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From King Arthur and Robin Hood, through to video games and jousting-themed restaurants, medieval culture continues to surround us and has retained a strong influence on literature and culture throughout the ages. This fascinating and illuminating guide is written by two of the leading contemporary scholars of medieval literature, and explores: The influence of medieval cultural concepts on literature and film, including key authors such as Shakespeare, Tennyson, and Mark Twain The continued appeal of medieval cultural figures such as Dante, King Arthur, and Robin Hood The influence of the medieval on such varied disciplines such as politics, music, children's literature, and art. Contemporary efforts to relive the Middle Ages. Medievalisms: Making the Past in the Present surveys the critical field and sets the boundaries for future study, providing an essential background for literary study from the medieval period through to the twenty-first century.

This is the first volume fully dedicated to Iberoamerican neomedievalisms. It examines “the Middle Ages\" and its uses in Iberoamerica: the Spanish and Portuguese American postcolonies. It is an especially timely topic as scholars in neomedievalism studies become increasingly conscious that the field has different trajectories outside Europe and beyond the English-speaking world. The collection provides needed alternatives to the by-now standardized understanding of neomedievalism as allied to nationalism, nostalgia, xenophobia, origin stories, elitism, and white Christian identity. It dislocates the field from its established trends and finds generative, yet unexplored examples of neomedievalism: political, religious, literary, and gendered. The volume will be of interest to established scholars of neomedievalism studies, to scholars of Latin America, and to the new and growing generation of students and colleagues interested in truly global neomedievalist studies.

This is the first volume fully dedicated to Iberoamerican neomedievalisms. It examines 'The Middle Ages' and its uses in Iberoamerica: the Spanish and Portuguese American postcolonies. It is an especially timely topic as scholars in neomedievalism studies become increasingly conscious that the field has different trajectories outside Europe and beyond the English-speaking world. The collection provides needed alternatives to the by-now standardized understanding of neomedievalism as allied to nationalism, nostalgia, xenophobia, origin stories, elitism, and white Christian identity. It dislocates the field from its established trends and finds generative, yet unexplored examples of neomedievalism: political, religious, literary, and gendered. The volume will be of interest to established scholars of neomedievalism studies, to scholars of Latin America, and to the new and growing generation of students and colleagues interested in truly global neomedievalist studies.

In Pornographic Archaeology: Medicine, Medievalism, and the Invention of the French Nation, Zrinka Stahuljak explores the connections and fissures between the history of sexuality, nineteenth-century views of the Middle Ages, and the conceptualization of modern France. This cultural history uncovers the determinant role that the sexuality of the Middle Ages played in nineteenth-century French identity.Stahuljak's provocative study of sex, blood, race, and love in nineteenth- and early twentieth-century medical and historical literature demonstrates how French medicine's obsession with the medieval past helped to define European sexuality, race, public health policy, marriage, family, and the conceptualization of the Middle Ages. Stahuljak reveals the connections between the medieval military order of the Templars and the 1830 colonization of Algeria, between a fifteenth-century French marshal and the development of Richard von Krafft-Ebing's theory of sadism, between courtly love and the 1884 law on divorce. Although the developing discipline of medieval studies eventually rejected the influence of these medical philologists, the convergence of medievalism and medicine shaped modern capitalist French society and established a vision of the Middle Ages that survives today.

Pilgrimage is undergoing a revival in western Europe, mainly as newly established or revitalised pilgrim routes, such as the Camino de Santiago in northern Spain. These trails have helped to foster the widespread idea that pilgrimage is essentially a journey: a spiritual or “meaningful” journey undertaken slowly, and preferably on foot, in the medieval tradition. The purpose of this article is to problematise this journey-oriented understanding of pilgrimage in Christian and post-Christian societies and to suggest that the importance given to the pilgrimage journey by many scholars, and by wider society, is more a product of modern Western values and post-Reformation culture than a reflection of historical and current-day religious practices. Drawing on evidence from a range of contemporary sources, it shows that many medieval pilgrims understood pilgrimage as a destination-based activity as is still the case at numerous Roman Catholic shrines today.

The Persian Gulf today is home to multiple cosmopolitan urban hubs of globalization. This did not start with the discovery of oil. This book tells of the Gulf from the rise of Islam until the coming of the Portuguese, when port cities such as Siraf, Sohar, and Hormuz were entrepots for trading pearls, horses, spices, and other products across much of Asia and eastern Africa. Indeed, products traded there became a key part of the material culture of medieval Islamic civilization, and the Gulf region itself was a crucial membrane between the Middle East and the world of the broader Indian Ocean. The book also highlights the long-term presence of communities of South Asian and African ancestry, as well as patterns of religious change among Jews, Christians, Zoroastrians, and Muslims that belie the image of a region long polarized between Arabs and Persians and Sunnis and Shi’ites.

The election of fringe political parties on the far and extreme right across Europe since spring 2014 has brought the political discourse of \"old Europe\" and \"tradition\" to the foreground. Writers and politicians on the right have called for the reclamation, rediscovery, and return of the spirit of national identities rooted in the medieval past. Though the \"medieval\" is often deployed as a stigmatic symbol of all that is retrograde, against modernity, and barbaric, the medieval is increasingly being sought as a bedrock of tradition, heritage, and identity. Both characterizations – the medieval as violent other and the medieval as vital foundation – are mined and studied in this book. It examines contemporary political uses of the Middle Ages to ask why the medieval continues to play such a prominent role in the political and historical imagination today.

This article examines tropes of (proto)colonialism in medieval European culture and Raymonda (Раймoнда), a ballet that premiered in St. Petersburg in 1898 and is set during the Fifth Crusade (1217–1221). Juxtaposing premodern travel accounts with a postmedieval dance creation, this study illuminates how religious otherness, imperial ambitions, and feminine resistance frame representations of dance spectacle and spectatorship. Following a synopsis of the ballet, the subsequent section considers Raymonda’s Muslim characters vis-à-vis medieval texts and images. Here, I incorporate Crusades-era sources, travel literature, and their accompanying iconography alongside the characterizations and aesthetics that pervade Raymonda. These comparisons apprehend the racializing and (proto)colonial thrust of crusader ideology and Russian imperialism. The final section historicizes Raymonda through medieval lyric and gestures toward an Afro-Islamicate ancestry of lyricism and ballet medievalism. Therefore, while traditional versions of Raymonda project Islamophobia, I posit that a rigorous examination of the Middle Ages imbues this ballet with profundity and intercultural nuance. Ultimately, this article demonstrates how a combined study of premodern travel and postmedieval dance may help scholars challenge the Eurocentrism, colonialism, and Whiteness that pervade medieval studies and the art of ballet.

Scholars have explored the rise of far-right reactionary political parties in Europe over the last decade. However, social movements reflecting similar political orientations have rarely been conceptualized as “reactionary.” To better understand the political orientations of reactionary transnational social movements such as the Identitarians and the Defence Leagues, we explore how and why ethnonational symbols derived from the medieval period are utilized by adherents. This interdisciplinary investigation argues that, through processes of mediated political medievalism, ethnonational symbols are used as strategic framing devices to reimagine an idealized “golden age” of distinct European nations, to assign blame for the erosion of ethnonational identity through multiculturalism, immigration and “Islamization,” to establish an intergenerational struggle against the supposed incursion of Islam in Europe, and to proscribe and justify the use of violence as a means of re-establishing the primacy of European nations.

An exploration of life in the early medieval West, using pigs as a lens to investigate agriculture, ecology, economy, and philosophy In the early medieval West, from North Africa to the British Isles, pigs were a crucial part of agriculture and culture. In this fascinating book, Jamie Kreiner examines how this ubiquitous species was integrated into early medieval ecologies and transformed the way that people thought about the world around them. In this world, even the smallest things could have far-reaching consequences.   Kreiner tracks the interlocking relationships between pigs and humans by drawing on textual and visual evidence, bioarchaeology and settlement archaeology, and mammal biology. She shows how early medieval communities bent their own lives in order to accommodate these tricky animals-and how in the process they reconfigured their agrarian regimes, their fiscal policies, and their very identities. In the end, even the pig's own identity was transformed: at the close of the early Middle Ages, it had become a riveting metaphor for Christianity itself.