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"Mass media South Africa History 20th century."
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Starring Mandela and Cosby
During the worst years of apartheid, the most popular show on television in South Africa—among both Black and White South Africans—was The Cosby Show. Why did people living under a system built on the idea that Black people were inferior and threatening flock to a show that portrayed African Americans as comfortably mainstream? Starring Mandela and Cosby takes up this paradox, revealing the surprising impact of television on racial politics. The South African government maintained a ban on television until 1976, and according to Ron Krabill, they were right to be wary of its potential power. The medium, he contends, created a shared space for communication in a deeply divided nation that seemed destined for civil war along racial lines. At a time when it was illegal to publish images of Nelson Mandela, Bill Cosby became the most recognizable Black man in the country, and, Krabill argues, his presence in the living rooms of white South Africans helped lay the groundwork for Mandela’s release and ascension to power. Weaving together South Africa’s political history and a social history of television, Krabill challenges conventional understandings of globalization, offering up new insights into the relationship between politics and the media.
eBook
Rhetorics of Resistance
The period of apartheid was a perilous time in South Africa’s history. This book examines the tactics of resistance developed by those working for the Weekly Mail and New Nation, two opposition newspapers published in South Africa in the mid- and late 1980s. The government, in an attempt to crack down on the massive political resistance sweeping the country, had imposed martial law and imposed even greater restrictions on the press. Bryan Trabold examines the writing, legal, and political strategies developed by those working for these newspapers to challenge the censorship restrictions as much as possible—without getting banned. Despite the many steps taken by the government to silence them, including detaining the editor of New Nation for two years and temporarily closing both newspapers, the Weekly Mail and New Nation not only continued to publish but actually increased their circulations and obtained strong domestic and international support. New Nation ceased publication in 1994 after South Africa made the transition to democracy, but the Weekly Mail, now the Mail & Guardian, continues to publish and remains one of South Africa’s most respected newspapers.
eBook
Representing Mass Violence
A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit www.luminosoa.org to learn more. How do interventions by the UN Security Council and the International Criminal Court influence representations of mass violence? What images arise instead from the humanitarianism and diplomacy fields? How are these competing perspectives communicated to the public via mass media? Zooming in on the case of Darfur, Joachim J. Savelsberg analyzes more than three thousand news reports and opinion pieces and interviews leading newspaper correspondents, NGO experts, and foreign ministry officials from eight countries to show the dramatic differences in the framing of mass violence around the world and across social fields. Representing Mass Violence contributes to our understanding of how the world acknowledges and responds to violence in the Global South.
eBook
‘Drawing aside the curtain’: natural childbirth on screen in 1950s Britain
This article recovers the importance of film, and its relations to other media, in communicating the philosophies and methods of ‘natural childbirth’ in the post-war period. It focuses on an educational film made in South Africa around 1950 by controversial British physician Grantly Dick-Read, who had achieved international fame with bestselling books arguing that relaxation and education, not drugs, were the keys to freeing women from pain in childbirth. But he soon came to regard the ‘vivid’ medium of film as a more effective means of disseminating the ‘truth of [his] mission’ to audiences who might never have read his books. I reconstruct the history of a film that played a vital role in teaching Dick-Read's method to both the medical profession and the first generation of Western women to express their dissatisfaction with highly drugged, hospitalized maternity care. The article explains why advocates of natural childbirth such as Dick-Read became convinced of the value of film as a tool for recruiting supporters and discrediting rivals. Along the way, it offers insight into the British medical film industry and the challenges associated with producing, distributing and screening a depiction of birth considered unusually graphic for the time.
Journal Article
African Intellectuals and Decolonization
Decades after independence for most African states, the struggle for decolonization is still incomplete, as demonstrated by the fact that Africa remains associated in many Western minds with chaos, illness, and disorder. African and non-African scholars alike still struggle to establish the idea of African humanity, in all its diversity, and to move Africa beyond its historical role as the foil to the West.As this book shows, Africa's decolonization is an ongoing process across a range of fronts, and intellectuals-both African and non-African-have significant roles to play in that process. The essays collected here examine issues such as representation and retrospection; the roles of intellectuals in the public sphere; and the fundamental question of how to decolonize African knowledges.African Intellectuals and Decolonizationoutlines ways in which intellectual practice can serve to de-link Africa from its global representation as a debased, subordinated, deviant, and inferior entity.ContributorsLesley Cowling,University of the WitwatersrandNicholas M. Creary,University at AlbanyMarlene De La Cruz,Ohio UniversityCarolyn Hamilton,University of Cape TownGeorge Hartley,Ohio UniversityJanet Hess,Sonoma State UniversityT. Spreelin McDonald,Ohio UniversityEbenezer Adebisi Olawuyi,University of IbadanSteve Odero Ouma,University of NairobiOyeronke Oyewumi,State University of New Yorkat Stony BrookTsenay Serequeberhan,Morgan State University
eBook
Untangling the Lion's Tale: Violent Masculinity and the Ethics of Biography in the 'Curious' Case of the Apartheid-Era Policeman Donald Card
Donald Card (1928-) is a former policeman in South Africa who became the subject of international media attention on 21 September 2004. In a highly publicised and symbolic ceremony of reconciliation inaugurating the Nelson Mandela Centre of Memory Project, he handed back to Mandela two notebooks containing 78 hitherto unknown letters written by Mandela on Robben Island. A starkly contrasting image of Card as a torturer had, however, come to light during the Truth and Reconciliation Commission (TRC) hearings in the Eastern Cape in 1996 and 1997. This article begins by making a case for a direct connection between these two events. We argue that the sanitised version of his life history in recent scholarship traces back to his own attempts to defend his reputation from these allegations of torture and that the Mandela notebooks served both to obscure these allegations and provide Card with a respectable, even heroic, biography. We then present our alternative version of his life history. Drawing on Robert Morrell's periodisation of masculinities in southern Africa, we read the story of Card's life in early-mid-twentieth century South Africa in terms of changing masculine identities, each strongly associated with violence: first the 'oppositional' masculinity of a child growing up in an abusive patriarchal Irish settler family, second the 'settler' masculinity of an athletic teenager at a white school in the former Transkei, and third his 'hegemonic' white South African masculine identity defined in opposition to emergent black masculinities into which he was initiated as a young adult during four months of intensive training at a police college in Pretoria. It is in this context, along with extensive new independently acquired oral and documentary evidence of his human rights abuses in East London in the 1950s and the early 1960s, that we situate the TRC testimonies about Card's torture between 1962 and 1964.
Journal Article
'Blame it on the Weeds': Politics, Poverty, and Ecology in the New South Africa
In January of 2000, spectacular fires burned in the natural veld of Cape Town, South Africa. As the fire-fighting effort finished, a theory emerged: invasive alien species, trees from other countries, such as Australia and the United States, were to blame for the fires. While the invasive alien hypothesis captured the attention of media and policy makers alike, there was little ecological evidence to support it. This article places the fires of 2000 in a longer history of post-apartheid policy and science surrounding invasive alien floral species, arguing that the fires allowed for a synergy between concerns over poverty relief, nature conservation, and scientific research. The most visible example of this synergy was an increased commitment to the Working for Water programme on the Cape Peninsula, a large-scale employment programme utilising unskilled labour to clear invasive alien species in order to conserve South African water resources. In addition to providing employment for South Africa's poorest citizens, Working for Water provided funding for ecological research about invasive alien species. The studies that resulted from this funding focused on gathering information to make practical suggestions for invasive species control. Although the focus of these studies was on management, the science used was itself as rigorous as it had ever been. In the post-apartheid era, as poverty relief and nature conservation came together, scientists ensured that they would continue to play a role in nature conservation by making their research relevant to both invasive species control and to poverty relief.
Journal Article