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"Mark Rothko"
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Mark Rothko - paintings on paper
Mark Rothko (1903-1970) is renowned for his towering abstract paintings on canvas; joy, despair, ecstasy, and tragedy are among the themes that he sought to express in his luminous works. Despite Rothko's prominence, few people know that he also created more than 1,000 paintings on paper over the course of his career. The artist viewed these not as preliminary studies but as finished paintings in their own right. These remarkable paintings range from early figurative subjects and surrealist works to the soft-edged rectangular fields, often realized at monumental scale, for which Rothko is best known. These works challenge our expectations about how painting is defined, as well as popular ideas about Rothko and his career. Adam Greenhalgh traces the role these works played in the artist's reception, reputation, and success.
BOOK
The artist's reality : philosophies of art
One of the most important artists of the twentieth century, Mark Rothko (1903-1970) created a new and impassioned form of abstract painting over the course of his career. Rothko also wrote a number of essays and critical reviews during his lifetime, adding his thoughtful, intelligent, and opinionated voice to the debates of the contemporary art world. Although the artist never published a book of his varied and complex views, his heirs indicate that he occasionally spoke of the existence of such a manuscript to friends and colleagues. Stored in a New York City warehouse since the artist's death more than thirty years ago, this extraordinary manuscript, titled The Artist's Reality, is now being published for the first time.Probably written around 1940-41, this revelatory book discusses Rothko's ideas on the modern art world, art history, myth, beauty, the challenges of being an artist in society, the true nature of \"American art,\" and much more. The Artist's Reality also includes an introduction by Christopher Rothko, the artist's son, who describes the discovery of the manuscript and the complicated and fascinating process of bringing the manuscript to publication. The introduction is illustrated with a small selection of relevant examples of the artist's own work as well as with reproductions of pages from the actual manuscript.The Artist's Reality will be a classic text for years to come, offering insight into both the work and the artistic philosophies of this great painter.
eBook
Mark Rothko : toward the light in the chapel
\"Mark Rothko was not only one of the most influential American painters of the twentieth century; he was a scholar, an educator, and a deeply spiritual human being. Born Marcus Yakovlevich Rotkovitch, he emigrated from the Russian Empire to the United States at age ten, already well educated in the Talmud and carrying with him bitter memories of the pogroms and persecutions visited upon the Jews of Latvia. Few artists have achieved success as quickly, and by the mid-twentieth century, Rothko's artwork was being displayed in major museums throughout the world. In May 2012 his painting Orange, Red, Yellow was auctioned for nearly $87 million, setting a new Christie's record. Author Annie Cohen-Solal gained access to archival materials no previous biographer had seen. As a result, her book is an extraordinarily detailed portrait of Rothko the man and the artist, an uncommonly successful painter who was never comfortable with the idea of his art as a commodity\"-- Provided by publisher.
Book
An Ocean Existing Somewhere Without Us
MR A docent leading a group of third grade students around the exhibit takes them to No. 9 and asks, \"What do you see in these 'blobs'?\" Answers are: A fish, a house, a face, an eye. [...]it is only an empty space because it is not color-or perhaps a color 1 cannot describe as colorful. Because it is mauve, or some other color 1 distrust knowing I might never be able to make it again. At the top of Lookout Mountain there was an old man with a butterfly net, walking around in silence like he was trying to hear the soil under his feet. The rest of the hike I couldn't stop thinking about the man who spent his whole life searching for a certain kind of butterfly just to see it, to feel it fluttering in the net.
Journal Article
About the Pictorial Space and the Pictorial Surface: Claude Monet and Mark Rothko
The history of pictorial space can be understood as a history of visual artifice, perceptual constructions, and material illusions inscribed on the painted surface. This article examines some fundamental milestones in the relationship between pictorial surface and space through a comparative analysis spanning from the modern tradition to contemporary painting, with special attention to the work of Claude Monet and Mark Rothko. It studies those pictorial strategies capable of generating perceptual ambiguity and uncertainty in the observer as a source of aesthetic and emotional experience. Starting from the conical perspective as a historical device for representing space on a two-dimensional surface, the work analyses its progressive dissolution at the end of the 19th century and the emergence of new spatial resources based on colour, matter and the organisation of the pictorial surface. In this context, painting abandons traditional optical illusion to explore forms of perceptual spatiality that can be as tangible as constructed architecture. Taking an interdisciplinary approach that links art theory, the history of painting and visual analysis, the article contributes to our understanding of the ways in which materials, pictorial methods and compositional strategies shape spatial experiences in modern and contemporary painting.
Journal Article
Control Over Emergence: Images of Radical Sovereignty in Pollock, Rothko, and Rebeyrolle
The form of life which has the desire for or will to control over emergence at its core is, if not the dominant, then at least one of the more significant ones in late modern culture. To be in control over emergence requires a considerable degree of sovereignty. In this contribution I have made an attempt to outline and contrast three rather basic images or models of what might be called radical sovereignty, i.e., the vital-reflexive-transgressive one (which is referred to here as Nietzsche type 1), the existential-reflective-transcendent one (Nietzsche type 2), and the ambivalent-creative-transformative one (Nietzsche type 3). The analysis of paintings by post-war artists such as Jackson Pollock, Mark Rothko, and Paul Rebeyrolle is used to illustrate how the aforementioned types of radical sovereignty may have emerged, fully-fledged, in art, in the wake of the Second World War.
Journal Article
Endings and Continuities: Avant-Garde and Meaning-Making
This article thematizes avant-garde’s meaning-making and temporal disruption, emphasizing their role in reconfiguring cultural narratives. Case studies include UbuWeb, Kenneth Goldsmith’s radical digital archive, democratizing access to avant-garde works, and Jean-Luc Godard’s Two or Three Things I Know About Her, a cinematic intervention destabilizing meaning through fragmented narratives. The analysis incorporates Mark Rothko’s artistic formula, which underscores the tragic, sensual, and ephemeral dimensions of meaning-making, and Antonin Artaud’s assertion of madness as a legitimate worldview challenging societal norms. By engaging with the materiality of media, from text and images to virtual and AI realities, the paper examines how avant-garde practices end and continue, fostering new modalities of perception and creation. Ultimately, it argues for archives and art as active agents of transformation.
Journal Article
Mark Rothko's artistic roots in premodern Europe are brought to the fore at the Kunsthistorisches Museum
Anfam reviews an exhibition of the paintings by Mark Rothko at Kunsthistorisches Museum in Vienna.
Journal Article
Applying Quaternions to Recognize Hidden Details in Images: Rothko as a Case Study
Images or paintings with homogeneous colors may appear dull to the naked eye; however, there may be numerous details in the image that are expressed through subtle changes in color. This manuscript introduces a novel approach that can uncover these concealed details via a transformation that increases the distance between adjacent pixels, ultimately leading to a newly modified version of the input image. We chose the artworks of Mark Rothko—famous for their simplicity and limited color palette—as a case study. Our approach offers a different perspective, leading to the discovery of either accidental or deliberate clusters of colors. Our method is based on the quaternion ring, wherein a suitable multiplication can be used to boost the color difference between neighboring pixels, thereby unveiling new details in the image. The quality of the transformation between the original image and the resultant versions can be measured by the ratio between the number of connected components in the original image (m) and the number of connected components in the output versions (n), which usually satisfies nm≫1. Although this procedure has been employed as a case study for artworks, it can be applied to any type of image with a similar simplicity and limited color palette.
Journal Article