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"Maya sculpture"
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Sculpture and social dynamics in preclassic Mesoamerica
\"This book examines the functions of sculpture during the Preclassic period in Mesoamerica and its significance in statements of social identity. Julia Guernsey situates the origins and evolution of monumental stone sculpture within a broader social and political context and demonstrates the role that such sculpture played in creating and institutionalizing social hierarchies. This book focuses specifically on an enigmatic type of public, monumental sculpture known as the 'potbelly' that traces its antecedents to earlier, small domestic ritual objects and ceramic figurines. The cessation of domestic rituals involving ceramic figurines along the Pacific slope coincided not only with the creation of the first monumental potbelly sculptures, but with the rise of the first state-level societies in Mesoamerica by the advent of the Late Preclassic period. The potbellies became central to the physical representation of new forms of social identity and expressions of political authority during this time of dramatic change\"-- Provided by publisher.
Book
The Comitán Valley
A thousand years ago, the Comitán Valley, in the Mexican state
of Chiapas, was the western edge of the Maya world. Far from the
famous power centers of the Classic period, the valley has been
neglected even by specialists. Here, Caitlin C. Earley offers the
first comprehensive study of sculpture excavated from the area,
showcasing the sophistication and cultural vigor of a region that
has largely been ignored.
Supported by the rulers of the valley's cities, local artists
created inventive works that served to construct civic identities.
In their depictions of warrior kings, ballgames, rituals, and
ancestors, the artists of Comitán made choices that reflected
political and religious goals and distinguished the artistic
production of the Comitán Valley from that of other Maya locales.
After the Maya abandoned their powerful lowland centers, those in
Comitán were maintained, a distinction from which Earley draws new
insights concerning the Maya collapse. Richly illustrated with
never-before-published photographs of sculptures unearthed from key
archaeological sites, The Comitán Valley is an
illuminating work of art historical recovery and
interpretation.
eBook
Ritual and power in stone : the performance of rulership in Mesoamerican Izapan style art
A masterful art historical analysis of how Late Preclassic (300 BC to AD 250) rulers in Chiapas, Mexico, created an elite visual language to express political and supernatural authority which spread through much of the Maya world.
eBook
Space and Sculpture in the Classic Maya City
\"In this book, Alexander Parmington combines an examination of space, access control and sculptural themes and placement, to propose how images and texts controlled movement in Classic Maya cities. Using Palenque as a case study, this book analyzes specific building groups and sculptures to provide insight into the hierarchical distribution and use of ritual and administrative space in temple and palace architecture. Identifying which spaces were the more accessible and therefore more public, and which spaces were more segregated and consequently more private, Dr. Parmington demonstrates how sculptural, iconographic, and hieroglyphic content varies considerably when found in public/common or private/elite space. Drawing on specific examples from the Classic Maya and other early civilizations, he demonstrates that by examining the intent in the distribution of architecture and art, the variation and function of the artistic themes represented in sculpture and other monumental works of art can be better understood\"-- Provided by publisher.
Book
Lightning warrior : Maya art and kingship at Quirigua
The ancient Maya city of Quirigua occupied a crossroads between Copan in the southeastern Maya highlands and the major centers of the Peten heartland. Though always a relatively small city, Quirigua stands out because of its public monuments, which were some of the greatest achievements of Classic Maya civilization. Impressive not only for their colossal size, high sculptural quality, and eloquent hieroglyphic texts, the sculptures of Quirigua are also one of the few complete, in situ series of Maya monuments anywhere, which makes them a crucial source of information about ancient Maya spirituality and political practice within a specific historical context. Using epigraphic, iconographic, and stylistic analyses, this study explores the integrated political-religious meanings of Quirigua’s monumental sculptures during the eighth-century A.D. reign of the city’s most famous ruler, K’ak’ Tiliw. In particular, Matthew Looper focuses on the role of stelae and other sculpture in representing the persona of the ruler not only as a political authority but also as a manifestation of various supernatural entities with whom he was associated through ritual performance. By tracing this sculptural program from its Early Classic beginnings through the reigns of K’ak’ Tiliw and his successors, and also by linking it to practices at Copan, Looper offers important new insights into the politico-religious history of Quirigua and its ties to other Classic Maya centers, the role of kingship in Maya society, and the development of Maya art.
eBook
Sculpture and Social Dynamics in Preclassic Mesoamerica
This book examines the functions of sculpture during the Preclassic period in Mesoamerica and its significance in statements of social identity. Julia Guernsey situates the origins and evolution of monumental stone sculpture within a broader social and political context and demonstrates the role that such sculpture played in creating and institutionalizing social hierarchies. This book focuses specifically on an enigmatic type of public, monumental sculpture known as the 'potbelly' that traces its antecedents to earlier, small domestic ritual objects and ceramic figurines. The cessation of domestic rituals involving ceramic figurines along the Pacific slope coincided not only with the creation of the first monumental potbelly sculptures, but with the rise of the first state-level societies in Mesoamerica by the advent of the Late Preclassic period. The potbellies became central to the physical representation of new forms of social identity and expressions of political authority during this time of dramatic change.
eBook
Space and Sculpture in the Classic Maya City
In this book, Alexander Parmington examines how images, texts and architectural form controlled and channelled movement of particular sets of people through various precincts in Classic Maya cities. Using Palenque as a case study, this book analyses specific building groups and corresponding sculptures to provide insight into the hierarchical distribution and use of ritual and administrative space in temple and palace architecture. Identifying which spaces were the most accessible and most public, and which spaces were segregated and highly private, Dr Parmington demonstrates how sculptural, iconographic and hieroglyphic content varies considerably when found in public/common or private/elite space. Drawing on specific examples from the Classic Maya and other early civilisations, he demonstrates that by examining the intent in the distribution of architecture and art, the variation and function of the artistic themes represented in sculpture and other monumental works of art can be better understood.
eBook
Stone Trees Transplanted? Central Mexican Stelae of the Epiclassic and Early Postclassic and the Question of Maya 'Influence'
Stelae dating to the Epiclassic (650-900 CE) and Early Postclassic (950-1150 CE) from Tula, Xochicalco, and other sites in Central Mexico have been presented in the archaeological and art historical literature of the last four decades—when they have been addressed at all—as evidence of Classic Maya ‘influence’ on Central Mexican art during these periods. This book re-evaluates these claims via detailed comparative analysis of the Central Mexican stelae and their claimed Maya counterparts. For the first time the Central Mexican stelae are placed in the context of often earlier local artistic traditions as well as other possible long-distance connections. Comparison of Tula and Xochicalco stelae with earlier and contemporary stelae from Oaxaca and Guerrero demonstrates connections equally as plausible as those posited with the Maya region, and supported by archaeological evidence. While it is clear that some Central Mexican stelae, especially Stela 4 from Tula, reflect Maya contacts, this has to be balanced by consideration of local and other long distance developments and connections.
eBook
Ritual and Power in Stone
The ancient Mesoamerican city of Izapa in Chiapas, Mexico, is renowned for its extensive collection of elaborate stone stelae and altars, which were carved during the Late Preclassic period (300 BC-AD 250). Many of these monuments depict kings garbed in the costume and persona of a bird, a well-known avian deity who had great significance for the Maya and other cultures in adjacent regions. This Izapan style of carving and kingly representation appears at numerous sites across the Pacific slope and piedmont of Mexico and Guatemala, making it possible to trace political and economic corridors of communication during the Late Preclassic period.
In this book, Julia Guernsey offers a masterful art historical analysis of the Izapan style monuments and their integral role in developing and communicating the institution of divine kingship. She looks specifically at how rulers expressed political authority by erecting monuments that recorded their performance of rituals in which they communicated with the supernatural realm in the persona of the avian deity. She also considers how rulers used the monuments to structure their built environment and create spaces for ritual and politically charged performances. Setting her discussion in a broader context, Guernsey also considers how the Izapan style monuments helped to motivate and structure some of the dramatic, pan-regional developments of the Late Preclassic period, including the forging of a codified language of divine kingship. This pioneering investigation, which links monumental art to the matrices of political, economic, and supernatural exchange, offers an important new understanding of a region, time period, and group of monuments that played a key role in the history of Mesoamerica and continue to intrigue scholars within the field of Mesoamerican studies.
eBook