Search Results Heading

MBRLSearchResults

mbrl.module.common.modules.added.book.to.shelf
Title added to your shelf!
View what I already have on My Shelf.
Oops! Something went wrong.
Oops! Something went wrong.
While trying to add the title to your shelf something went wrong :( Kindly try again later!
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
    Done
    Filters
    Reset
  • Discipline
      Discipline
      Clear All
      Discipline
  • Is Peer Reviewed
      Is Peer Reviewed
      Clear All
      Is Peer Reviewed
  • Reading Level
      Reading Level
      Clear All
      Reading Level
  • Content Type
      Content Type
      Clear All
      Content Type
  • Year
      Year
      Clear All
      From:
      -
      To:
  • More Filters
      More Filters
      Clear All
      More Filters
      Item Type
    • Is Full-Text Available
    • Subject
    • Country Of Publication
    • Publisher
    • Source
    • Target Audience
    • Donor
    • Language
    • Place of Publication
    • Contributors
    • Location
5,032 result(s) for "Marley, Bob"
Sort by:
What's My Name
In this study of four citizens of the African diaspora—American boxer Muhammad Ali, West Indian Marxist critic C. L. R. James, British cultural theorist Stuart Hall, and Jamaican musician Bob Marley—Farred develops a new category of engaged thinker: the vernacular intellectual. He offers a vision of intellectual activity that is as valid in the boxing ring as in academia.
So much things to say : the oral history of Bob Marley
Draws on forty years of intimate interviews with band members, family, lovers, and confidants, many speaking publicly for the first time, to offer an oral history depicting the reggae icon's life.
Music Is Power
Honorable Mention, 2019 Foreword INDIES Awards - Performing Arts MusicHonorable Mention, Graphis 2021 Design Annual CompetitionPopular music has long been a powerful force for social change. Protest songs have served as anthems regarding war, racism, sexism, ecological destruction and so many other crucial issues. Music Is Power takes us on a guided tour through the past 100 years of politically-conscious music, from Pete Seeger and Woody Guthrie to Green Day and NWA. Covering a wide variety of genres, including reggae, country, metal, psychedelia, rap, punk, folk and soul, Brad Schreiber demonstrates how musicians can take a variety of approaches- angry rallying cries, mournful elegies to the victims of injustice, or even humorous mockeries of authority-to fight for a fairer world. While shining a spotlight on Phil Ochs, Gil Scott-Heron, The Dead Kennedys and other seminal, politicized artists, he also gives readers a new appreciation of classic acts such as Lesley Gore, James Brown, and Black Sabbath, who overcame limitations in their industry to create politically potent music Music Is Power tells fascinating stories about the origins and the impact of dozens of world-changing songs, while revealing political context and the personal challenges of legendary artists from Bob Dylan to Bob Marley.Supplemental material (Artist and Title List): https://d3tto5i5w9ogdd.cloudfront.net/wp-content/uploads/2020/07/24001955/Music_Is_Power_Supplementary_Artist_Title_List.doc 
Bob Marley : the untold story
Chris Salewicz interviewed Marley in Jamaica in 1979. In this thorough and detailed account of Marley's life and the world in which he grew up and came to dominate, Salewicz brings to life not only the Rastafari religion and the musical scene in Jamaica but also the spirit of the man himself.
Bob Marley
Este libro es una guía práctica y accesible para saber más sobre Bob Marley, que le aportará la información esencial y le permitirá ganar tiempo. En tan solo 50 minutos, usted podrá: •Comprender los motivos que llevan a Bob Marley, un joven salido de los guetos más pobres de Kingston, a imponerse como uno de los defensores de los más pobres y oprimidos a través de sus letras reivindicativas, como Redemption Song •Profundizar en la vida de Bob Marley, que pertenence a la cultura rastafari y encuentra en la música reggae su forma de expresarse y de luchar por un mundo más justo •Analizar las repercusiones que tienen sus canciones en el pueblo jamaicano y en todo el mundo SOBRE 50MINUTOS.ES | Historia 50MINUTOS.ES le ofrece las claves para entender rápidamente los principales acontecimientos históricos que cambiaron el mundo.Nuestras obras narran de forma rápida y eficaz una gran variedad de acontecimientos históricos clave de distintas épocas, desde la Antigua Grecia hasta la caída del muro de Berlín. ¡Descubra en un tiempo récord la historia que ha marcado el rumbo del mundo!
The natural mystics : Marley, Tosh, and Wailer
Traces the history of the Wailers from their upbringing in the slums of Kingston to their first recordings and superstardom through the lens of Jamaican politics, heritage, race, religion, and the cultural revolution taking place in the 1970s.
Greetings, Leroy
\"The first day at a new school is nerve-wracking enough, never mind when it's in a new country! In this lively picture book from award-winning storyteller Itah Sadu, Roy realizes he may come to love his new home in Canada as much as he loves his old home in Jamaica.\"--Provided by publisher.
\The white man is still there. The white duppy\: Gothic Haunting and Colourism in Marlon James's A Brief History of Seven Killings
Rhone Fraser comes closest to an examination of colourism, arguing that the novel depicts a \"small, white elite\" that governed Jamaica; but his emphasis is neocolonial: the pressures brought to bear on Jamaica by the International Monetary Fund, American foreign policy, and the Cold War (67-68, 69). Caribbean colourism emanates from slavery and is based on white supremacist ideologies, which equated white with freedom, positivity, civilization, and beauty; blackness denoted servitude, negativity, uncivilized, and ugliness. Because of their proximity to whiteness, mixed-race people with lighter skin were seen as more intelligent than their dark-skinned counterparts. [...]a pigmentocratic social stratification arose, headed by white people, then light-skinned people, ple, with black people at the bottom. The Singer's dark-skinned middle-class \"haters\" are deemed less effective when speaking on race: \"Bossman .. . get himself a big fucking degree only to have that little half-white shortass become the voice of black liberation\" (87).