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"Mass media South Africa."
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The Media and Elections
2004
This comparative study brings together academics and practitioners who work in the field of media and elections to provide a set of national case studies and an analysis of the legal and regulatory frameworks that are employed by nation states to ensure that the media perform according to certain standards during election periods. In setting out the legal and regulatory framework each chapter provides an account of the socio-political conditions and media environment in each of the countries and subsequently details the laws that govern the print and broadcast media during election campaign periods. The countries included are France, Germany, Italy, Russia, South Africa, the United States, and the United Kingdom. A set of reflections by a Member of the European Parliament and a set of recommendations for good practice in media and elections are also included. Thus, the book is organized to provide a practical guide so that it can be used as a handbook.
Contents: D. Ward, Introduction. T. Perruci, M. Villa, Italy. L.L. Kaid, C.A. Jones United States of America. H. Drück, Germany. A.S. de Beer, South Africa. E. Mauboussin, France. D. Skillen, Russia. A. McNicholas, D. Ward, United Kingdom. K. Junker, Notes From an Election Observer. D. Ward, Conclusion. B-P. Lange, Media and Elections: Some Reflections and Recommendations. Appendices: Internet Sources for Electoral Legislation, Regulation, and Court Decisions. The European Institute for the Media--Media and Democracy Programme. List of Media-Monitoring Missions Conducted by the Media and Democracy Programme of the European Institute for the Media.
Performing Democracy in Iraq and South Africa
2013,2016
This text provides an analysis of the social and cultural impacts of war, social unrest and political violence in two societies that have undergone traumatic conflict and upheaval. By investigating various means of communication, Segall shows how groups of affected people in Iraq and South Africa reposition themselves to cope with collective trauma.
Race Talk in the South African Media
by
GAWIE BOTMA
in
Language & Literature
,
LANGUAGE ARTS & DISCIPLINES
,
Mass media and race relations-South Africa
2019
This book makes a very significant, timely and relevant contribution to a very topical subject of immense local as well as global interest. Through tracing the evolution of media discourse about race and racism, which the author prefers to call ‘race talk’, the writer prised open a window to a panoramic, variegated and yet nuanced perspective of the perennial South African race question etched across the vistas of time and memory since Jan Van Riebeeck set up the first European settlement as a refreshment station for the Dutch East India Company, at the Cape of Good Hope in 1652 up to the time of writing this book. It lends a fresh lens through which to re-read South African society, not only to a studious scholar of media history but also to anybody interested in the general history of South Africa. - Dr Zvenyika Mugari, WITS This book is based on meticulous archival searching, presented in a new, fresh and highly engaging way. This is a book based on evidentiary-led scholarly principles that has lucidity as a goal. Unlike so many scholarly works which are turgid and very difficult to read because they are written in restricted codes meant only for other academics, this manuscript is wonderfully lucid, accessible and a pleasure to read. The prime readership will be academics but its lucidity makes it appealing beyond a purely academic readership, hopefully reaching media professionals and students also and influencing debates on race policy. This is how academic books, in fact, should be written. - Prof Keyan Tomaselli, University of Johannesburg The author has embarked on a very difficult and complex task of understanding the race construct in the South African media context. This is a highly contested and contentious space in South Africa and it is particularly arduous for a “white, middle-class, middle-aged, Afrikaans male\" to navigate this space. The author has however eloquently managed to pilot this fine line of controversy. He offers a balanced view of the belligerent debate without treading insensitively on the toes of protagonists and at the same time challenges prevailing views. - André Rose, National Cancer Institute
When whites riot : writing race and violence in American and South African cultures
by
Smith McKoy, Sheila
in
Mass media and race relations-South Africa
,
Mass media and race relations-United States
,
Racism-South Africa
2001
In a bold work that cuts across racial, ethnic, cultural, and national boundaries, Sheila Smith McKoy reveals how race colors the idea of violence in the United States and in South Africa—two countries inevitably and inextricably linked by the central role of skin color in personal and national identity. Although race riots are usually seen as black events in both the United States and South Africa, they have played a significant role in shaping the concept of whiteness and white power in both nations. This emerges clearly from Smith McKoy's examination of four riots that demonstrate the relationship between the two nations and the apartheid practices that have historically defined them: North Carolina's Wilmington Race Riot of 1898; the Soweto Uprising of 1976; the Los Angeles Rebellion in 1992; and the pre-election riot in Mmabatho, Bhoputhatswana in 1994. Pursuing these events through narratives, media reports, and film, Smith McKoy shows how white racial violence has been disguised by race riots in the political and power structures of both the United States and South Africa. The first transnational study to probe the abiding inclination to "blacken" riots, When Whites Riot unravels the connection between racial violence—both the white and the "raced"—in the United States and South Africa, as well as the social dynamics that this connection sustains.
Power and Loss in South African Journalism
2020
This timely collection analyses the crisis of journalism in contemporary South Africa. Writing with authority as a seasoned journalist, the author addresses the gains and losses from decolonial and feminist perspectives and sees opportunities to forge a model for non-profit, public-funded journalism that reflects a diversity of voices.