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Mary Blachford Tighe was born in Dublin in 1772 and became a poet by the age of seventeen. Her enormously popular 1805 epic poem \"Psyche; or, The Legend of Love\" made her a fixture of English literary history for much of the nineteenth century. For much of the twentieth century, however, Tighe was better known for her influence on Keats's poetry than the considerable merits of her own work.The Collected Poems and Journals of Mary Tigherestores Tighe to the general canon of English literature of the period. With over eighty-five poems, including the complete Psyche, and extracts from several journals, both by and about Tighe, Harriet Kramer Linkin's annotated edition is the most complete collection of Mary Tighe's work to be published in one volume.

Mary Blachford Tighe was born in Dublin in 1772 and became a poet by the age of seventeen.Her enormously popular 1805 epic poem \"Psyche; or, The Legend of Love\" made her a fixture of English literary history for much of the nineteenth century.

Revealing Bodies turns to the eighteenth century to ask a question with continuing relevance: what kinds of knowledge condition our understanding of our own bodies? Focusing on the tension between particularity and generality that inheres in intellectual discourse about the body, Revealing Bodies explores the disconnection between the body understood as a general form available to knowledge and the body experienced as particularly one's own. Erin Goss locates this division in contemporary bodily exhibits, such as Gunther von Hagens' Body Worlds, and in eighteenth-century anatomical discourse. Her readings of the corporeal aesthetics of Edmund Burke's Philosophical Enquiry, William Blake's cosmological depiction of the body's origin in such works as The [First] Book of Urizen, and Mary Tighe's reflection on the relation between love and the soul in Psyche; or, The Legend of Love demonstrate that the idea of the body that grounds knowledge in an understanding of anatomy emerges not as fact but as fiction. Ultimately, Revealing Bodies describes how thinkers in the eighteenth and nineteenth centuries and bodily exhibitions in the twentieth and twenty-first call upon allegorized figurations of the body to conceal the absence of any other available means to understand that which is uniquely our own: our existence as bodies in the world.

Anna Seward commended Mary Tighe's 1795 sonnet for the Ladies of Llangollen shortly before she composed her own poem for Lady Eleanor Butler and Sarah Ponsonby, \"Llangollen Vale\" (1796). When Tighe revised her \"Addressed to the Ladies of Langollen Vale\" for her 1805 collection Verses, she positioned it within a sonnet sequence that critiques Seward's poem and Seward's sonnet theories. Tighe's critique highlights the different aesthetic values she and Seward espoused as private and public poets.

This chapter contains sections titled: I II III IV References and Further Reading

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Linkin discusses Mary Tighe's epic romance \"Psyche: Or, The Legend of Love.\" She specifically considers the preface, which invites readers to contemplate what women can express with politesse.

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