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"Medievalism"
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The Cambridge Companion to Medievalism
\"Medievalism - the creative interpretation or recreation of the European Middle Ages - has had a major presence in the cultural memory of the modern West, and has grown in scale to become a global phenomenon. Countless examples across aesthetic, material and political domains reveal that the medieval period has long provided a fund of images and ideas that have been vital to defining 'the modern'. Bringing together local, national and global examples and tracing medievalism's unpredictable course from early modern poetry to contemporary digital culture, this authoritative Companion offers a panoramic view of the historical, aesthetic, ideological and conceptual dimensions of this phenomenon. It showcases a range of critical positions and approaches to discussing medievalism, from more 'traditional' historicist and close-reading practices through to theoretically engaged methods. It also acquaints readers with key terms and provides them with a sophisticated conceptual vocabulary for discussing the medieval afterlife in the modern\"-- Provided by publisher.
Women's Restorative Medievalisms
by
Vernon, Matthew X
,
Edwards, Suzanne M
in
Feminist criticism
,
intersectionality
,
LITERARY CRITICISM / Medieval
2024
Grounded in intersectional feminist interpretive frameworks, Women's Restorative Medievalismsexamines how contemporary women writers engage the premodern past to animate intertwined histories of oppression and resistance in service of visionary futures.
Medievalism : a critical history
2017
The field known as 'medievalism studies' concerns the life of the Middle Ages after the Middle Ages. Originating some 30 years ago, it examines reinventions and reworkings of the medieval from the Reformation to postmodernity, from Bale and Leland to HBO's 'Game of Thrones.' But what exactly is it? An offshoot of medieval studies? A version of reception studies? Or a new form of cultural studies? Should it be housed in the departments of English, or history, or should it always be interdisciplinary? In responding to such questions, the author traces the history of medievalism from its earliest appearances in the 16th century to the present day, across a range of examples drawn from the spheres of literature, art, architecture, music and more.
Medievalisms
2013,2012
From King Arthur and Robin Hood, through to video games and jousting-themed restaurants, medieval culture continues to surround us and has retained a strong influence on literature and culture throughout the ages. This fascinating and illuminating guide is written by two of the leading contemporary scholars of medieval literature, and explores:
The influence of medieval cultural concepts on literature and film, including key authors such as Shakespeare, Tennyson, and Mark Twain
The continued appeal of medieval cultural figures such as Dante, King Arthur, and Robin Hood
The influence of the medieval on such varied disciplines such as politics, music, children's literature, and art.
Contemporary efforts to relive the Middle Ages.
Medievalisms: Making the Past in the Present surveys the critical field and sets the boundaries for future study, providing an essential background for literary study from the medieval period through to the twenty-first century.
Medievalism and discrimination
Discrimination has long played a part in medievalism studies, but it has rarely been weaponized as thoroughly and publicly as in recent exchanges. The essays in the first part of this volume respond to that development by examining some of the many forms discrimination has taken in medievalism (studies) relative to race, gender, sexual orientation, religion, and ethnicity. These papers thus inform many of the subsequent chapters, which address a wide variety of aspects of medievalism, showing how many cultural areas it touches upon. Subjects include Evelyn Underhill's literary interest in the Arts and Crafts Movement; the Anchoresses of the filmmaker Chris Newby and novelist Robyn Cadwallader; cinematic battle orations; contemporary representations of Viking helmet horns; modern board-game culture; and Vincent Van Gogh's Studio of the South. The volume also includes a transcription and contextualization of the celebrated scholar Helen Waddell's notes on medieval texts.
Iberoamerican Neomedievalisms
2023
This is the first volume fully dedicated to Iberoamerican neomedievalisms. It examines “the Middle Ages\" and its uses in Iberoamerica: the Spanish and Portuguese American postcolonies. It is an especially timely topic as scholars in neomedievalism studies become increasingly conscious that the field has different trajectories outside Europe and beyond the English-speaking world. The collection provides needed alternatives to the by-now standardized understanding of neomedievalism as allied to nationalism, nostalgia, xenophobia, origin stories, elitism, and white Christian identity. It dislocates the field from its established trends and finds generative, yet unexplored examples of neomedievalism: political, religious, literary, and gendered. The volume will be of interest to established scholars of neomedievalism studies, to scholars of Latin America, and to the new and growing generation of students and colleagues interested in truly global neomedievalist studies.