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"Maternité dans la littérature."
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The baby on the fire escape : creativity, motherhood, and the mind-baby problem
\"An insightful and provocative exploration of the relationship between motherhood and art through the lives of women artists and writers. What does it mean to create, not in \"a room of one's own,\" but in a domestic space? Do children and genius rule each other out? In The Baby on the Fire Escape, award-winning biographer Julie Phillips traverses the shifting terrain where motherhood and creativity converge. With fierce empathy and vivid prose, Phillips evokes the intimate struggles of brilliant artists and writers, including Doris Lessing, who had to choose between her motherhood and herself; Ursula K. Le Guin, who found productive stability in family life; Audre Lorde, whose queer, polyamorous union allowed her to raise children on her own terms; and Alice Neel, who once, to finish a painting, was said to have left her baby on the fire escape of her New York apartment. A meditation on maternal identity and artistic greatness, The Baby on the Fire Escape illuminates some of the most pressing conflicts in contemporary women's lives\"-- Provided by publisher.
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From motherhood to mothering : the legacy of Adrienne Rich's Of woman born
In the years since the publication of Adrienne Rich’s Of Woman Born, the topic of motherhood has emerged as a central issue in feminist scholarship. Arguably still the best feminist book on mothering and motherhood, Of Woman Born is not only a wide-ranging, far-reaching meditation on the meaning and experience of motherhood that draws from the disciplines of anthropology, feminist theory, psychology, and literature, but it also narrates Rich’s personal reflections on her experiences of mothering. Andrea O’Reilly gathers feminist scholars from diverse disciplines such as literature, women’s studies, law, sociology, anthropology, creative writing, and critical theory and examines how Of Woman Born has informed and influenced the way feminist scholarship “thinks and talks” about motherhood. The contributors explore the many ways in which Rich provides the analytical tools to study and report upon the meaning and experience of motherhood.
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Reading/Speaking/Writing the Mother Text; Essays on Caribbean Women's Writing
While scholarship on Caribbean women's literature has grown into an established discipline, there are not many studies explicitly connected to the maternal subject matter, and among them only a few book-length texts have focalized motherhood and maternity in writings by Caribbean women. Reading/Speaking/Writing the Mother Text: Essays on Caribbean Women's Writing encourages a crucial dialogue surrounding the state of motherhood scholarship within the Caribbean literary landscape, to call for attention on a theme that, although highly visible, remains understudied by academics. While this collection presents a similar comparative and diasporic approach to other book-length studies on Caribbean women's writing, it deals with the complexity of including a wider geographical, linguistic, ethnic and generic diversity, while exposing the myriad ways in which Caribbean women authors shape and construct their texts to theorize motherhood, mothering, maternity, and mother-daughter relationships.
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Tigress in the Snow
The Tigress in the Snow explores how literature reacted to, influenced, and shaped the evolving notion of motherhood in twentieth-century Italy.
From the late-nineteenth century rhetorical celebration of the mother as Madonna, to the Fascist regime's demographic campaign and feminist revisions of the maternal role, Laura Benedetti shows how the mother's social status was a site of constant negotiation in Italy during the last century and how this negotiation came to be represented in literature. To illustrate her theme, she stresses both similarities and differences among four generations of women writers, as well as their complex interaction with their male counterparts, and their reactions to changes in Italian society.
The Tigress in the Snow highlights literature's role in the formation of cultural discourses right up to the dawn of the twenty-first century. An intriguing look at the changing nature of motherhood in a country that has always valued the maternal institution, this volume goes further to show how literature investigates, shapes, and envisions social models for the present and future.
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Latin American women on/in stages
Compares plays by Latin American women dramatists born after 1945.
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Our Mothers, Our Powers, Our Texts
\"Washington writes supple and thoughtful prose and creatively integrates African and African-derived terminology, which never distract the reader. I consider Our Mothers, Our Powers, Our Texts not only a brilliant study, but also a model to be emulated.\" -- Ousseynou B. Traore, William Patterson UniversityÀjé is a Yoruba word that signifies a spiritual power of vast potential, as well as the human beings who exercise that power. Although both men and women can have Àjé, its owners and controllers are women, the literal and cosmic Mothers who are revered as the gods of society. Because of its association with female power, its invisibility and profundity, Àjé is often misconstrued as witchcraft. However, as Teresa N. Washington points out in Our Mothers, Our Powers, Our Texts, Àjé is central to the Yoruba ethos and cosmology. Not only does it underpin the concepts of creation and creativity, but as a force of justice and retribution, Àjé is essential to social harmony and balance. As Africans were forced into exile and enslavement, they took Àjé with them and continued its work of creating, destroying, harming, and healing in the New World.Washington seeks out Àjé's subversive power of creation and re-creation in a diverse range of Africana texts, from both men and women, from both oral and contemporary literature, and across space and time. She guides readers to an understanding of the symbolic, methodological, and spiritual issues that are central to important works by Africana writers but are rarely elucidated by Western criticism. She begins with an examination of the ancient forms of Àjé in Yoruba culture, which creates a framework for innovative readings of important works by Africana writers, including Zora Neale Hurston, Toni Morrison, Ben Okri, Wole Soyinka, Jamaica Kincaid, and Ntozake Shange. This rich analysis will appeal to readers of
Africana literature, African religion and philosophy, feminist studies, and comparative literature.
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Stage Mothers
Stage Mothers explores the connections between motherhood and the theater both on and off stage throughout the long eighteenth century.Although the realities of eighteenth-century motherhood and representations of maternity have recently been investigated in relation to the novel, social history, and political economy, the idea of motherhood and.
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Maternal Metaphors of Power in African American Women's Literature
Geneva Cobb Moore deftly combines literature, history, criticism, and theory in Maternal Metaphors of Power in African American Women’s Literature by offering insight into the historical black experience from slavery to freedom as depicted in the literature of nine female writers across several centuries. Moore traces black women writers’ creation of feminine and maternal metaphors of power in literature from the colonial era work of Phillis Wheatley to the postmodern work of Paule Marshall, Alice Walker, and Toni Morrison. Through their characters Moore shows how these writers re-create the identity of black women and challenge existing rules shaping their subordinate status and behavior. Drawing on feminist, psychoanalytic, and other social science theory, Moore examines the maternal iconography and counter-hegemonic narratives by which these writers responded to oppressive conventions of race, gender, and authority. Moore grounds her account in studies of Phillis Wheatley, Harriet Jacobs, Charlotte Forten Grimké, Jessie Fauset, Nella Larsen, and Zora Neale Hurston. All these authors, she contends, wrote against invisibility and powerlessness by developing and cultivating a personal voice and an individual story of vulnerability, nurturing capacity, and agency that confounded prevailing notions of race and gender and called into question moral reform. In these nine writers’ construction of feminine images—real and symbolic—Moore finds a shared sense of the historically significant role of black women in the liberation struggle during slavery, the Jim Crow period, and beyond.
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Textual mothers/maternal texts : motherhood in contemporary women's literatures
Textual Mothers/Maternal Texts focuses on mothers as subjects and as writers who produce auto/biography, fiction, and poetry about maternity. International contributors examine the mother without child, with child, and in her multiple identities as grandmother, mother, and daughter.
The collection examines how authors use textual spaces to accept, negotiate, resist, or challenge traditional conceptions of mothering and maternal roles, and how these texts offer alternative practices and visions for mothers. Further, it illuminates how textual representations both reflect and help to define or (re)shape the realities of women and families by examining how mothering and being a mother are political, personal, and creative narratives unfolding within both the pages of a book and the spaces of a life. The range of chapters maps a shift from the daughter-centric stories that have dominated the maternal tradition to the matrilineal and matrifocal perspectives that have emerged over the last few decades as the mother's voice moved from silence to speech.
Contributors make aesthetic, cultural, and political claims and critiques about mothering and motherhood, illuminating in new and diverse ways how authors and the protagonists of the texts \"read\" their own maternal identities as well as the maternal scripts of their families, cultures, and nations in their quest for self-knowledge, agency, and artistic expression.
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Mothers and meaning on the early modern English stage
\"Mothers and meaning on the early modern English stage\" is a study of the dramatised mother figure in English drama from the mid-sixteenth to the early seventeenth centuries. It explores a range of genres: moralities, histories, romantic comedies, city comedies, domestic tragedies, high tragedies, romances and melodrama and includes close readings of plays by such diverse dramatists as Udall, Bale, Phillip, Legge, Kyd, Marlowe, Peele, Shakespeare, Middleton, Dekker and Webster. The study is enriched by reference to religious, political and literary discourses of the period, from Reformation and counter-Reformation polemic to midwifery manuals and Mother’s Legacies, the political rhetoric of Mary I, Elizabeth I and James VI, reported gallows confessions of mother convicts and Puritan conduct books. It thus offers scholars of literature, drama, art and history a unique opportunity to consider the literary, visual and rhetorical representation of motherhood in the context of a discussion of familiar and less familiar dramatic texts.
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