, Or Honig, Frank Jacob, Michael J. Pfeifer, Yogesh Raj, and Nicholas Rush Smith.\"--Page 4 of cover.

This book deals with the inherent violence of “race relations” in two important countries that remain iconic expressions of white supremacy in the twentieth century. Cultures of violence does not just reconstruct the era of violence. Instead it convincingly contrasts the “lynch culture” of the American South to the “bureaucratic culture of violence” in South Africa.By contrasting mobs of rope-wielding white Southerners to the gun-toting policemen and administrators who formally defended white supremacy in South Africa, Cultures of violence employs racial killing as an optic for examining the distinctive logic of the racial state in the two contexts. Combining the historian’s eye for detail with the sociologist’s search for overarching claims, the book explores the systemic connections amongst three substantive areas to explain why contrasting traditions of racial violence took such firm root in the American South and South Africa.

In this deeply researched prequel to his 2006 study Rough Justice: Lynching and American Society, 1874-1947, Michael J. Pfeifer analyzes the foundations of lynching in American social history. Scrutinizing the vigilante movements and lynching violence that occurred in the middle decades of the nineteenth century on the Southern, Midwestern, and far Western frontiers, The Roots of Rough Justice: Origins of American Lynching offers new insights into collective violence in the pre-Civil War era. _x000B__x000B_Pfeifer examines the antecedents of American lynching in an early modern Anglo-European folk and legal heritage. He addresses the transformation of ideas and practices of social ordering, law, and collective violence in the American colonies, the early American Republic, and especially the decades before and immediately after the American Civil War. His trenchant and concise analysis anchors the first book to consider the crucial emergence of the practice of lynching slaves in antebellum America. Pfeifer also leads the way in analyzing the history of American lynching in a global context, from the early modern British Atlantic to the legal status of collective violence in contemporary Latin America and sub-Saharan Africa. _x000B__x000B_Seamlessly melding source material with apt historical examples, The Roots of Rough Justice tackles the emergence not only of the rhetoric surrounding lynching, but of its practice and ideology. Arguing that the origins of lynching cannot be restricted to any particular region, Pfeifer shows how the national and transatlantic context is essential for understanding how whites used mob violence to enforce the racial and class hierarchies across the United States.

Emmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement offers the first, and as of 2018, only comprehensive account of the 1955 murder, the trial, and the 2004-2007 FBI investigation into the case and Mississippi grand jury decision. By all accounts, it is the definitive account of the case. It tells the story of Emmett Till, the fourteen-year-old African American boy from Chicago brutally lynched for a harmless flirtation at a country store in the Mississippi Delta. Anderson utilizes documents that had never been available to previous researchers, such as the trial transcript, long-hidden depositions by key players in the case, and interviews given by Carolyn Bryant to the FBI in 2004 (her first in fifty years), as well as other recently revealed FBI documents. Anderson also interviewed family members of the accused killers, most of whom agreed to talk for the first time, as well as several journalists who covered the murder trial in 1955. Till's murder and the acquittal of his killers by an all-white jury set off a firestorm of protests that reverberated all over the world and spurred on the civil rights movement. Like no other event in modern history, the death of Emmett Till provoked people all over the United States to seek social change. Anderson's exhaustively researched book was also the basis for the ABC miniseries Women of the Movement, which was written/executive-produced by Marissa Jo Cerar; directed by Gina Prince-Bythewood, Tina Mabry, Julie Dash, and Kasi Lemmons; and executive-produced by Jay-Z, Jay Brown, Tyran \"Ty Ty\" Smith, Will Smith, James Lassiter, Aaron Kaplan, Dana Honor, Michael Lohmann, Rosanna Grace, Alex Foster, John Powers Middleton, and David Clark. For over six decades the Till story has continued to haunt the South as the lingering injustice of Till's murder and the aftermath altered many lives. Fifty years after the murder, renewed interest in the case led the Justice Department to open an investigation into identifying and possibly prosecuting accomplices of the two men originally tried. Between 2004 and 2005, the Federal Bureau of Investigation conducted the first real probe into the killing and turned up important information that had been lost for decades. Anderson covers the events that led up to this probe in great detail, as well as the investigation itself. This book will stand as the definitive work on Emmett Till for years to come. Incorporating much new information, the book demonstrates how the Emmett Till murder exemplifies the Jim Crow South at its nadir. The author accessed a wealth of new evidence. Anderson made a dozen trips to Mississippi and Chicago over a ten-year period to conduct research and interview witnesses and reporters who covered the trial. In Emmett Till, Anderson corrects the historical record and presents this critical saga in its entirety.

In Show Time , Lee Ann Fujii asks why some perpetrators of political violence, from lynch mobs to genocidal killers, display their acts of violence so publicly and extravagantly. Closely examining three horrific and extreme episodes-the murder of a prominent Tutsi family amidst the genocide in Rwanda, the execution of Muslim men in a Serb-controlled village in Bosnia during the Balkan Wars, and the lynching of a twenty-two-year old Black farmhand on Maryland's Eastern Shore in 1933-Fujii shows how \"violent displays\" are staged to not merely to kill those perceived to be enemies or threats, but also to affect and influence observers, neighbors, and the larger society. Watching and participating in these violent displays profoundly transforms those involved, reinforcing political identities, social hierarchies, and power structures. Such public spectacles of violence also force members of the community to choose sides-openly show support for the goals of the violence, or risk becoming victims, themselves. Tracing the ways in which public displays of violence unfold, Show Time reveals how the perpetrators exploit the fluidity of social ties for their own ends.

Investigating art practitioners' responses to violence, this book considers how artists have used art practices to rethink concepts of violence and non-violence. It explores the strategies that artists have deployed to expose physical and symbolic violence through representational, performative and interventional means. It examines how intellectual and material contexts have affected art interventions and how visual arts can open up critical spaces to explore violence without reinforcement or recuperation. Its premises are that art is not only able to contest prevailing norms about violence but that contemporary artists are consciously engaging with publics through their practice in order to do so. Contributors respond to three questions: how can political violence be understood or interpreted through art? How are publics understood or identified? How are art interventions designed to shift, challenge or respond to public perceptions of political violence and how are they constrained by them? They discuss violence in the everyday and at state level: the Watts' Rebellion and Occupy, repression in Russia, domination in Hong Kong, the violence of migration and the unfolding art activist logic of the sigma portfolio. Asking how public debates can be shaped through the visual and performing arts and setting taboos about violence to one side, the volume provides an innovative approach to a perennial issue of interest to scholars of international politics, art and cultural studies.

American Literature, Lynching, and the Spectator in the Crowd: Spectacular Violence examines spectatorship in American literature at the turn of the twentieth century, focusing on texts by Theodore Dreiser, Miriam Michelson, Irvin S.Cobb, and Paul Laurence Dunbar.

This study analyzes the Lynchjustiz committed against American airmen in Germany during World War II. Largely overlooked by historians, the extent of violence against flyers is drastically underestimated, hindered by the complex historical memory of the Allied air war, the arduous denazification process, and the looming Cold War of the postwar era. While the precise number of Allied flyers that experienced Lynchjustiz is impossible to determine, due to a lack of remaining records, this study provides a more accurate estimate and an improved historical analysis of the broader impact of these events on history. Lynchjustiz initially occurred as a spontaneous response to the devastating experiences of the Allied air war in 1943. The Nazi regime took advantage of German citizens’ plight to endure the overwhelming and inexorable air war that erased all physically and psychologically boundaries and attempted to harness the outrage of the German population, redirecting the anger explicitly against the new enemy in their midst. Individuals and groups of civilians, Party officials, security forces, government officials, as well as military members carried out this state-sponsored vigilantism, which was a byproduct of the political and societal instability produced by the Nazi regime.

Thousands of black men died violently at the hands of mobs in the post–Civil War South. But in Brazos County, Texas, argues Cynthia Nevels, five such deaths in particular point to an emerging social phenomenon of the time: the desire of newly arrived European immigrants to assert their place in society, and the use of racially motivated violence to achieve that end. Driven by economics and the forces of history, the Italian, Irish, and Czech immigrants to this rich agricultural region were faced with the necessity of figuring out where they fit in a culture that had essentially two categories: white and black. In many ways, the newcomers realized, they belonged in neither position. In the end, they found ways to resolve the ambiguity by taking advantage of and sometimes participating directly in the South’s most brutal form of racial domination. For each of the immigrant groups caught up in the violence, the deaths of black men helped to establish racial identity and to bestow the all-important privileges of whiteness. This compelling and superbly written study will appeal to students and scholars of social and racial history, both regional and national.