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"Mass media and women."
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The fangirl's guide to the galaxy : a handbook for geek girls
\"Fanfic, cosplay, cons, books, memes, podcasts, vlogs, OTPs and RPGs and MMOs and more - it's never been a better time to be a girl geek. The Fangirl's Guide to the Galaxy is the ultimate handbook for ladies living the nerdy life, a fun and feminist take on the often male-dominated world of geekdom. With delightful illustrations and an unabashed love for all the in(ternet)s and outs of geek culture, this book is packed with tips, playthroughs, and cheat codes, including how to make nerdy friends, rock awesome cosplay, write fanfic with feels, defeat Internet trolls, and attend your first con. Plus, insightful interviews with fangirl faves, like Jane Espenson, Erin Morgenstern, Kate Beaton, Ashley Eckstein, Laura Vandervoort, Beth Revis, Kate Leth, and many others\"--Adapted from distributor's description.
Women and media
2008,2006
Women and Media is a thoughtful cross-cultural examination of the ways in which women have worked inside and outside mainstream media organizations since the 1970s. Rooted in a series of interviews with women media workers and activists collected specifically for this book, the text provides an original insight into women's experiences. Explains the ways that women have organized their internal and external campaigns to improve media content (or working conditions) for women, and established womenowned media to gain a public voice. Identifies key issues and developments in feminist media critiques and interventions over the last 30 years, as these relate to production, representation and consumption. Functions as both a research case study and a teaching text.
Gender, politics, news : a game of three sides
2017,2016
Gender, Politics, News: A Game of Three Sides explores the role of gender in the broader processes of political communication
* The only contemporary book focusing on the relationships between gender, politics, and news media which takes a global perspective
* An analysis of political journalism as a practice and the development of the field in terms of gendered workplace cultures
* Offers a solid framework for understanding women's political representation, including real world case studies of women's campaigns for the top political job across a range of different geographies and contexts
* Coverage of hot-button issues, such as political scandal and the role of new and social media in politics and elections, makes this a highly relevant and current work with resonances for a wide audience
Depicting the veil : transnational sexism and the war on terror
This text exposes how gendered Orientalism is wielded to justify Western imperialism. Over the last ten years, Western governments and mainstream media have utilized concepts of white masculine supremacy and feminine helplessness, juxtaposed with Orientalist images depicting women of colour as mysterious, sinister, and dangerous to support war. Oscillating between 'Mrs. Anthrax', female suicide bombers and tragic, helpless victims, representations of 'brown women' have spawned both rescue narratives and terrorist alerts.
Strictly Observant
2024
Yonathan Shapiro Best Book Award from the Association for Israel Studies The Amish and ultra-Orthodox Jewish communities have typically been associated with strict religious observance, a renunciation of worldly things, and an obedience of women to men.
Women, visibility and morality in Kenyan popular media
2020
Women, visibility and morality in Kenyan popular media explores familiar constructions of femininity to assess ways in which it circulates in discourse, both stereotypically and otherwise. It assesses the meanings of such discourses and their articulations in various public platforms in Kenya. The book draws together theoretical questions on ‘pre-convened’ scripts that contain or condition how women can circulate in public. The book asks questions about particular interpretations of women’s bodies that are considered transgressive or unruly and why these bodies become significant symbolic sites for the generation of knowledge on morality and sexuality. The book also poses questions about genre and representations of femininity. The assertion made is that for knowledges of femininity to circulate effectively, they must be melodramatic, spectacular and scandalous. Ultimately, the book asks how such a theorisation of popular modes of representation enable a better understanding of the connections between gender, sexuality and violence in Kenya.