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Magic disappearing acts
Step-by-step instructions teach readers about disappearing magic and tricks performed by notable magicians.
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Magic in the Cloister
During the late thirteenth and early fourteenth centuries a group of monks with occult interests donated what became a remarkable collection of more than thirty magic texts to the library of the Benedictine abbey of St. Augustine’s in Canterbury. The monks collected texts that provided positive justifications for the practice of magic and books in which works of magic were copied side by side with works of more licit genres. In Magic in the Cloister, Sophie Page uses this collection to explore the gradual shift toward more positive attitudes to magical texts and ideas in medieval Europe. She examines what attracted monks to magic texts, in spite of the dangers involved in studying condemned works, and how the monks combined magic with their intellectual interests and monastic life. By showing how it was possible for religious insiders to integrate magical studies with their orthodox worldview, Magic in the Cloister contributes to a broader understanding of the role of magical texts and ideas and their acceptance in the late Middle Ages.
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Presto change-o! : jaw-dropping magic with dinner table objects
Step-by-step instructions and photos describe how to perform magic tricks.
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The Transformations of Magic
In this original, provocative, well-reasoned, and thoroughly documented book, Frank Klaassen proposes that two principal genres of illicit learned magic occur in late medieval manuscripts: image magic, which could be interpreted and justified in scholastic terms, and ritual magic (in its extreme form, overt necromancy), which could not. Image magic tended to be recopied faithfully; ritual magic tended to be adapted and reworked. These two forms of magic did not usually become intermingled in the manuscripts, but instead were presented separately. While image magic was often copied in the fourteenth and fifteenth centuries, The Transformations of Magic demonstrates that interest in it as an independent genre declined precipitously around 1500. Instead, what persisted was the other, more problematic form of magic: ritual magic. Klaassen shows that not only were texts of medieval ritual magic cherished in the sixteenth century, but even the writers of new magical treatises, such as Agrippa von Nettesheim and John Dee, were far more deeply indebted to medieval tradition than previous scholars have thought them to be, and specifically to the medieval tradition of ritual magic.
eBook
Abracadabra! : tricks for rookie magicians : 4D a magical augmented reading experience
\"Describes how to prepare and perform several magic tricks for beginner level magicians. Includes embedded links for added online instructional videos that can be accessed with the Capstone 4D app\"-- Provided by publisher.
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Trade of the tricks
From risqué cabaret performances to engrossing after-hours shop talk, Trade of the Tricks offers an unprecedented look inside the secretive subculture of modern magicians. Entering the flourishing Paris magic scene as an apprentice, Graham M. Jones gives a firsthand account of how magicians learn to perform their astonishing deceptions. He follows the day-to-day lives of some of France's most renowned performers, revealing not only how secrets are created and shared, but also how they are stolen and destroyed. In a book brimming with humor and surprise, Jones shows how today's magicians marshal creativity and passion in striving to elevate their amazing skill into high art. The book's lively cast of characters includes female and queer performers whose work is changing the face of a historically masculine genre.
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His dark magic
Its power is legendary. It can fulfill every impossible magical desire. But for one young witch seeking redemption, the Northern Circle coven will challenge her skills--and her heart--beyond measure. One tragic impulsive mistake made Chloe Winslow an outcast to her influential magic family. As a medical student, she wants to combine science with sorcery to heal those she hurt and right her wrongs. But brilliant, charismatic Devlin Marsh re-routes her plans with a once-in-eternity offer: membership in the exclusive Northern Circle, a mysterious Vermont coven known for pushing the limits. Enthralled by Devlin and their mesmerizing mutual attraction, Chloe makes a dangerous sacrifice to help the Circle's high priestess awaken Merlin himself--and learn his timeless cures. But a foreshadowing soon causes Chloe to doubt the Circle's real motives, as well as Devlin's ... Now Merlin's demonic shade is loose in the human world, while Chloe and Devlin's uneasy alliance will pit them against ancient enemies, malevolent illusions, and shattering betrayal. And with the fate of two realms in the balance, Chloe must risk her untried power against a force she can't defeat--and a passion that could destroy her?
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Materia Magica
This exciting new study draws on objects excavated or discovered in the late nineteenth or early twentieth century at three Mediterranean sites. Through the three case studies,Materia Magicaidentifies specific forms of magic that may be otherwise unknown. It isolates the practitioners of magic and examines whether magic could be used as a form of countercultural resistance. Andrew T. Wilburn discovers magic in the objects of ancient daily life, suggesting that individuals frequently turned to magic, particularly in crises. Local forms of magic may have differed, and Wilburn proposes that the only way we can find small-town sorcerers is through careful examination of the archaeological evidence.
Studying the remains of spells enacted by practitioners, Wilburn's work unites the analysis of the words written on artifacts and the physical form of these objects. He situates these items within their contexts, to study how and why they were used.Materia Magicaapproaches magic as a material endeavor, in which spoken spells, ritual actions, and physical objects all played vital roles in the performance of a rite.
Materia Magicadevelops a new method for identifying and interpreting the material remains of magical practice by assessing artifacts within their archaeological contexts. Wilburn suggests that excavations undertaken in recent centuries can yield important lessons about the past, and he articulates the ways in which we can approach problematic data.
eBook
A play of shadow : Mellynne
Bannan Larmensu, the truthseer who won Jenn Nalynn's heart, learns his brother-in-law was sent as a peace envoy to Channen, capitol of the mysterious domain of Mellynne, and has disappeared. When Bannan's young nephews arrive in Marrowdell, he fears the worst, that his sister, the fiery Lila, has gone in search of her husband, leaving her sons in his care. The law forbids Bannan from leaving Marrowdell and travelling to Mellynne to help his sister. In this world. As a turn-born, Jenn Nalynn has the power to cross into the magical realm of the Verge, and take Bannan with her. Once there, they could find a way into Mellynne. If they survive. The Verge is wild and deadly, alive with strange magic. Dragons roar and kruar wait in ambush, and the powerful turn-born who care for their world do not care for Jenn Nalynn. She's willing to try. Wisp and Scourge - and the house toads - offer their help. But what none of them know is that magic is rife in Channen, magic that flows from the Verge itself. And not even a turn-born will be safe there.
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Healing Dramas
In this intimate ethnography, Raquel Romberg seeks to illuminate the performative significance of healing rituals and magic works, their embodied nature, and their effectiveness in transforming the states of participants by focusing on the visible, albeit mostly obscure, ways in which healing and magic rituals proceed. The questions posed by Romberg emerge directly from the particular pragmatics of Puerto Rican brujería (witch-healing), shaped by the eclecticism of its rituals, the heterogeneous character of its participants, and the heterodoxy of its moral economy. What, if any, is the role of belief in magic and healing rituals? How do past discourses on possession enter into the performative experience of ritual in the here and now? Where does belief stop, and where do memories of the flesh begin? While these are questions that philosophers and anthropologists of religion ponder, they acquire a different meaning when asked from an ethnographic perspective. Written in an evocative, empathetic style, with theoretical ruminations about performance, the senses, and imagination woven into stories that highlight the drama and humanity of consultations, this book is an important contribution to the cross-cultural understanding of our capacity to experience the transcendental in corporeal ways.
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